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Go Tell the Bees That I Am Gone

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#1 New York Times bestselling author Diana Gabaldon returns with the newest novel in the epic Outlander series.
The past may seem the safest place to be . . . but it is the most dangerous time to be alive. . . .
Jamie Fraser and Claire Randall were torn apart by the Jacobite Rising in 1746, and it took them twenty years to find each other again. Now the American Revolution threatens to do the same. It is 1779 and Claire and Jamie are at last reunited with their daughter, Brianna, her husband, Roger, and their children on Fraser’s Ridge. Having the family together is a dream the Frasers had thought impossible. Yet even in the North Carolina backcountry, the effects of war are being felt. Tensions in the Colonies are great and local feelings run hot enough to boil Hell’s teakettle. Jamie knows loyalties among his tenants are split and it won’t be long until the war is on his doorstep. Brianna and Roger have their own worry: that the dangers that provoked their escape from the twentieth century might catch up to them. Sometimes they question whether risking the perils of the 1700s—among them disease, starvation, and an impending war—was indeed the safer choice for their family. Not so far away, young William Ransom is still coming to terms with the discovery of his true father’s identity—and thus his own—and Lord John Grey has reconciliations to make, and dangers to meet . . . on his son’s behalf, and his own. Meanwhile, the Revolutionary War creeps ever closer to Fraser’s Ridge. And with the family finally together, Jamie and Claire have more at stake than ever before.
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As a brief example, here is kahentinetha’s[3] description of naming, which doesn’t agree with the naming of Ian Murray’s son in the novels. One could argue that the circumstances were quite different and that the people involved were connected with Joseph Brant and thus not living entirely within the normal cultural environment, and I think that’s valid. But I did want to provide kahentinetha’s information, just as illustration (and in thanks for her very elegant commentary):

Prayed—we don’t pray like Christians. We gather together in our clan and describe the dream. We do not interpret the dream. We are to wait for the next dream and a sign that will give the meaning to the initial dream. Also the name is given by the people and the baby is presented to all the clans in the longhouse. When the person dies, the last night before he is buried, there is a ceremony to take back the name so he or she leaves without it. Now somebody else can use it. No two persons in the world can have the same name. The oldest person with the name can keep it but the younger person has to go back to the longhouse, wear new clothes and receive a new name.

—KAHENTINETHA BEAR (quoted by permission)

Acknowledgments

As always, this book is a Big Monster that took several years to write. In that time, dozens—if not hundreds—of helpful people have given me assistance and information, and while I’ve tried to note and remember them all, I’m sure I’m omitting any number of kind souls—who are nonetheless Deeply Appreciated!

I’d like to acknowledge especially …

… My much-valued editors, Jennifer Hershey (US) and Selina Walker (UK), Erin Kane (editorial associate), and the Penguin Random House “team” that have been invaluable in the editing, publishing, and promotion of my books over so many years—and are still at it:

… Kara Welsh, Kim Hovey, Allison Schuster, Quinne Rogers, Melanie DeNardo, Jordan Pace, Bridget Kearney—and—

… The long-suffering and noble production people who actually get an unwieldy manuscript between covers: Lisa Feuer, Kelly Chian, and Maggie Hart. And—

… Laura Jorstad and Kathy Lord, copy editors, whose tireless skill kept this book on the (mostly) straight-and-narrow path of correct spelling, usage, and other things I wouldn’t have thought of. And—

… Most Particularly, Virginia Norey, Book Goddess, the designer of this beautiful book and so many more!

… and a Very Special Acknowledgment to my dear friend and German translator, Barbara Schnell, without whose keen eye and helpful commentary this book would have LOTS more errors than it (undoubtedly) does.

Also …

… the Reverend Julia Wiley, Church of Scotland, for her invaluable insights and advice regarding the spiritual development and ordination of a Presbyterian minister;

… Dr. Karmen Schmidt, for her elegant advice on matters medical, anatomical, and apiarial;

… Susan Butler, personal assistant and proofreader, without whom nothing would ever be mailed and the household would descend into complete disorder;

… Loretta McKibben, my webmistress (of diana.gabaldon.com), oldest friend, and expert on matters astronomical and astrophysical;

… Janice Millford, who keeps the incoming email in order and prevents my being permanently submerged;

… Karen Henry, moderator and Chief Bumblebee-Herder of the Diana Gabaldon Section of the Literary Forum (TheLitForum.com) for lo, these many years, and

… Sandy Parker, who, with Karen, is a member of the Cadre of Eyeball-Numbing Nitpickery, without whom there would be many more errors in these books than there are;

… my two agents, Russell Galen and Danny Baror, who together have achieved Great Things over the years, for Outlander and for me;

… the fabulous Catherine MacGregor—multilingual translator par excellence, and the wonderful Cathy-Ann MacPhee and Madame Claire Fluet, who have provided most of the Gaelic and French expressions used in this book; also—

… Adhamh O’Broin, who provided Amy Higgins’s Gaelic ant execration; and—

… kahentinetha bear, who was most helpful with the representations of kanienkehaka language and culture; and Eva Fadden, who provided advice and help with Mohawk dialogue for both this book and the Outlander TV show, and—

… the many, many miscellaneous kind souls from social media who have contributed local geographical or historical observations, advice on spelling and pronunciation of words in languages I don’t speak, and helpful anecdotes—as well as hundreds of fabulous bee photos.

Also, a special thanks to Tina Anderson and Dr. Bill Amos, who each donated a large amount via auction at the Amelia Island Book Festival, for the furtherance of the Amelia Island Foundation’s educational goals (providing individually owned books to every child on the island), and who in consequence are represented in this book as a.) a glamorous Savannah socialite, and b.) (by request) “a burly, black-haired Highlander.”

My apologies to all the people I’ve momentarily forgotten; you live in my heart and return (if sporadically) always to my memories.

Find out where the journey begins …

THIS IS JUST 

THE BEGINNING

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PENGUIN BOOKS

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Penguin Books is part of the Penguin Random House group of companies whose addresses can be found at global.penguinrandomhouse.com.

First published in the United States by Delacorte Press, an imprint of Random House, a division of Penguin Random House LLC, New York

First published in the United Kingdom by Century

Copyright © Diana Gabaldon 2021

The moral right of the author has been asserted

Cover images by Shutterstock

Cover design by Ceara Elliot

Map by Jeffrey L. Ward

Family tree by Donna Sinisgalli

Book design by Virginia Norey

ISBN: 978-1-473-51900-8

This ebook is copyright material and must not be copied, reproduced, transferred, distributed, leased, licensed or publicly performed or used in any way except as specifically permitted in writing by the publishers, as allowed under the terms and conditions under which it was purchased or as strictly permitted by applicable copyright law. Any unauthorized distribution or use of this text may be a direct infringement of the author’s and publisher’s rights and those responsible may be liable in law accordingly.

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fn3 kahentinetha (her name means “she makes the grass move”) informs me that the Mohawk don’t use capitalization, though she makes an exception for her blog, Mohawk Nation News, in order to make it more accessible to a general readership (www.mohawknationnews.com).

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