The Year's Best Fantasy and Horror. Fifth Annual Collection
- Автор: Датлоу Эллен, Виндлинг Терри
- Год: 1992
- Язык: английский
- Год: St.Martin’s Press
- Жанр: Ужасы
Электронная книга - «The Year's Best Fantasy and Horror. Fifth Annual Collection». Краткое содержание книги:
I didn’t want to listen to her. All I could see was Keo’s face. It all came back to me. Everything we had done. I wanted to relive it. I didn't care if she was dead or undead. I wanted to seize the grail and clutch it in my hands and own it.
Frances threw a switch. The music started, the shrilling of the pinai, the pounding of the taphon, the tinkling of marimbas and xylophones rang in the Chui Chai music. Then she slipped away unobtrusively. I heard a key turn in a lock. She had left the grant contract lying on the floor. I was alone with all the parts of the woman I'd loved. Slowly I walked toward the draped head. The electron wind surged; the cold blue light intensified. Her eyes opened. Her lips moved as though discovering speech for the first time. . . .
“Rus . . . sell.”
On the pizzafaced boy, the hands stirred of their own accord. He turned his head from side to side and the hands groped the air, straining to touch my face. Keo’s lips were dry. I put my arms around the drape-shrouded body and kissed the dead mouth. I could feel my hair stand on end.
“I see big emptiness inside you. Come to me. I fill you. We both empty people. Need filling up.”
“Yes. Jesus, yes.”
I hugged her to me. What I embraced was cold and prickly. I whisked away the drape. There was no body. Only a framework of wires and transistors and circuit boards and tubes that fed flasks of flaming reagents.
“I dance for you now.”
I turned. The hands of the McDonald’s boy twisted into graceful patterns. The feet of the child moved in syncopation to the music, dragging the rest of the body with them. The breasts of the chained woman stood firm, waiting for my touch. The music welled up. A contralto voice spun plaintive melismas over the interlocking rhythms of wood and metal. I kissed her. I kissed that severed head and lent my warmth to the cold tongue, awakened passion in her. I kissed her. I could hear chains breaking and wires slithering along the floortiles. There were hands pressed into my spine, rubbing my neck, unfastening my belt. A breast touched my left buttock and a foot trod lightly on my right. I didn’t care that these parts were attached to other bodies. They were hers. She was loving me all over. The dwarf that wore her pudenda was climbing up my leg. Every part of her was in love with me. Oh, she danced. We danced together. I was the epicenter of their passion. We were empty people but now we drank our fill. Oh, God, we danced. Oh, it was a grave music, but it contented us.
And I signed everything, even the codicil.
Today I am in the AIDS ward of a Beverly Hills hospital. I don’t have long to wait. Soon the codicil will come into effect, and my body will be preserved in liquid nitrogen and shipped to Patpong.
The nurses hate to look at me. They come at me with rubber gloves on so I won’t contaminate them, even though they should know better. My insurance policy has disowned me. My children no longer write me letters, though I’ve paid for them to go to Ivy League colleges. Trisha comes by sometimes. She is happy that we rarely made love.
One day I will close my eyes and wake up in a dozen other bodies. I will be closer to her than I could ever be in life. In life we are all islands. Only in Dr. Stone’s laboratory can we know true intimacy, the mind of one commanding the muscles of another and causing the nerves of a third to tingle with unnamable desires. I hope I shall die soon.
The living dead are not as you imagine them. There are no dangling innards, no dripping slime. They carry their guts and gore inside them, as do you and I. In the right light they can be beautiful, as when they stand in the cold luminescence of a basement laboratory, waiting for an electron stream to lend them the illusion of life. Fueled by the right fantasy, they become indistinguishable from us.
Listen. I know. I’ve loved them.
MAMA GONE
Jane Yolen
Jane Yolen has published more than one hundred books for children and adults and has been called “the Hans Christian Andersen of America” for her many original fairy tales. Her books have won the Caldecott Medal, the Christopher Award, the World Fantasy Award, the Golden Kite Award, and the Kerlan Awards. Her fantasy works for adult readers include Sister Light, Sister Dark; White Jenna; Halls of Grief; Merlins Booke; and Tales of Wonder. Her latest adult work, Briar Rose, retells the Sleeping Beauty legend against the backdrop of World War II.
“Mama Gone,” like much of Yolen’s best work, was first published in Vampires, a collection of children’s stories. It is a chilling little tale, and we are pleased to offer it here for the enjoyment of adult readers.