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Mothers and Daughters

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Spanning twenty crucial years of American life, Mothers and Daughters is the story of four women, of different ages and very different temperaments, whose lives are linked closely by the threads of love. In a time of change and chaos, each of the four seeks happiness and fulfillment as a woman. Each must face the responsibilities and the choices that life imposes; each must make some sacrifice of ambition or desire in pursuit of love. Gillian, the actress; Amanda, who wants to be a composer; Julia, the matron; Kate, the child — all are driven toward the same fleeting goal, trying to hold what they have, to seize what they want, some succeeding, some failing.Mothers and Daughters is a deep and moving insight into the lives of these women and into the lives of the men who love them. But more than this, it is a work of massive and enormous scope — a panorama of American life in our times. Beginning in a college of the 1940s, with the young women coming of age and the young men going off to war, Evan Hunter’s latest and most ambitious novel encompasses a whole range of American experience. This is a major novel by one of America’s best-known writers.
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“Because I love you.”

“No. Tell me why.”

“Because I suddenly loved your cousin Mario, too. And your sister Francesca. Will you take me to meet Francesca? She lives in Rome, you said. May I meet her?”

“You are a strange woman.”

“Am I strange to you?”

“No, not at all. I meant curious.”

“Oh yes, I am curious,” she said. “I want to learn all about you. I want to learn you everywhere.”

Tesoro, stop that,” he protested, laughing. “I only meant that you are unusual.”

“Yes, tell me more.”

“There is no more to tell. You are a very unusual woman.”

“Yes, how?” Julia asked. “I won’t let you go until you tell me how.”

“Then I’ll never tell you.”

“Tell me, cocciuto.

“You are responsive, inventive, passionate, exciting, beautiful, and totally satisfying.”

“And American,” she said.

“Yes. And American.”

“That’s important to you, isn’t it?”

“It’s important to me.”

“Why should it be? Suppose I were Russian? Or Armenian?”

“I want you to be American. Which is what you are.”

“So you can tell your soldier friends you slept with an American?” she asked jokingly.

“Yes, that’s why. They’ll make me sergeant if I tell them that.”

“Only sergeant? I should think an American would be worth more than that.”

“Lieutenant then. Or captain. Or perhaps, with an American like you...”

“Yes, yes, tell me about an American like me,” she said, grinning.

He began laughing. “You are a very vain creature, Julia.”

“I know. Does that annoy you?” she asked seriously.

“No. You’re only vain because you’re beautiful. I’ve never yet met an ugly vain—”

“And you’re beautiful, too,” she said.

“Oh, yes.”

“Look at how beautiful you are. Bello, bellissimo, look, Renato.”

“I was telling you about my cousin Mario.”

“Never mind your cousin Mario. He’s not this beautiful. No one is, this beautiful. Look, you’re made of stone, you’re a marble statue.”

“My cousin Mario—”

“Do you want to talk about your cousin Mario?”

“Yes. I’m very fond of Mario.”

“I am, too. Do you want to talk about him?”

“Yes.”

Do you?”

“Yes.”

“You don’t, do you?”

“I do.”

“Oh, I know you don’t.”

“Julia, when I say—”

“Now tell me, do you?”

“Julia...”

“Renato?”

“Yes, darling?”

Chiaviamoci,” she whispered.

The Piazza Venezia was thronged with thousands of people carrying crude caricatures and hand-lettered banners. Men in Black Shirt uniforms walked in tight groups down the center of the Corso Umberto toward the square. The students of Rome University had left their classrooms and combined in noisy groups, parading through the city, marching past the United States Consulate on the Via Vittorio Veneto, picking up the frenzy that had begun in the Chamber of Deputies the day before, demanding Italian rights to Corsica, and Nice, and Savoy, and Tunisia. Black-shirted, black-tunicked, their bright silk scarves flapping about their throats, they surrounded the French Embassy and pushed against the restraining lines of the carabinieri, and then converged on the square where il Duce’s balcony was hung with the Italian flag and the Fascist flag, where Renato and Julia tried to find space for themselves against the crush of people.

She glanced up at the balcony, caught in the press of sweating humans, saw the microphone awaiting il Duce, felt an electric excitement in the air, something quite apart from the excitement she ordinarily felt with Renato. There were men in shabby suits and caps, women in house dresses with sweaters thrown over them, students in their brightly colored Pied Piper hats covered with insignia, “Il Gruppo Universitario Fascista,” Renato explained, and men selling ices, and over it all the current in the air. It could have been this way when Caesar spoke to the people of ancient Rome, she thought, it could have been this.

Duce! Duce! Duce! Duce!” the crowd began to chant.

They carried banners with il Duce’s image, the familiar black-and-white drawing that stared down from every vacant wall in the nation, the leader in his black eagled helmet, wearing epaulets on his shoulder, the strong jaw, the eyes in deep shadow beneath the helmet, the mouth firm and sensuous, the words CREDERE, OBBEDIRE, COMBATTERE beneath the drawing. They milled noisily in the square, and those in the black shirts began clapping, and the applause spread to the rest of the crowd as they turned their eyes and their faces toward the balcony, applauding the microphone there. “Duce, Duce, Duce, Duce,” they chanted, and suddenly he appeared! A tumultuous welcome went up from the crowd, the applause rose wildly. The cheering deafened Julia. She put both hands over her ears, lowered them only when it seemed he was ready to speak. He was wearing the uniform of a corporal of honor in the Black Shirt Militia. A field hat was tilted at a rakish angle over his forehead. He raised his arms and the crowd fell silent.

Duce! Duce!” a lone Black Shirt voice cried, and then was still.

“Officers,” he began, “noncommissioned officers, soldiers, Black Shirts, and people of Rome,” and his voice was drowned out by renewed shouting.

“Tunisia!” a group of students yelled.

“Corsica!” from across the square.

“Savoia!”

Il Duce held up his hands, and the square was silent again. He leaned into the microphone. “Tomorrow,” he said, “on the plains of Volturara, before His Majesty, Victor Emmanuel, King of Italy and Emperor of Ethiopia, will pass more than sixty thousand men, two hundred tanks, four hundred pieces of heavy artillery, three thousand machine guns, and twenty-eight hundred armored cars. This aggregation of men and means is imposing, but it represents, at most, a modest and almost insignificant total compared with the total of men and means on which Italy can surely count.

“I invite Italians to take absolutely to heart this declaration of mine. Not despite the African war, but as a consequence of the African war, all the armed forces of Italy today are more efficient than ever. At any time, in the course of a few hours and after a simple order, we can mobilize eight million men. The Italian people should know that their internal peace will be protected and with it the peace of the world.”

The students and the Black Shirts were restless. They had come here for amplification of Ciano’s statement, had come here to learn whether or not Italy truly attempted to press claims on French lands, of whether the uproar yesterday had all been staged. So far, il Duce had told them nothing they did not already know.

“With the most crushing of victories,” il Duce said, “in one of the most just wars, Italy’s with war in Africa, has acquired an immense, rich, imperial territory where for many decades she will be able to carry out the achievements of her labors and of her creative ability. For this reason, but only for this reason, will we reject the absurdity of eternal peace, which is foreign to our creed and to our temperament.”

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