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The Historians' History of the World 06 [The Early Roman Empire]

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The Historians' History of the World 06 [The Early Roman Empire]
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Nor again, though described by Tacitus as lusting after the incredible, had Nero the same passion as Caligula for realising apparent impossibilities to prove his superhuman power. He was not impelled in a career of marvels by restless and aimless pride. Once removed from the sphere of theatrical shows and contests, he had no higher notion of his position than as enabling him to accumulate, to multiply, or to enlarge the commonest objects of luxury. He never travelled, it is asserted, with less than a thousand carriages in his train. His banquets were those of the noble debauchees of the day on a still vaster scale of expense; in the height of his extravagance, he would equip his actors with masks or wands covered with genuine pearls; he would stake four hundred thousand sesterces on a single cast of the dice; he bathed in unguents, and stimulated his friends to expend four millions on the perfumes alone of a single supper. His presents to favourites were sums of money many times greater than had ever been given to favourites before; his buildings were colonnades longer, halls wider, towers higher, than had been raised by his predecessors. His projected canal from Puteoli to Rome would only have been the longest of canals; the attempt he latterly made to cut through the isthmus of Corinth was only a repetition of previous attempts, neither better planned, nor more steadfastly persevered in.

In his schemes there was nothing new or original. Nero was devoid of the imagination which throws an air of wild grandeur over the character of Caligula. The notion that he burned Rome on purpose to have an opportunity of rebuilding it more magnificently would have been more applicable, as it seems to me, to his predecessor than to him. But within the paltry sphere of his degraded taste he claimed to be pre-eminent. As a mime or player he was not satisfied with any single class of parts, or any one department of exhibition. After rivalling Apollo in song and the Sun in charioteering, he aspired to display the courage and vigour of Hercules, and a lion was duly prepared, drugged or fed to stupor, to be strangled in his arms, or brained with a stroke of his club. He acted, he sang, he played, he danced. He insisted on representing men and heroes, gods and even goddesses. To affect the woman indeed, in dress, voice, and gesture, was a transformation in which he took a childish pleasure, restrained by no sense of dignity or decency. He adopted his superstitions, as well as his garb and habits, from Syria, from his Parthian and Armenian guests, or from the diviners and necromancers of the credulous East. To the art of magic he devoted wealth, energy, natural abilities, in short, all his resources; but Nature, says Pliny, was too strong for him. His failure to divine the future, or raise the spirits of the dead, was noted by the wise as a signal demonstration of the futility of magical pretensions. For none of the accustomed divinities of Rome did he evince any respect, nor for places consecrated by the national religion; but he reverenced the Syrian Astarte, till in a fit of vexation he renounced her protection, and insulted her image. At last his sole object of veneration was a little figure of a girl, which he always wore as a talisman about him, affecting to learn from it the secrets of futurity.

Such were the miserable interests of this infatuated creature, the victim of licentious indulgence, a child prematurely stunted both in mind and body, surrounded on the throne not by generals and statesmen, but by troops of slaves or freedmen, by players and dancers lost to all sense of decency themselves, and seeking only their advancement at the expense of their master and of mankind; surrendered by loose women to still more despicable minions, and ruled by the most cruel and profligate of ministers. Helius and Tigellinus, Doryphorus and Sporus, are among the most hateful names of the imperial history; into the abominations of their career it would be pollution merely to look. No wonder that, when encircled by so loathsome a crew he saw the proud citizens prostrate at his feet, he could exclaim that no prince before him had known the extent of his power. But though at their patron’s command statues and arches might rise in honour of these infamous companions, it may be said for the credit of the people, that they received much less of lip-worship than their predecessors, Sejanus, Pallas, and Narcissus.

There seems indeed to have risen, at least in the later years of this principate, a marked separation between the court and the nobility; the senators shrank from the presence of a man who so openly degraded his name and lineage; they fled the contact of his dissolute associates; they entered into widespread conspiracies against him, to which they had never been provoked by the tyranny of his predecessors; and they had the merit of incurring his petulant displeasure, with many a threat to extinguish their order altogether, and give the provinces to his knights and freedmen. “I hate you, Cæsar,” exclaimed the most refined of his flatterers, “because you are a senator.” Accordingly this emperor, notwithstanding the pomp and splendour of his shows and public appearances, seems to have been left for the most part to the mercenary attendance of his personal favourites, protected only by a troop of spies and informers, and the vilest portion of the pampered populace, from the general detestation of respectable citizens.[18]

The cruelties of Nero’s later years were the more fearful, perhaps, from their apparent caprice. He had no politic object, such as may be ascribed to Tiberius—of policy indeed he was incapable. Except that his murders were commonly prompted by need or fear, and therefore fell oftenest on the rich and powerful, it can hardly be said that one class suffered from them more terribly than another.

Undoubtedly, however, the senate furnished the longest list of victims to the tyrant’s barbarity. The greatest and noblest were the most exposed to the prince’s evil eye, which lighted upon them equally at public ceremonials and private receptions, and marked them for immolation at every fresh burst of ill-humour. The proscriptions to which this body was subjected under the four Claudian Cæsars reduced its numbers considerably, more, indeed, it may be imagined, than was replaced by the ordinary sources of replenishment. Claudius, among his other reforms, sought to restore the balance by a special measure, and such was probably the object of his revision of the senate, the last of the kind we read of; but the decline must have been accelerated under Nero, without check or counteraction. Nero, reckless equally of the past and future, felt no anxiety to maintain the numbers of that historic assembly; and the various causes, besides the emperor’s tyranny, which were always at work to extinguish the oldest families, must have acted with terrible force on the effete branches of the ancient aristocracy. But if its numbers were reduced, no less were its employments also diminished.

Under the lax discipline of Nero and of Tigellinus appointments to office abroad would be the prize of interest and favour, guided neither by routine nor by discretion; at home the boards and commissions established by Augustus would fall into disuse. Pensions and sinecures, though such corruptions are not known to us at Rome by name, would doubtless abound, but of real business there would be less and less. Intrigue and peculation would flourish in a soil protected from the air of public opinion, and the strong hand of central control.

The passive endurance which marked the conduct of the senate under the imperial persecutions seems to bespeak a consciousness of its own guilt towards the state, and it compounded for its monopoly of unquestioned abuses by bowing to the yoke of a jealous and domineering master. We discover in Seneca no reliance on the senate. He never speaks of it as a living guardian of the virtues of Roman society. And yet, notwithstanding this abandonment of its high prerogative, it still exercised a moral power. Its mere title could awaken associations which thrilled from pulse to pulse. It was still regarded by the men of ancient name and blood as the true head or heart of the empire, rather than the upstart Claudius or Domitius, who might wear the purple and wield the sword. To the men of words and phrases the emperor was still an accident,—the senate was an eternal fact,—at a time when rhetoric might make revolutions, though it could not regenerate society. To them it was still the symbol of liberty, at a time when liberty and Cæsar were regarded as two gladiators sword in hand, pitted against each other in mortal combat. This venerable image of its ancient majesty was preserved to it by the proscriptions themselves by which it suffered; for as often as a murdered Scribonius or Pompeius was replaced in the chairs of office by a Rubellius, a Lollius, or a Vitellius, the principle of its vitality was in fact invigorated by the infusion of new plebeian blood.

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