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The Best American Science Fiction and Fantasy 2021

Электронная книга - «The Best American Science Fiction and Fantasy 2021». Краткое содержание книги:

The best science fiction and fantasy stories of 2021, selected by series editor John Joseph Adams and guest editor Veronica Roth.
This year’s selection of science fiction and fantasy stories, chosen by series editor John Joseph Adams and bestselling author of the Divergent series Veronica Roth, showcases a crop of authors that are willing to experiment and tantalize readers with new takes on classic themes and by exchanging the ordinary for the avant-garde. Folktales and lore come alive, the dead rise, the depths of space are traversed, and magic threads itself through singular moments of love and loss, illuminating the circulatory nature of life, death, the in-between, and the hereafter.
The Best American Science Fiction and Fantasy 2021 captures the all-too-real cataclysm of human nature, claiming its place in the series with compelling prose, lyrical composition, and curiosity’s never-ending pursuit of discovering the unknown.
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“Hi,” he said. “I’m Jeff Stills. Grace says you’re looking for a show?”

“Yes, my mother—”

“Grace said. Let’s see what we can do.”

He handed her a laminated guest pass on a lanyard and waited while she put it on, then led her through a security door and down a long, low-ceilinged corridor, punctuated by framed stills from various shows. No Uncle Bob. “Have you been here before?”

“When I was a kid.”

“Hmm. I’ll bet it looks pretty different. This whole back area was redone around 2005, after the roof damage. Then the lobby about five years ago.”

She hadn’t had any twinges of familiarity, but at least that explained some of it. She’d forgotten about the blizzard that wrecked the roof; she’d been long gone by then.

“Hopefully whatever you’re looking for wasn’t among the stuff that got damaged by the storm. What are you looking for?”

The Uncle Bob Show. Do you know it?”

“Only by name. I’ve seen the tapes on the shelf, but in the ten years I’ve been here, nobody has ever asked for a clip. Any good?”

“No.” Stella didn’t hesitate. “It’s like those late-night horror hosts, Vampira or Elvira or whatever, except they forgot to run a movie and instead let the host blather on.”

They came to a nondescript door. The low-ceilinged hallway had led her to expect low-ceilinged rooms, but the space they entered was more of a warehouse. A long desk cluttered with computers and various machinery occupied the front, and then the space opened into row upon row of metal shelving units. The aisles were wide enough to accommodate rolling ladders.

“We’ve been working on digitizing, but we have fifty years of material in here, and some stuff has priority.”

“Is that what you do? Digitize?”

“Nah. We have interns for that. I catalog new material as it comes in, and find stuff for people when they need clips. Mostly staff, but sometimes for networks, local news, researchers, that kind of thing.”

“Sounds fun,” Stella said. “How did you get into the field?”

“I majored in history, but never committed enough to any one topic for academic research. Ended up at library school, and eventually moved here. It is fun! I get a little bit of everything. Like today: a mystery show.”

“Total mystery.”

She followed him down the main aisle, then several aisles over, almost to the back wall. He pointed at some boxes above her head.

“Wow,” she said. “Do you know where everything is without looking it up?”

“Well, it’s alphabetical, so yeah, but also they’re next to Underground, which I get a lot of requests for. Do you know what year you need?”

“1982? My mother couldn’t remember exactly, but that’s the year I turned seven.”

Jeff disappeared and returned pushing a squeaking ladder along its track. He climbed up for the UNCLE BOB SHOW 1982 box. It looked like there were five years’ worth, 1980 to 1985. She followed him back toward the door, where he pointed her to an office chair.

“We have strict protocols for handling media that hasn’t been backed up yet. If you tell me which tapes you want to watch, I’ll queue them up for you.”

“Hmm. Well, my birthday is in July, so let’s pick one in the last quarter of the year first, to see if I’m in there.”

“You don’t know if you are?”

She didn’t want to admit she didn’t remember. “I just don’t know when.”

He handed her a pair of padded headphones and rummaged in the box. She’d been expecting VHS tapes, but these looked like something else—​Betamax, she guessed.

The show’s format was such that she didn’t have to watch much to figure out if she was in it or not. The title card came on, then the episode’s children rushed in. She didn’t see herself. She wondered again if this was a joke on her mother’s part.

“Wait—​what was the date on this one?”

Jeff studied the label on the box. “October ninth.”

“I’m sorry. That’s my mother’s birthday. There’s no way she stood around in a television studio that day. Maybe the next week?”

He ejected the tape and put it back in its box and put in another, but that one obviously had some kind of damage, all static.

“Third time’s the charm,” he said, going for the next tape. He seemed to believe it himself, because he dragged another chair over and plugged in a second pair of headphones. “Do you mind?”

She shook her head and rolled her chair slightly to the right to give him a better angle. The title card appeared.

“It’s a good thing nobody knows about this show or they’d have been sued over this theme song,” he said.

Stella didn’t answer. She was busy watching the children. She recognized the first few kids: Lee Pool first, a blond beanpole; poor Dan Heller; Addie Chapel, whose mother had been everyone’s pediatrician.

And then there she was, little Stella Gardiner, one of the last through the door. She wasn’t used to competing for toys, so maybe she didn’t know she needed to get in early, or maybe they were assigned an order behind the scenes. She’d thought seeing herself on screen would jog her memory, give her the studio or the stories or the backstage snacks, but she still had no recollection. She pointed at herself on the monitor for Jeff’s benefit, to show they’d found her. He gave her a thumbs-up.

Little Stella seemed to know where she was going, even if she wasn’t first to get there. Lee Pool already had the T. rex, but she wouldn’t have cared. She’d liked the big dinosaurs, the bigger the better. She emerged from the toy pit with a matched pair. Brontosaurus, apatosaurus, whatever they called them these days. She could never wrap her head around something that large having existed. So yeah, the dinosaurs made sense—​it was her, even if she still didn’t remember it.

She carried the two dinosaurs toward the set’s edge, where she collected some wooden trees and sat down. She was an only child, used to playing alone, and this clearly wasn’t her first time in this space.

The camera lost her. The focus, of course, was on Uncle Bob. She had been watching herself and missed his entrance. He sat in his chair, children playing around him. Dan Heller zoomed around the set like a satellite in orbit, a model airplane in hand.

“Once upon a time there was a little boy who wanted to go fast.” Uncle Bob started a story without waiting for anyone to pay attention.

“He liked everything fast. Cars, motorcycles, boats, airplanes. Bicycles were okay, but not the same thrill. When he rode in his father’s car, he pretended they were racing the cars beside them. Sometimes they won, but mostly somebody quit the race. His father was not a fast driver. The little boy knew that if he drove, he’d win all the races. He wouldn’t stop when he won, either. He’d keep going.

“He liked the sound of motors. He liked the way they rumbled deep enough to rattle his teeth in his head, and his bones beneath his skin; he liked the way they shut all the thinking out. He liked the smell of gasoline and the way it burned his nostrils. His family’s neighbors had motorcycles they rode on weekends, and if he played in the front yard they’d sometimes let him sit on one with them before they roared away, leaving too much quiet behind. When they drove off, he tried to re-create the sound, making as much noise as possible until his father told him to be quiet, then to shut up, then ‘For goodness’ sake, what does a man have to do to get some peace and quiet around here on a Saturday morning?’ ” Dan paused his orbit and turned to face the storyteller. Two other kids had stopped to pay attention as well; Stella and the others continued playing on the periphery.

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