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The Vengeance of Rome

Электронная книга - «The Vengeance of Rome». Краткое содержание книги:

Born in Ukraine on the first day of the century, a Jewish antisemite, Pyat careered through three decades like a runaway train. Bisexual, cocaine-loving engineer/inventor/spy, he enthusiastically embraces Fascism. But his extraordinary luck leaves him after he witnesses Hitler's massacre of R”hm and the SA. At last he is swallowed up in a Dachau concentration camp. Thirty years later, having survived the Spanish Civil War, he is living in Portobello Road and telling his tale to a writer called Moorcock.
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No wonder the Hollywood studios were all over Berlin, especially at UfA’s great Neubabelsberg headquarters where American scouts were courting all the top directors and stars. Germany, as the German papers never stopped telling us, was second only to America in film production and exports. UfA owned film, distributor and the cinema we sat in.

We left just before the lights went up. Röhm said he hadn’t seen a more delightful film in years. We were both humming the melodies as he led me into the street and hailed a cab, shoving me through the door and giving an address in the respectable southern suburb. Once in the cab he pulled down the blinds and relaxed. ‘Nobody on our tail,’ he said.

I began to think he was disturbed. Or did he know more than I did?

I asked him where we were going, and he smiled tenderly, kissing me briefly on the cheek. ‘Home,’ he said. ‘You’ll love it. They’ll love you. You’ll behave yourself. You always do.’

Sure enough, to my enormous astonishment, Röhm was taking me to meet his family!

Röhm’s mother and sister lived in a very pleasant house in a tree-lined avenue. The main parlour, where I sat while Röhm had a private word with his sister, was dominated by a mirror-polished ebony grand piano. Otherwise the room was rather sparsely furnished and seemed hardly used. It looked out through long French windows to a balcony and the wide street beyond the trees. Prints of Ney and Wellington hung on the walls, pictures of Cromwell’s victories, military engravings of Prussian cavalry on parade. A bust of Beethoven in black marble looked over the piano. Pale green wallpaper. A pretty Meissen urn on the piano’s dark reflection. Clearly Röhm, rather than his mother and sister, had furnished this parlour. It had an austere, masculine air to it, was not ‘lived in’, but more likely ‘mused’ in. Röhm played the piano less and less because his long, sensitive fingers had begun to feel, he said, as if they were full of shrapnel. I knew the sensation. Sometimes I have it in my stomach.

I could not help being mystified. First Röhm warned that our intimacy must no longer be public. Then he took me to visit his mother! I think, looking back, that he was in emotional turmoil and I must say I cannot blame him. Perhaps he wanted me to see this other side of him because some instinct warned him that he would be ferociously libelled by his enemies within the party and, through them, by the world. Did he understand that somehow I would survive the coming deluge? Is that why he wanted me to know what I already knew, that he was a sophisticated and sensitive human being? Behind that military swagger, that Bavarian bonhomie, that fixed conservatism of his class and calling, there was, I believe, an artist, an intellectual. He could be cruel. At times he could certainly advocate and order brutality, even if he did not take part in it. But these were brutal times. Like the soldier-priests of old, a man had to cultivate the sword as well as the pen to survive in post-war Germany. I was not nervous of him. He loved me. In a way I also loved him. Germany might fear him, but I did not.

Certainly at that moment I was more nervous of meeting Frau Röhm than I was of being the victim of Hitler’s vengeance. A servant girl shuffled in wearing a somewhat ill-fitting uniform, as if she had only recently taken the job and inherited the previous incumbent’s clothes. With a peasant’s heavy-handedness she brought in a coffee tray and a cake stand while an older, rather stooped woman followed her, carefully carrying some plates. Like the maid, the woman was dressed in black, but hers were familiar widow’s weeds of the kind worn by so many women in those days. Behind this matron came a woman only a little older than Röhm himself, I guessed. She, too, wore a simple black dress with a black jacket. Her expression was amiable, on a broad, glowing Bavarian face. I detected no close family resemblance. Röhm’s features were altogether finer than his relatives’ and suggested that his father’s had been the dominant genes. Neither woman wore much make-up. Frau Röhm had a healthy, rather scrubbed appearance. These plain women somehow looked out of place in that austere, masculine room. They needed the comforts of their class, their floral prints and chintz and china, to give them any colour at all.

They arrived like strangers and arranged stiff-backed Empire chairs around the coffee and the cakes, smiling and nodding at me vaguely, as if they were not sure I could speak. I clicked my heels and bowed in the Prussian fashion. They seemed impressed by this. We exchanged greetings. As we did so, Röhm came hurrying back into the room. He kissed his mother’s hand, patted his sister on the arm, asked after his brother, who was not at home, and announced me as Herr Max Peters, the American film actor. Then I suddenly guessed he was fulfilling a promise to them. His mother and sister already knew who I was and had probably seen some of my films. Like most women, they were curious about celebrity. A hint of Hollywood engaged even the least imaginative Hausfrau.

While the clumsy servant handed us our plates and offered elaborate cream pastries, I made conversation in my rather old-fashioned German. I had learned more Yiddish than German when I had worked for the Jew in Odessa, but I think I succeeded in answering their enquiry I was not planning to go back to Hollywood immediately. I had fallen in love with Bavaria. But, of course, I was still an employee of Il Duce. This was another personality who interested them, so we chatted a little about Mussolini whom, naturally, I was not particularly well disposed towards just then. I told them what a wonderful woman Signora Rachele Mussolini was and what lovely children she had, how Signor Mussolini took a personal interest in his sons and, no matter how busy with affairs of state, was still able to give them the attention and discipline they needed from a father. I mentioned that Signora Mussolini had personally asked me to teach her son Bruno to fly. Like their father they already rode very well. The boys would grow up as true Italian gentlemen.

This news was greeted with considerable approval by the women and caused Röhm to murmur some remark into his coffee cup which had both of us smiling. But I recovered myself. I had no intention of letting Röhm down. He clearly had considerable affection for his mother yet addressed her in that familiar, faintly mocking, slightly hectoring way his generation had with older people. I think that, too, had something to do with the War. You became impatient with their sentimentality. You could not tell them of the horrors you had seen.

Frau Röhm asked me what I thought of the Vatican. Had I been received by the Pope? I told her that the Vatican did something to my soul. I would soon be granted an audience with the Pope. She said that she hoped the Pope would now be able to do something about the political situation. Mussolini had kept his word and restored the Vatican’s power. She was a woman of sharp intelligence. She spoke of the crisis in the Reichstag, the threat to Brüning’s chancellorship. Rather than correct her misunderstanding of the situation, Röhm chuckled and said there seemed little hope of the Chancellery now, but perhaps next time. We were trying to run before we could walk. ‘Alf’s temporarily lost his powers. All we can do for the moment is keep him up there in general view. It would be fatal if he lost his position with the public now.’

Frau Röhm had listened without hearing him. When he had finished she turned to me with a pleasant smile. ‘You are a famous American cowboy star, I understand, Herr Peters. But all Americans are from somewhere else, I know!’

I told her that my parents were from Madrid. Until recently my great-uncle had been Archbishop of Sta Maria. I did not really lie so much as use a code, letting her know how I was ‘one of us’. This stopped any barrier forming between us. She was, as a Catholic, clearly reassured by my response. That I held to the true Eastern Church was unimportant. That we both worshipped Jesus Christ was what bound us. I was telling her that I accepted her value system. It is often a mistake to accuse someone of telling a lie. Often they are telling the truth disguised by a lie.

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