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The Jealousy Man and Other Stories

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Jo Nesbø is known the world over as a consummate mystery/thriller writer. Famed for his deft characterization, hair-raising suspense and shocking twists, Nesbø’s dexterity with the dark corners of the human heart is on full display in these inventive and enthralling stories.
A detective with a nose for jealousy is on the trail of a man suspected of murdering his twin; a bereaved father must decide whether vengeance has a place in the new world order after a pandemic brings about the collapse of society; a garbage man fresh off a bender tries to piece together what happened the night before; a hired assassin matches wits against his greatest adversary in a dangerous game for survival; and an instantly electric connection between passengers on a flight to London may spell romance, or something more sinister.
With Nesbø’s characteristic gift for outstanding atmosphere and gut-wrenching revelations, The Jealousy Man confirms that he is at the peak of his abilities.
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‘It’s all right,’ I said. ‘I’m just trying to think.’

I put my hand to my forehead. Greco wasn’t crazy, not in the sense that he acted irrationally. It was just that with his particular personality disorders — a more precise diagnosis would probably be malign narcissism, which isn’t far away from psychopath — he operated with a rationale that was completely different from that of so-called normal people. If I was to predict his next move then I needed to understand him. We were revengers, both of us, but that was where the similarity ended. My crusade against the cartels was not just a form of spiritual cleansing, a way of muting my own pain; it was also principled: I wanted to tear down a world order in which the greediest and most unscrupulous profiteers had all the power. Greco didn’t want to torture me as a matter of principle, but for the brief, passing and sadistic pleasure it gave him. And in pursuit of that pleasure he was prepared to sacrifice the lives of innocent people. That was it. That had to be the reason why he didn’t just start the torture or the killing straight away; the pleasure would have been too brief. He wanted first to enjoy the knowledge that I knew what lay in store for me. This — my fear — was just his starter.

I went over my reasoning again.

There was something there that didn’t quite add up.

The direction in which I was thinking, that he just wanted to see me suffer — that was something he’d planted, it was exactly what he wanted me to think. It was too simple. He wanted something more. What does a narcissist want? He wants affirmation. He wants to know he’s best. Or, even more important, he wants everyone else to know he’s best. Naturally. He wants to show the whole business, the whole cartel world, that he’s better than me.

So far he’d managed to make me go along with everything he’d planned. I had run up the stairs to rescue the boy. I had managed to get us over to the other apartment. I had used the axe the way I was supposed to use it. I had...

I froze.

I had called Judith. He’d arranged it that way. He wanted me to call her. Why? Phone calls couldn’t be tracked and phones located the way people once could be. Silence.

I took the phone out again, tapped in her name. Pressed the phone to my ear. Silence.

The phone wasn’t ringing. I looked at the screen. The symbol showed not just a bad connection, it showed no connection at all. I crossed to the window, held the phone. Still no connection. We were in the middle of Milan, it wasn’t possible. Or, of course, it was possible. If someone installed a jamming apparatus in a room they could turn the jamming signal on and off at will.

I stared at the walls, trying to see where Greco might have hidden the box. On the ceiling, maybe? Was the box there to ensure I couldn’t call anyone once I had — predictably enough — called Judith? Greco probably thought that after all there just might be someone I could call who could possibly do something to upset his plans.

Accept. I had to accept that that possibility no longer existed. And I had to stop thinking about why it was he might possibly have wanted me to ring Judith, because there was nothing at all I could do about it. At least now she knew he was on the warpath, and I had to believe her when she said that she couldn’t be traced through the phone, and that he didn’t know where her apartment was, because not even I knew that.

I looked at my watch. And at the boy.

I had no doubt at all that Greco would use gas; he’d done so before. When the most brilliant inventor in the largest of the three electro-cartels took his vehicle in for repairs Greco had bribed a mechanic, entered the place by night and simply installed a gas pellet in the gearbox that would break open when the inventor put the gear lever into overdrive. The cartel’s security people had come for the car the following day, checked it for any explosive devices and then driven it through the heavily trafficked city streets to the house where he lived. It wasn’t until a few days later, when the inventor drove to his country home by Lake Como, that the car was out on a motorway and in due course he moved up into overdrive. The car went off the road close to one of the large bridges, rolled over and was crushed against the cobbles of a village square directly below. The death was recorded as a road accident. Not that insiders didn’t know gas was involved, for the death of everyone who is important for a company’s competitive success is always regarded as suspicious and involves an autopsy. But according to Judith the electro-cartel was anxious to play down the vulnerability of its security system as being bad for its reputation. The irony of it all was that within the drivers’ world I was the one given the credit for the attack, merely because on one occasion I had answered a query from another limo driver about how to eliminate this chemist who had an army to guard him and who rarely left his fortress home, and then only in a bulletproof car with his own personal driver and bodyguards for a skiing trip to the mountains at Bergamo. I suggested that one should track down the personal driver and hypnotise him without his knowing it, simply prime him with a trigger word which — when he heard or read it — would immediately put him into a trance. This type of hidden hypnosis leaves the person apparently exactly the same, and he feels exactly the same too. I suggested the trigger word should be a place name he would be bound to see along one of the fastest and most dangerous stretches of road between Milan and Bergamo.

I don’t know whether Greco was ever told of my suggestion and that was what inspired him, or what he thought about me being given the credit for the attack. The point is, I would never have carried out such a mission; I never do jobs in which innocent people can die.

Again I looked at my watch. The problem wasn’t that time was moving too fast. It moved slowly, but I was thinking even slower.

I had to get the boy out of the apartment before the gas was released.

If I could get the people down in the street to tear down one of the shop blinds, might they possibly be able to use it as a jumping sheet?

I crossed to the window and looked down.

A man in police uniform stood down there. Apart from him the street was empty.

‘Hey!’ I suddenly shouted. ‘I need help!’

The uniformed man looked up. He neither responded nor moved. And although he was too far away for me to see his face clearly, I noticed that the big man’s head seemed to have been beaten down between his shoulders. The pedestrian precinct was closed at both ends of the block by security tape, presumably fake too, like the uniform. I closed my eyes and cursed inwardly. Big as he was, and wearing that uniform, he probably had little trouble telling people to move on. The drama moreover was at an end; the fire had been put out and the boy and I presumably rescued. I looked across to the other side of the street. Tried to estimate the distance in metres. The fake policeman crossed the street and disappeared through the gate directly below me.

I stepped back inside and studied the apartment again. With the same result. There was just us in here, the four walls, a fire-axe and the decapitated body of the dog. I walked round the walls, hitting them with my fist. Brick.

‘You know how to write?’ I asked.

The boy nodded.

I took the Montegrappa pen from my inside pocket and handed it to him.

‘What’s your name?’ I asked, pulling up the sleeve of my coat so that he could write on the cuff of my white shirt. But it was saturated with blood from the bite wound, and before I could pull up the other sleeve he had turned to the wall and was writing on the pale blue wallpaper.

‘ “Oscar, eight years old”,’ I read aloud. Then I said: ‘Hi, Oscar, my name is Lukas. And you know what, we’re going to have to get out of here.’

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