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Ellery Queen’s Mystery Magazine. Vol. 17, No. 90, May 1951

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Ellery Queen’s Mystery Magazine. Vol. 17, No. 90, May 1951
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The older English people he found more easy to place. He could guess, with reasonable confidence, at their social standing and their mutual relations. He could also make something of the Americans. The French, on the other hand, he found mysterious in the extreme. These ladies, so very smart and so very highly finished — were they or were they not all that they should be? As for the men, he gave them up altogether. Some were clean-shaven, and were not to be distinguished from Englishmen until they spoke. Others wore dark suits and spade-shaped beards, and were at all times indistinguishable from one another.

At night, Mr. Cronk would watch the couples on the dancing-floor, and would think how pretty the girls looked now that long frocks were back in fashion. There was, he learned, to be a big masked ball in a week or so. He found himself looking forward to that with eagerness. In his quiet way he was enjoying himself hugely.

But though Mr. Cronk’s arrival seemed to cause no stir on the surface of life in the Hotel Splendide, it did in fact set in motion some odd crosscurrents below the surface. He would have been astonished and shocked, for instance, if he could have looked in at an extraordinary general meeting held in the back premises of the “Chat Noir” a day or two after he came.

The “Chat Noir” was a rather dubious gambling establishment, to which the respectable visitors to Plage-sur-Mer were accustomed to sneak off when they wanted a glimpse of the seamy side of life. But the meeting was held on the top floor, to which the respectable visitors were never allowed to penetrate; and the subject for discussion was “Cronk, And What To Do About Him.”

The gathering was a mixed one, socially and sartorially. It included several people whom Mr. Cronk might have recognized as denizens of different spheres in the hotel.

There was the extremely smart French Countess, with the blue-black hair and olive skin of the south, who took her meals at the table in the window in conspicuous and haughty solitude. She was now sitting beside, and hobnobbing familiarly with, her own maid. There was also the athletic-looking young English man who had signed the register just after Mr. Cronk on his day of arrival. There were two French guests, one anglicized, one spade-bearded. There was a person in a green baize apron, from the knife-and-boot department. There was a waiter. And there was the second supernumerary junior assistant hall porter.

The rest of the party were recognizable at a glance to any film-fan as thugs, toughs, or Bad Men. Useful fellows, no doubt, for their specialized purpose; but their hair grew too close to the eyebrows for them to appear either decorative or intelligent. Their contributions to the discussion consisted of grunts when they approved of what was being said, and of snarls when they did not.

The discussion was being carried on in English, as all the members of the assemblage were fluent in that tongue — except the low-browed Bad Men, for whose benefit a translation of the main lines of argument into easy French was made from time to time. The young Englishman, addressing the meeting, was being mildly heckled by the knife-and-boot man.

“But are you then well sure that it is Cronk?” asked Knives-and-Boots.

“Of course I am. I saw him at the trial, as close as I am to you. I knew him the instant he stepped on the boat.”

There was a heavy silence. The meeting thought hard for a space, and one of the Bad Men spat.

“He is clever, this Cronk?” said one of the Frenchmen.

“As the devil. Clever enough to look a fool. He’s deep — that’s what he is.”

“And you think he’s after us?”

“What else? The French police must have sent for him because they are afraid we know all their own agents. There’s too much good stuff going to be worn at that masked ball for them to leave anything to chance.”

“Well,” said the Countess’s maid, in a voice of calm authority, “we mustn’t leave anything to chance either. You’d better get called suddenly back to England, Charlie. Cronk may have recognized you. I’ll send for François instead.”

The Englishman looked mutinous for a. moment. Then he shrugged his shoulders.

“Oh, well,” he said. “I suppose it’s safer.”

“And meanwhile,” the maid went on, “we must find out what Cronk is here for. He may simply be having a holiday. If so, it would be madness to do anything that might arouse his suspicions. So I suggest that Louise have a go at him.”

“Me?” asked the Countess, in faint protest.

“You, my dear,” said the maid firmly. “And then we’ll meet again and discuss what’s to be done.”

Here one of the Bad Men snarled. The sound was understood by all present to be a suggestion.

“No,” said the maid severely. “None of your tricks, Alphonse, unless it is necessary. That’s all for today.”

The meeting dispersed as unobtrusively as it had collected.

Next morning, to his chagrin, Mr. Cronk committed a social blunder. He was crossing the lounge, and the French Countess (she whose aloof air he had been admiring from afar, in his humble way) was surveying her immaculate self in a long mirror. As Mr. Cronk passed behind her, she turned away from the glass and stepped back, with the result that he bumped into her and actually knocked her off her balance.

She staggered and only saved herself from falling by clutching at the back of a chair. Scarlet with shame, he stammered apologies. But the lady bore him no ill-will. She smiled, bowed graciously, and passed on her way with the unruffled serenity of the born aristocrat, leaving Mr. Cronk reflecting what a nice woman she must be.

When she appeared at lunch, he was admiring her stately progress up the room, when suddenly she caught his eye and gave him a smile of recognition. It was so fleeting an expression that he could hardly believe it had ever existed, yet so intimate and friendly that it warmed his heart.

At dinner she swept in looking so wonderful that Mr. Cronk was abashed, and kept his eyes on his soup plate, pretending not to have seen her. But afterwards, on the terrace, where he was drinking coffee, she came and ensconced herself in a chair near him. She had evidently not noticed that there was anybody in Mr. Cronk’s shadowy corner, for she did not throw a glance in his direction.

Now he could gaze without embarrassment, for she was full in his view. He did so. The night was warm and the terrace sheltered; and after a few moments she slipped off her wrap and threw it over the back of her chair. Mr. Cronk admired her poise even more than before.

A waiter brought coffee. She sipped it delicately. Then she produced a gold cigarette-case from her bag, took a cigarette, and put it to her lips.

The assured grace of her movements fascinated Mr. Cronk.

But now a slight frown appeared between her perfect brows. She opened her bag, peered into it, shut it again, and looked about her helplessly. Mr. Cronk was puzzled for a second. Then came enlightenment: she had no matches.

There were matches on all the tables about them, but she seemed not to realize this. Mr. Cronk’s hand sought the pocket of his dinner-jacket and found his nice new lighter. Dare he come to the rescue of beauty in distress, without an introduction? Could he bring himself to risk a snub? Might she not suspect, after this morning, that he was trying to scrape acquaintance with her?

As he sat in agony of indecision, the Countess herself caught sight of him, and solved his difficulty.

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