The Year's Best Fantasy and Horror. Fifth Annual Collection

She sat on her rock, looking out over the lake, her back to the city that reared up behind her in a bewildering array of towers and lights. A half mile of water separated her island from Newford, but on a night such as this, with the moon high and the water still as glass, the city might as well have been on the other side of the planet.

Tonight, an essence of marchen prevailed in the darkened groves and on the moonlit lawns of the island.

For uncounted years before Diederick van Yoors first settled the area in the early part of the nineteenth century, the native Kickaha called the island Myeengun. By the turn of the century, it had become the playground of Newford’s wealthy, its bright facade first beginning to lose its luster with the Great Depression when wealthy land owners could no longer keep up their summer homes; by the end of the Second World War it was an eyesore. It wasn’t turned into a park until the late 1950s. Today most people knew it only by the anglicized translation of its Kickaha name: Wolf Island.

Matt Casey always thought of it as her island.

The cast bronze statue he regarded had originally stood in the garden of an expatriate Danish businessman’s summer home, a faithful reproduction of the well known figure that haunted the waterfront of the Dane’s native Copenhagen. When the city expropriated the man’s land for the park, he was generous enough to donate the statue, and so she sat now on the island, as she had for fifty years, looking out over the lake, motionless, always looking, the moonlight gleaming on her bronze features and slender form.

The sharp blast of a warning horn signaling the last ferry back to the city cut through the night’s contemplative mood. Matt turned to look to the far side of the island where the ferry was docked. As he watched, the lights on the park’s winding paths winked out, followed by those in the island’s restaurant and the other buildings near the dock. The horn gave one last blast. Five minutes later, the ferry lurched away from the dock and began the final journey of the day back to Newford’s harbour.

Now, except for a pair of security guards who, Matt knew, would spend the night watching TV and sleeping in the park’s offices above the souvenir store, he had the island to himself. He turned back to look at the statue. It was still silent, still motionless, still watching the unfathomable waters of the lake.

He’d been here one afternoon and watched a baglady feeding gulls with bits of bread that she probably should have kept for herself. The gulls here were all overfed. When the bread was all gone, she’d walked up to the statue.

“Our lady of the harbour,” she’d said. “Bless me.”

Then she’d made the sign of the cross, as though she was a Catholic stepping forward into the nave of her church. From one of her bulging shopping bags, she took out a small plastic flower and laid it on the stone by the statue’s feet, then turned and walked away.

The flower was long gone, plucked by one of the cleaning crews no doubt, but the memory remained.

Matt moved closer to the statue, so close that he could have laid his palm against the cool metal of her flesh.

“Lady,” he began, but he couldn’t go on.