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The Seeds of Time

Электронная книга - «The Seeds of Time». Краткое содержание книги:

‘JOHN WYNDHAM probably ranks with Ray Bradbury as one of the best, and certainly one of the best-known, post-war science fiction writers. Like Bradbury, Mr Wyndham cares nothing for details of technology. His stories are exercises in wonder; they twist old formulae (love, humour, adventure, grand guignol, evocation of mood) into new and wholly unexpected shapes. The machinery of the plot may have to do with space travel or time travel robots or the logic of chance, but the stories themselves are real stories, stories with a point to them …’
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The Third Officer’s voice murmured:

‘The silence that is in the starry sky, The sleep that is among the lonely hills …”

Presently the Captain’s voice asked:

‘How’s the air, Doc?’

The doctor looked at his gauges.

‘It’s okay,’ he said, in some surprise. ‘Pressure’s about six ounces down, that’s all.’ He began to unfasten his helmet. The others copied him. The Captain made a face as he too^ his off.

‘The place stinks,’ he said, uneasily. ‘Let’s-get on with it-‘ He led the way towards the lounge. They entered it apprehensively.

The scene was uncanny and bewildering. Though the gyrations of the Falcon had been reduced, every loose object in her continued to circle until it met a solid obstruction and bounced off it upon a new course. The result was a medley of wayward items churning slowly hither and thither.

‘Nobody here, anyway,’ said the Captain, practically. ‘Doc, do you think ?’

He broke off at the sight of the doctor’s strange expression. He followed the line of the other’s gaze. The doctor was looking at the drifting flotsam of the place. Among the flow of books, cans, playing-cards, boots and miscellaneous rubbish, his attention was riveted upon a bone. It was large and clean and had been cracked open.

The Captain nudged him. ‘What’s the matter, Doc?’

The doctor turned unseeing eyes upon him for a moment, and then looked back at the drifting bone.

That-‘ he said in an unsteady voice-‘that, Skipper is a human femur.’

In the long moment that followed while they stared at the grisly relic the silence which had lain over the Falcon was broken. The sound of a voice rose, thin, uncertain, but perfectly clear. The three looked incredulously at one another as they listened:

‘Rock-a-bye baby

On the tree top

When the wind blows

The cradle will rock …’

Alice sat on the side of her bunk, swaying a little, and holding her baby to her. It smiled, and reached up one miniature hand to pat her cheek as she sang:

‘… When the bough breaks

The cradle will fall.

Down will ‘

Her song cut off suddenly at the click of the opening door.

For a moment she stared as blankly at the three figures in the opening as they at her. Her face was a mask with harsh lines drawn from the points where the skin was stretched tightly over the bones. Then a trace of expression came over it. Her eyes brightened. Her lips curved in a travesty of a smile.

She loosed her arms from about the baby, and it hung there in mid-air, chuckling a little to itself. She slid her right hand under the pillow of the bunk, and drew it out again, holding a pistol.

The black shape of the pistol looked enormous in her transparently thin hand as she pointed it at the men who stood transfixed in the doorway.

‘Look, baby,’ she said. ‘Look there! Food! Lovely food….’

Pawley’s Peepholes

WHEN I called round at Sally’s I showed her the paragraph in the Westwich Evening News.

‘What do you think of that?’ I asked her.

She read it, standing, and with an impatient frown on her pretty face.

‘I don’t believe it,’ she said, finally.

Sally’s principles of belief and disbelief are a thing I’ve never got quite lined up. How a girl can dismiss a pack of solid evidence as though it were kettle steam, and then go and fall for some advertisement that’s phoney from the first word as though it were holy writ, I just don’t… Oh, well, it keeps on happening, anyway.

This paragraph read:

MUSIC WITH A KICK

Patrons of the concert at the Adams Hall last night were astonished to see a pair of legs dangling knee-deep from the ceiling during one of the items. The whole audience saw them, and all reports agree that they were bare legs, with some kind of sandals on the feet. They remained visible for some three or four minutes, during which time they several times moved back and forth across the ceiling. Finally, after making a kicking movement, they disappeared upwards, and were seen no more. Examination of the roof shows no traces, and the owners of the Hall are at a loss to account for the phenomenon.

‘It’s just one more thing,” I said.

‘What does it prove, anyway?’ said Sally, apparently forgetful that she was not believing it.

‘I don’t know that-yet,’ I admitted.

‘Well, there you are, then,’ she said.

Sometimes I get the feeling that Sally has no real respect for logic.

However, most people were thinking the way Sally was, more or less, because most people like things to stay nice and normal. But it had already begun to look to me as if there were things happening that ought to be added together and make something.

The first man to bump up against it-the first I can find on record, that is-was one Constable Walsh. It may be that others before him saw things, and just put them down as a new kind of pink elephant; but Constable Walsh’s idea of a top-notch celebration was a mug of strong tea with a lot of sugar, so when he came across a head sitting up on the pavement on what there was of its neck, he stopped to look at it pretty hard. The thing that really upset him, according to the report he turned in when he had run half a mile back to the station and stopped gibbering, was that it had looked back at him.

Well, it isn’t good to find a head on a pavement at any time, and 2 a.m. does somehow make it worse, but as for the rest, well, you can get what looks like a reproachful glance from a cod on a slab if your mind happens to be on something else. Constable Walsh did not stop there, however. He reported that the thing opened its mouth ‘as if it was trying to say something’. If it did, he should not have mentioned it; it just naturally brought the pink elephants to mind. However, he stuck to it, so after they had examined him and taken disappointing sniffs at his breath, they sent him back with another man to show just where he had found the thing.

Of course, there wasn’t any head, nor blood, nor signs of cleaning up. And that’s about all there was to the incident save, doubtless, a few curt remarks on a conduct-sheet to dog Constable Walsh’s future career.

But the Constable hadn’t a big lead. Two evenings later a block of flats was curdled by searing shrieks from a Mrs Rourke in No. 35, and simultaneously from a Miss Farrell who lived above her. When the neighbours arrived, Mrs Rourke was hysterical about a pair of legs that had been dangling from her bedroom ceiling, and Miss Farrell the same about an arm and shoulder that had stretched out from under her bed. But there was nothing to be seen on the ceiling, and nothing more than a discreditable amount of dust to be found under Miss Farrell’s bed.

And there were a number of other incidents, too.

It was Jimmy Lindlen who works, if that isn’t too strong a word for it, in the office next to mine who drew my attention to them in the first place. Jimmy collects facts. His definition of a fact is anything that gets printed in a newspaper-poor fellow. He doesn’t mind a lot what subjects his facts cover as long as they look queer. I suspect that he once heard that the truth is never simple, and deduced from that that everything that’s not simple must be true.

I was used to him coming into my room, full of inspiration, and didn’t take much account of it, so when he brought in his first batch of cuttings about Constable Walsh and the rest I didn’t ignite much.

But a few days later he was back with some more. I was a bit surprised by his playing the same kind of phenomena twice running, so I gave it a little more attention than usual.

‘You see. Arms, heads, legs, torsos, all over the place.

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