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Mothers and Daughters

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Spanning twenty crucial years of American life, Mothers and Daughters is the story of four women, of different ages and very different temperaments, whose lives are linked closely by the threads of love. In a time of change and chaos, each of the four seeks happiness and fulfillment as a woman. Each must face the responsibilities and the choices that life imposes; each must make some sacrifice of ambition or desire in pursuit of love. Gillian, the actress; Amanda, who wants to be a composer; Julia, the matron; Kate, the child — all are driven toward the same fleeting goal, trying to hold what they have, to seize what they want, some succeeding, some failing.Mothers and Daughters is a deep and moving insight into the lives of these women and into the lives of the men who love them. But more than this, it is a work of massive and enormous scope — a panorama of American life in our times. Beginning in a college of the 1940s, with the young women coming of age and the young men going off to war, Evan Hunter’s latest and most ambitious novel encompasses a whole range of American experience. This is a major novel by one of America’s best-known writers.
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“Well, good,” Julia said. “I’m glad we passed local inspec—” She stopped suddenly. “I got what in Venice?”

Incinta. Isn’t that the correct pronunciation? I’m sure that’s what he told them. He patted his belly and said incinta. Yes, Julia.”

“Oh, Millie,” Julia said.

“What is it, darling?”

“Oh, Millie,” she said laughing. “He told them I got pregnant in Venice!”

“Well,” Millie said philosophically, “then so did the old lady.”

August 20, 1938

ARTHUR DARLING,

We arrived in the Abruzzi yesterday, stopping in Rome for the morning, and then driving to Aquila and the house we’d rented. The approach to the villa was quite more forbidding than it appeared in the photographs sent by the travel agent. If you remember them, Arthur, it seemed to be a hilltop house situated on a rather level stretch of ground. But actually, it is hung in a mountain on a broad shelf and approached through a steep winding road. But it is lovely!

There is a beautiful garden in full bloom now, and I understand it will flower until the middle of October sometime. The view from the garden is breathtaking and almost unbelievable. You can see for miles. The air is so very sharp and clear that distant objects seem close enough to touch. We were greeted by the full staff the agent promised. We have a cook, a housemaid and a gardener cum chauffeur, such luxury! They are named respectively Lucia, Anna, and Giorgio. Lucia is a magnificent cook who won’t allow either Millie or me into her kitchen. She does all our shopping — or at least this morning she did all of it for the next week. I suspect she has some sort of arrangement with the local grocer, but the bill didn’t run too high, and it’s good to know she’ll be taking care of this bother. Anna, the housemaid, is a lazy sort of eighteen-year-old with a beautiful mouth and a dreamy look in her eyes. Her fiancé is in the army and somewhere in Ethiopia, I believe, and she talks about him constantly to whoever will lend an ear. Fortunately for Millie, I’m the only one of us who can understand Italian, and so I’ve been treated to monologue after monologue about Anna’s boy friend. Giorgio, on the other hand, is an uncommunicative man who must be at least sixty years old. He has white hair and a white mustache, and he smokes those small, twisted, horrid-smelling cigars, but he’s really quite efficient at his job. He was in the garden at seven this morning, and didn’t leave until seven this evening. He assured me, briefly, that he is an expert driver and would be happy to take me into Rome whenever I desired. I told him that I prefer driving myself, but that Millie might require his unique services sometime.

Rome is a fantastic city, Arthur. Even the sound of its name excites me. Rome! I can’t believe it! A fabulous city, all gold and white, a city within cities, a city beneath cities. Yesterday I walked along the very road Caesar took on his way to the Forum. I could feel the ghosts of dead assassins, and everywhere these wonderful Italians whose faces speak volumes. I shall go back to Rome often. We are only two hours away here in Aquila, and the drive is a beautiful one, and I feel time in that city, I feel time beneath the streets and in the air, I feel history. I shall go there often.

Arthur, it is so incredibly still at this moment. It is only ten o’clock, and Millie has already gone to sleep, and I am sitting alone in the garden with a lamp on the table, and the mountain is asleep and hushed. I can see lights somewhere far off in the distance — Rome? Impossible! But most of the nearby lights went out long ago, and I have the feeling of floating somewhere in the sky, quite free, and a little bit heady. It is difficult to get used to this air. Actually, it is doing wonders for Millie, even in the short while we’ve been here. I honestly think this is going to help her a great deal. We shall see.

Your letter addressed to me at the Danieli in Venice was forwarded here and was waiting when we arrived yesterday. Darling, of course I miss you, need you ask? And David, dear David! Oh, Arthur, your letter made me so sad. I can visualize the two of you roaming around in that big shell of a house like two lost souls, and I could weep! Please, Arthur, know that I love you and miss you both, and that I shall be home as promised. I think of you both constantly. There is not a minute that goes by when you are not in my mind. Sitting here in the silent garden, my lamp the only light on the mountain, caught in this yellow circle, I feel so terribly all alone, and miss you more than ever. But January... ah, that seems so very far away just now. Until then,

I love you,

JULIA

She did not see Renato Cristo again until the third time she drove to Rome. He was sitting at a table in the Piazza Barberini, sipping at a vermouth, his cap pulled through his shoulder epaulet, staring off across the square, the sunlight touching his hair, his big hands on the table in front of him. She came down the Via Sistina, walking with a rather jaunty swing, and at first he thought only that she was a pretty girl, her figure in silhouette against the sun. Then he realized she was an American, the sunglasses, the clothing, the regal walk, the erect posture, which all American women brought to Europe. He saw her face and recognized her, and watched her as she came down the street, still unaware of his presence. His secret observation pleased him. He sat with his hands on the table, watching her, enjoying the way her legs carried her body, enjoying the quick female motion of her head as she turned to look at the buildings, a sightseer, a tourist, and yet magically more than that. A small smile touched his mouth.

He did not call out to her until she was almost upon his table. She would not have seen him if he had not called. She walked with an intensity of concentration, determined to absorb each and every landmark on the route to an obviously predetermined goal. But there was nothing unique about this sidewalk café, a bar unfrequented by tourists, a gathering place for natives, where the drinks were generous and the food was prepared without regard for the foreign palate, and she was ready to pass it by without so much as a sidelong glance when he said her name.

“Julia,” he called, very softly.

She stopped and turned, surprised. She looked at the wrong table first, trying to locate the voice, her mouth turned upward in an expectant, puzzled smile. But she saw no one she knew.

“Julia,” he said again, and he shoved back his chair and rose.

She located the table this time. She turned her head slightly and saw him at once, and then took off her sunglasses in a quick motion of her hand, and shook out her brown hair. He made a small gesture with his hand, inviting her to the table. She hesitated. He saw the hesitation in her eyes. It seemed for a moment as if she would simply wave in greeting, put on the sunglasses again, and then walk on. A questioning look crossed his face. She nodded swiftly and came to the table. He was pleased when she addressed him in Italian.

“Hello,” she said. “What a surprise!”

“Yes. Won’t you sit down?”

“Well, I... I’m in sort of a hurry.”

“You have time for a drink.”

“Yes, I suppose so.”

He pulled back a chair for her. Again, she seemed hesitant. Then she sat and took off her gloves, and he watched while she performed the operation, not looking at him, pulling off the gloves finger by finger, and then placing them on the table alongside her purse and the sunglasses. She was wearing a white linen suit, her hair trailing down her back. She wore no make-up. Her nose was shining, her cheeks were flushed, her lips were bare.

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