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The Seeds of Time

Электронная книга - «The Seeds of Time». Краткое содержание книги:

‘JOHN WYNDHAM probably ranks with Ray Bradbury as one of the best, and certainly one of the best-known, post-war science fiction writers. Like Bradbury, Mr Wyndham cares nothing for details of technology. His stories are exercises in wonder; they twist old formulae (love, humour, adventure, grand guignol, evocation of mood) into new and wholly unexpected shapes. The machinery of the plot may have to do with space travel or time travel robots or the logic of chance, but the stories themselves are real stories, stories with a point to them …’
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She was tall, and slender, and good-looking-not pretty, something better than that. And I went on looking. She wore a rather ordinary tweed skirt and dark-green knitted jumper. Her shoes, however, were a little odd; low-heeled, but a bit fancy; they didn’t seem to go with the rest.

There was something else out of place, too, though I did not fix it at the moment. Only afterwards did I realize that it must have been the way her fair hair was dressed-very becoming to her, but the style was a bit off the beam. You might say that hair is just hair, and hairdressers have infinite variety of touch, but they haven’t. There is a kind of period style overriding current fashion; look at any photograph taken thirty years ago. Her hair, like her shoes, didn’t quite suit the rest.

For some seconds she stood there frozen, quite unsmiling. Then, as if she were not quite awake, she took a step forward to cross the road. At that moment the Market Hall clock chimed. She glanced up at it; her expression was suddenly all alarm. She turned, and started running up the pavement, like Cinderella after the last bus.

I got into my car wondering who she had mistaken me for. I was perfectly certain I had never set eyes on her before.

The next day when the barman at The Bull set down my pint, he told me:

‘Young woman in here asking after you, Mr Lattery. Did she find you? I told her where your place is.’

I shook my head. ‘Who was she?’

‘She didn’t say her name, but…’ he went on to describe her. Recollection of the girl on the other side of the street came back to me. I nodded.

‘I saw her just across the road. I wondered who she was.’ I told him.

‘Well, she seemed to know you all right. “Was that Mr Lattery who was in here earlier on?” she says to me. I says yes, you was one of them. She nodded and thought a bit. “He lives at Bagford House, doesn’t he?” she asks. “Why, no Miss,” I says, “that’s Major Flacken’s place. Mr Lattery, he lives out at Chatcombe Cottage.” So she asks me where that is, and I told her. Hope that was all right. Seemed a nice young lady.’

I reassured him. ‘She could have got the address anywhere. Funny she should ask about Bagford House-that’s a place I might hanker for, if I ever had any money.’

‘Better hurry up and make it, sir. The old Major’s getting on a bit now,’ he said.

Nothing came of it. Whatever the girl had wanted my address for, she didn’t follow it up, and the matter dropped out of my mind.

It was about a month later that I saw her again. I’d kind of slipped into the habit of going riding once or twice a week with a girl called Marjorie Cranshaw, and running her home from the stables afterwards. The way took us by one of those narrow lanes between high banks where there is barely room for two cars to pass. Round a corner I had to brake and pull right in because an oncoming car was in the middle of the road after overtaking a pedestrian. It pulled over, and squeezed past me. Then I looked at the pedestrian, and saw it was this girl again. She recognized me at the same moment, and gave a slight start. I saw her hesitate, and then make up her mind to come across and speak. She came a few steps nearer with obvious intention. Then she caught sight of Marjorie beside me, changed her mind, with as bad an imitation of not having intended to come our way at all as you could hope to see. I put the gear in.

‘Oh,’ said Marjorie in a voice that penetrated naturally, and a tone that was meant to, ‘who was that?’

I told her I didn’t know.

‘She certainly seemed to know you,’ she said, disbelievingly. Her tone irritated me. In any case it was no business of hers. I didn’t reply.

She was not willing to let it drop. ‘I don’t think I’ve seen her about before,’ she said presently.

‘She may be a holiday-maker for all I know,’ I said. ‘There are plenty of them about.’

‘That doesn’t sound very convincing, considering the way she looked at you.’

‘I don’t care for being thought, or called, a liar,’ I said.

‘Oh, I thought I asked a perfectly ordinary question. Of course, if I’ve said anything to embarrass you ‘

‘Nor do I care for sustained innuendo. Perhaps you’d prefer to walk the rest of the way. It’s not far.”

‘I see, I am sorry to have intruded. It’s a pity it’s too narrow for you to turn the car here,’ she said as she got out.

‘Goodbye, Mr Lattery.’

With the help of a gateway it was not too narrow, but I did not see the girl when I went back. Marjorie had roused my interest in her, so that I rather hoped I would. Besides, though I still had no idea who she might be, I was feeling grateful to her. You will have experienced, perhaps, that feeling of being relieved of a weight that you had not properly realized was there?

Our third meeting was on a different plane altogether. My cottage stood, as its name suggests, in a coombe which, in Devonshire, is a small valley that is, or once was, wooded.

It was somewhat isolated from the other four or five cottages there, being set in the lower part, at the end of the track. The heathered hills swept steeply up on either side. A few narrow grazing fields bordered both banks of the stream. What was left of the original woods fringed between them and the heather, and survived in small clumps and spinneys here and there.

It was in the closest of these spinneys, on an afternoon when I was surveying my plot and deciding that it was about time the beans came out, that I heard a sound of small branches breaking underfoot. I needed no more than a glance to find the cause of it; her fair hair gave her away. For a moment we looked at one another as we had before.

‘Er-hullo,’ I said.

She did not reply at once. She went on staring. Then: ‘Is there anyone in sight?’ she asked.

I looked up as much of the track as I could see from where I stood, and then up at the opposite hillside.

‘I can’t see anyone,’ I told her.

She pushed the bushes aside, and stepped out cautiously, looking this way and that. She was dressed just as she had been when I first saw her-except that her hair had been a trifle raked about by branches. On the rough ground the shoes looked even more inappropriate. Seeming a little reassured she took a few steps forward.

‘I ‘ she began.

Then, higher up the coombe, a man’s voice called, and another answered it. The girl froze for a moment, looking scared.

They’re coming. Hide me somewhere, quickly, please,’ she said.

‘Er ‘ I began, inadequately.

‘Oh, quick, quick. They’re coming,’ she said urgently. She certainly looked alarmed.

‘Better come inside,’ I told her, and led the way into the cottage.

She followed swiftly, and when I had shut the door she slid the bolt.

‘Don’t let them catch me. Don’t let them,’ she begged.

‘Look here, what’s all this about. Who are “they?”’ I asked.

She did not answer that; her eyes, roving round the room, found the telephone.

‘Call the police,’ she said. ‘Call the police, quickly.’ I hesitated. ‘Don’t you have any police?’ she added.

‘Of course we have police, but …’

‘Then call them, please.’

‘But look here ‘ I began.

She clenched her hands.

‘You must call them, please. Quickly.’

She looked very anxious.

‘All right, I’ll call them. You can do the explaining,’ I said, and picked up the instrument.

I was used to the rustic leisure of communications in those parts, and waited patiently. The girl did not; she stood twining her fingers together. At last the connection was made:

‘Hullo,’ I said, ‘is that the Plyton Police?’

‘Plyton Police ‘ an answering voice had begun when there was an interruption of steps on the gravel path, followed by a heavy knocking at the door. I handed the instrument to the girl and went to the door.

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