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The Best American Mystery Stories 2002

Электронная книга - «The Best American Mystery Stories 2002». Краткое содержание книги:

Bestselling novelist James Ellroy introduces this year’s collection of the finest mystery writing. Many of the contributors herein are novelists themselves, displaying their talents in short story form: Michael Connelly tells a fatal tale of revenge in “Two-Bagger.” In Joe Gores’s “Inscrutable,” the Feds beat the Mafia at their own game. Stuart Kaminsky demonstrates how horribly wrong things go when a robber gets cocky in “Sometimes Something Goes Wrong.” And Robert B. Parker shows just how important Jackie Robinson’s fans can be in “Harlem Nocturne.” Also featured are veterans of the short story form and favorites of this series. Brendan DuBois’s “A Family Game” introduces a former Mafia family trying to lead a normal life in the Witness Protection Program. Joyce Carol Oates tells a chilling tale of a crush taken too far in “The High School Sweetheart.” A tenant sneaks into the murder crime scene next door in Michael Downs’s “Man Kills Wife, Two Dogs.” Readers will be captivated by all the stories herein, whether by famed novelists or masters of the short story.
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When that happens, your boy’s attitude is moving him to the streets, and you may have to let him go.

Not many fight fans ever see the inside of fight gyms, so they get to wondering what’s the deal with these big dummies who get all sweaty and grunty and beat on each other. Well, sir, they ain’t big dummies when you think big money. Most big guys in team sports figure there’s more gain and less pain than in fights, even if they have to play a hundred fifty games a year or more, and even if they have to get those leg and back operations that go with them. Some starting-out heavies get to thinking they ought to get the same big payday as major-league pitchers from the day they walk into the gym. Some see themselves as first-round draft picks in the NBA before they ever been hit. What they got to learn is that you got to be a hungry fighter before you can become a championship fighter, a fighter who has learned and survived all the layers of work and hurt the fight game will put on you. Good heavyweights’re about as scarce as black cotton.

There’re less white heavies than black, and the whites can be even goofier than blacks about quick money. Some whites spout off that ’cause they’re white, as in White Hope, that they should be getting easy fights up to and including the one for the title. If you’re that kind — and there’s black ones same as white — you learn right quick that he don’t have the tit or the brains to be a winner under them bright lights.

Though heavies may have the same look, they’re as different from each other as zebras when it comes to mental desire, chin, heart, and huevos — huevos is eggs, but in Messkin it means “balls.” Getting heavies into shape is another problem, keeping them in shape is a even bigger one, ’cause they got these bottomless pits for stomachs. So you work to keep them in at least decent shape all the time — but not in punishing top shape, the kind that peaks just before a fight. Fighter’d go wild-pig crazy if he had to live at top shape longer than a few days, his nerves all crawly and hunger eating him alive. And then there’s that blood-clotting wait to the first bell. See, the job of molding flesh and bone into a fighting machine that meets danger instead of high-tailing from it is as tricky as the needlework what goes into one of them black, lacy deals what Spanish ladies wear on their heads. Fighting’s easy, cowboy, it’s training what’s hard.

But once a trainer takes a heavy on, there’s all that thump. First of all, when the heavy moves, you got to move with him — up in the ring, on the hardwood, around the big bag. You’re there to guide him like a mama bear, and to stay on his ass so’s he don’t dog it. All fighters’ll dog it after they been in the game a while, but the heavies can be the worst. They got all that weight to transport, and being human, they’ll look Tor a place to hide. A good piece of change’ll usually goad them. But always there is more training than fighting, and the faith and the fever it takes to be a champ will drop below ninety-eight-point-six real quick unless your boy eats and sleeps fight. ’Course, no fighter can do that one hundred percent. Besides, there’s the pussy factor. Which is part of where the punch mitts come in. They’ll make him sharp with his punches, but they’re also there to help tire him into submission come bedtime.

The big bag they can fake if you don’t stay on them, but a trainer with mitts, calling for combination after combination, see that’s for the fighter like he’s wearing a wire jock. But for the trainer, the mitts mean you’re catching punches thrown by a six-foot-five longhorn, and the punches carry force enough to drop a horse. And the trainer takes this punishment round after round, day after day, the thump pounding through him like batting practice and he’s the ball. I can’t much work the mitts like I once did, only when I’m working on moves, or getting ready for a set date. But even bantamweights can make your eyes pop.

Part of the payoff for all this is sweeter’n whipped cream on top of strawberry pie. It’s when your fighter comes to see himself from the outside instead of just from the in. It’s when all of a sudden he can see how to use his feet to control that other guy in the short pants. It’s how a fighter’ll smile like a shy little boy when he understands that all his moves’re now offense and defense, and that he suddenly has the know-how to beat the other guy with his mind, that he no longer has to be just some bull at the watering hole looking to gore. And that’s when, Lordy, that you just maybe got yourself a piece of somebody what can change sweat and hurt into gold and glory.

Getting a boy ready for a fight is the toughest time of all for trainers. After a session with the mitts, your fingers’ll curl into the palms of your hands for a hour or so, and driving home in your Jimmy pickup means your hands’ll be claws on the steering wheel. The muscles in the middle of your back squeeze your shoulders up around your ears. Where your chest hooks into your shoulders, you go home feeling there’s something tore down in there. Elbows get sprung, and groin pulls hobble you. In my case, I’ve got piano wire holding my chest and ribs together, so when I leave the gym shock keeps on twanging through me. By the time I’m heading home, I’m thinking hard on a longneck bottle of Lone Star. The only other thing I’m thinking on is time in the prone position underneath Granny’s quilt.

See, what we’re talking about here is signing on to be a cripple, ’cause when you get down to it, trainers in their way get hit more than fighters, only we do it for nickels and dimes, compared. So what’s the rest of the deal for the trainer? Well, sir, after getting through all the training and hurting, you live with the threat that you could work years with a heavy only to have him quit on you for somebody who’s dangling money at him now that you’ve done the job that changed a lump of fear and doubt into a fighter. But like I say, a good heavy these days only has to win a few fights for a shot at the title. If he wins that, he’s suddenly drinking from solid gold teacups. As the champ, he will defend his title as little as once. But the payoff can be mucho if he can defend a few times. So when the champ gets a ten-million-dollar payday, the trainer gets ten percent off the top — that’s a one-million-dollar bill. That can make you forget crippled backs and hands.

’Course the downside can be there, too. That’s when your heart goes out to your fighter as you watch helpless sometimes as he takes punches to the head that can hack into his memory forever. And your gut will turn against you when one day you see your boy’s eyes wander all glassy when he tries to find a word that he don’t have in his mouth no more. You feel rotten deep down, but you also love your fighter for having the heart to roll the dice of his life on a dream. And above all, you see clear that no matter how rotten you feel, that your boy never had nothing else but his life to roll, and that you was the lone one who ever cared enough to give him the only shot he would ever have.

Yet the real lure, when you love the fights with everything that’s left of your patched-up old heart, is to be part of the great game — a game where the dues are so high that once paid they take you to the Mount Everest of the Squared Circle, to that highest of places, where fire and ice are one and where only the biggest and best can play, yip!

Trainers know going in that the odds against you are a ton to one. So why do I risk the years, why do I take shots that stun my heart? Why am I part of the spilt blood? Why do I take trips to Leipzig or Johannesburg that take me two weeks to recover from? B. B. King sings my answer for me, backs it up with that big old guitar. “I got a bad case of love.”

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