The Vengeance of Rome
- Автор: Муркок Майкл
- Серия: Between The Wars #4
- Язык: английский
- Жанр: Научная фантастика
Электронная книга - «The Vengeance of Rome». Краткое содержание книги:
‘Keep it darn, Sershi,’ called Mrs Cornelius from behind the screen. ‘And don’t talk so fuckin’ much or I won’t ‘ave nuffink ter tell ‘im meself. An’ I’m tryin’ ter get a free dinner art o’ im.’
Seryozha draped his boneless body over two chairs and snorted. Sharing an even more exaggerated wink with me, he leaned forward and hissed, ’It’s her favourite darkie, dear. You know! Really sweet — and so intelligent!’
The only darkie of her acquaintance I ever knew was, of course, Mr Mix. I remember how disconsolate she had been after my ‘Sancho Panza’ disappeared off the ship in Casablanca.
‘It could not, of course, be Mr Mix —’
‘Oh, is it Mix?’ He tutted with self-disgust. ‘I thought it was Dix. The actor, dear, not the cowboy. English is hideous, isn’t it, Dimka? Everything sounds the same, like Chinese. All inflection and inference. It’s a slippery language, dear. You can’t trust it, can you? Not like Russian. You know where you are with Russian.’ He took out a snuffbox and cut us all a line of cocaine.
My loyal companion had found his patroness again. Mrs Cornelius had been more than kind to him, willingly devoting hours of her time to helping him. ‘Does Mr Mix know I’m here?’ I asked.
‘I’ll tell him, dear.’ He raised his eyebrows. ‘Sexy, mm?’ He took the first snuff. ‘Built like a rhino . . . ?’
‘My dear Seryozha, Mr Mix was my loyal servant on my travels across America and Africa. Our relationship was always formal. I never expected to see him again.’ I accepted his little Lalique mirror, a silver tube.
‘Oh, the man’s full of fun. So talented and entertaining. You and I, of course, prefer the more slender, East African type -’
‘I told yer ter shut it, Sersh.’ Mrs Cornelius’s voice became a guillotine. ‘We’ll orl be art o’ work if you don’t put a clip on them big flapping lips. Wot a marf, wot a marf, wot a norf an’ satf. . .’
I began to laugh both at his childish disappointment and at her glaring eyes as she stepped from behind the screen dressed for the street in a pretty black-and-white outfit. She wore a little matching hat on her platinum locks, a red rose in her lapel. With a tiny handbag under her arm, she trotted on slender high heels. I was able to stand up a little shakily and salute her. She said that as usual it looked as if I was rocking the cradle at both ends.
‘Yer orl pasty, Ivan.’ I was going to need a bit of self-discipline what with the work I had coming to me. ‘Yer’ve got yer big break at last, matey. I’ve ‘ad private detectives looking fer yer, an’ everyfing!’ She refused to say more until after the fish course.
I took her to dinner at the Restaurant Steiner in Rosenstrasse, an expensive place, all plush and crystal, serving dinner in the old High South German style. The meal would cost me most of my remaining money but would be worth it to celebrate our reunion. She was recognised by several customers who stood up to bow, and she very prettily bowed back. ’Keep in wiv ther sods while yer a’ead, Ivan, eh?’
I agreed enthusiastically.
We finished our fish, but she only really came down to business at the meal’s end. Stroking the glass which had taken the last of my month’s budget, she offered a huge comradely grin. ‘We’re quids in, Ivan. I can’t see ‘ow it can fail. But it was touch an’ go until I saw yer tonight. My ‘Uggy’s got this idea of doing a series o’ cowboy pictures, ‘ere in Germany, and selling ‘em ter America!’
She clearly thought the idea mad.
‘Which means ‘e’s got ter ‘ave stars known in America. Which is where you an’ me come in, ‘cause them bloody Masked Buckaroo serials are orl over ther bloody place ‘ere! They get ‘em cheap in job lots. Ya know ther sorta fing. Yer can ‘ave two Tom Mixes and a ‘Oot Gibson but yer got ter take twelve episodes of Masked Buckaroo at Devil’s Jump. I ain’t complainin’. The Krauts fink we’re the biggest fing in ‘Ollywood! Anyway, we don’t ‘ave ter go orl the way back ter Arizona. ‘Uggy says we can find the right scenery in the East. I fink ‘e means Austria. ‘E reckons we can crack ther English an’ American market wiv somefink closer to its tastes. And there’s nuffink the world likes better than a good cowboy picture. I don’t know if ‘e’s right or wrong, Ivan, but there’s a bit of money in it for you an’ me. Worf a try, eh? Fer as long as it larsts? ‘E’s gettin’ ‘is white bloke lined up an’ I’m playing the beautiful mysterious princess, o’ course, but he needs you for the coloured chap.’
I suppose my inclination was to rise at that point, but politeness made me hear her out. She grinned at my expression. ‘It’s cowboys and Indians, Ive. Yer play this noble defender of ‘is wild domain. Child o’ nature. Like in Ther Vanishin’ American, remember? Or Ther Sheikh. Very romantic. All big brown eyes an’ brooding menace, eh? If only Red Indians did ther tango! A clarsy darkie, Ive. Yer’ll ‘ave orl ther girlies after ya! An Indian prince, Winnie the Pooh or somefink.’
‘Winnetou?’ I asked quietly. It began to dawn on me that this was no ordinary blackface role. ‘Of Karl May’s immortal tales?’
‘That’s ther bloke. May. I keep getting’ ‘im mixed up wiv Karl Marx. Both ‘ad bushy whiskers.’ She was delighted at my knowledge. ‘I’d never ‘eard of ‘im. But ‘e’s big news over ‘ere, right?’
‘He is Albert Schweitzer’s favourite author and what every German-speaking child has in common. I read and reread those books as a boy! I could probably quote Winnetou verbatim! They are what made me the idealist I am today. Professor Lustgarten, my tutor, had a full set. “Professor Vitzliputzli” inspired my interest in science, and of course I can vouch personally for May’s profound knowledge of the Sahara Winnetou, even more than Chingachgook, was a standard for all natural male virtue. May is a great writer, whose philosophy and metaphysics are as powerful as his storytelling gifts.’
‘Well, you and ‘Uggy’ll agree on that anyway. It’s ther same sorta drift. I told ‘im you were the exact chap. ‘E knows yer name ‘o course, and ‘e’s seen some of yer pictures. ‘E fought you wos worf puttin’ down some money for a private ‘tec. But Sexton Blake ‘imself couldn’t’a found yer! We’d almost given up on yer. Where yer bin? We fought ya wos wiv that Ernst Röhm, but ‘e tol’ ‘Uggy ‘e ‘adn’t seen yer fer monfs. Lon Creighton’s over in Berlin, and ‘e’s up for playin’ ther trapper geezer. Thass our Lonny’s son. Chip off th’ ol’ block. Like old ‘ome week, eh?’
‘Chaney’s son, if he has his father’s talent, will be perfect for the role of Sam Hawkens.’ I was growing enthusiastic as I visualised the kind of film we could make. Creighton was a friend from our Hollywood days. We had met him with his father. He refused to exploit his father’s name in those days, but it was well known to all filmgoers who he really was. “E’s getting’ a contract wiv RKO, but ‘e’s doing this till ‘is first US movie comes up.’
‘An all-star picture! Who’s playing Old Shatterhand himself?’
Old Shatterhand, a German greenhorn, was May’s Texan version of Natty Bumppo. Every German schoolboy had a clear idea of what he looked like.