The Seeds of Time
- Автор: Уиндем Джон Паркс Лукас Бейнон Харрис
- Язык: английский
- Год: Michael Joseph
- ISBN: 0-7181-0362-9
- Жанр: Научная фантастика
Электронная книга - «The Seeds of Time». Краткое содержание книги:
When I opened my eyes, there, in front of me, was the vision of the damsel. She hadn’t a dulcimer, and she certainly did not look Abyssinian, but she was singing, very quietly. It was an odd song, and for all I knew it might have been about Mount Abora, for I couldn’t understand a word of it. We were in a room-well, yes, it was a room, though it was rather like being inside a bubble. It was all cool green, with a pearly iridescence, and the walls curving up so that you couldn’t tell where they became ceiling. There were two arched openings in the sides. Through them were tree tops, and a patch of blue sky. Close to one of them the girl was riddling with something I couldn’t see. She glanced towards me, and saw that my eyes were open. She turned, and said something that sounded like a question, but it meant absolutely nothing to me. I just looked back at her. She was worth looking at. A tall, beautifully proportioned figure, with brown hair caught back by a ribbon. The material of her dress was diaphanous, yet there was a vast amount of it, arranged in multitudes of cunning folds. It made me think of the pre-Raphaelites’ versions of the classical, and it must have been cobweb-light, for as she moved it swirled and hesitated in mid air. The result was rather like that frozen high-wind effect so popular in later Greek sculpture.
When I did not reply, she frowned a little and repeated her question-or so it seemed. I did not pay a lot of attention to the words. As a matter of fact I was thinking: ‘Well, that’s that. I’ve had it,’ and deciding that I was now in some kind of ante-room to heaven, or-well, anyway, an ante-room. I wasn’t scared; not even greatly surprised. I remember feeling, ‘Good, that’s a nasty experience finished with,’ and wondering a little that the prelude to eternity should so favour certain Victorian schools of painting.
When I still did not answer, her dark eyes widened a little. There was a look of wonder in them, perhaps a slight tinge of alarm, as she came towards me. Slowly she said:
‘You-are-not-Hymorell?’
Her English had a strange accent, and anyway I did not know what hymorell meant. I might be, or I might not. She went on:
‘Not-Hymorell ? Some-other-person ?’
It sounded as if Hymorell should be a name.
‘I’m Terry,’ I told her. ‘Terry Molton.’
There was a block of the green stuff near me. It looked hard, but she sat down on it, and stared at me. Her expression was half-disbelief, mixed with surprise.
By this time I was beginning to discover myself. I was lying on a long couch with some kind of coverlet over me. Experimentally I moved what ought to be my right leg-and the coverlet moved, too, right down to the foot. There wasn’t any pain, either. I sat up suddenly, and excitedly, feeling my legs, both of them. Then I did a thing I’d not let myself do in years-I burst into tears….
I can’t remember what we spoke of first. I suppose I was just too excited and bewildered to take it in. I do recall learning her name, and thinking it rather a mouthful Clytassamine.
I have a recollection of her speaking in her uncertain, foreign English, and of wondering how it came about that there could be a language problem at the gates of Paradise, but I was more concerned with myself. I threw back the coverlet, and found that I was naked beneath it. That didn’t worry me, nor apparently her. I sat staring at the legs. They weren’t mine. Now I came to look at it, the hand with which I felt them was not mine, either-but I could wriggle the toes and bend the fingers. I swung the legs over the side of the couch, and then I stood on them-for the first time in more than four years, I stood….
I am not going into a lot of detail. I have a nasty feeling that what I might say would be about as informative as a Trobriand Islander’s first impressions of New York. I just had to take most things on trust, the way he would.
There was a dressing machine. Clytassamine operated it someway, and the product came out of a slot in the wall. There was a whale of a lot of it, and not a seam to be seen. Pretty filmy and sissy, it seemed to me, but it satisfied her, so I let her help me put it on. When I was fixed she led the way out of the room. We emerged into a great hall built of the same green composition. I reckoned that if Manhattan were to sink into the Hudson, Grand Central Station might look a bit the way this place did.
There was a number of people about, none of them hurrying. All their clothes were of the filmy stuff, and all voluminous, but as far as colour and design went, it was apparently each to his own taste. To my unaccustomed eye all this swirling of draperies suggested a stately and somewhat decadent ballet. Our slippers were silent on the floor.
There was scarcely a sound other than the hum of quiet voices which rose and dispersed in the huge place without echo. To a stranger this deadening of sound felt oppressive. Clytassamine led the way to a row of double seats set against a wall, and pointed to the end one. I sat in it, and she beside me. It rose a little, perhaps four inches, from the floor, and began to drift across the room. In the middle we turned and slid silently towards a great arch at the far end.
Once outside we rose a little more until we had an elevation of about one yard above ground level. From the shallow platform to which the chair was attached a curved windscreen rose to cover us, and while I was still puzzling how such a thing could be contrived we speeded up to some twenty-five miles an hour, and swept out smoothly across park-like country, navigating a course between occasional trees and clumps of bushes. I supposed that she was controlling the contraption in some way, though I could not see how. I had to admit right off that in everything except speed it was a sweeter flying machine than any other I’ve known-more in the magic-carpet class.
It was a strange journey. Something over an hour, I imagine, and in all that time we never crossed nor even saw a road, though twice I noticed footpaths which looked little used. We sped through country which seemed to be an unending eighteenth-century park with never a cultivated field or garden. To help the illusion there were occasional herds of deer-like creatures which paid us no attention. The only signs of human existence were a few large buildings to be seen above the trees, but none of them on our course. Threading our way across the landscape was an eery sensation.
It took me a while to get used to it. Every time I saw a wood ahead I tried to pull back on a non-existent stick and hop over it, but apparently the contrivance didn’t work that way, for we always went round.
After half an hour or so I began to catch glimpses of a building on a hill ahead of us. I’m no architect, and I can’t describe it, but it was like nothing I had ever seen or imagined because every building I knew was based on some geometrical figure: this looked more as if it had grown. The walls were pearly, and without window openings.
Bushes grew close up against it, and some were even sprouting on top of it. The only reason I was sure it was a building was because it couldn’t be anything natural. I began to keep on looking for it as we got nearer, and with each new glimpse I was more astonished. I could see now that what I had thought to be small bushes were full-grown trees, even those on top of it. The thing was unbelievably immense. Then, in the midst of my amazement, I remembered myself, and smiled-the dope dream was running true to form: