The Historians' History of the World 06 [The Early Roman Empire]
- Автор: Gutenberg
- Год: 1905
- Язык: английский
- Жанр: История
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PERSONAL CHARACTERISTICS OF NERO, ACCORDING TO SUETONIUS
[54-68 A.D.]
In stature Nero was a little below the common size; his body spotted, and of a disagreeable appearance; his hair inclined to yellow; his countenance fair, rather than handsome; his eyes gray and dull, his neck fat, his belly prominent, legs very slender, but his constitution healthful. For, though extravagantly luxurious in his way of living, he had, in the course of fourteen years, only three fits of sickness, which were so slight, that he neither forbore the use of wine, nor made any alteration in his usual diet. In his dress, and the care of his person, he was so indecent, that he had his hair cut in rings one above another; and when he was in Achaia, let it grow long behind; and appeared abroad for the most part in the dress which he used at table, with a handkerchief about his neck, his coat loose upon him, and without shoes.
He was entered, when a boy, in almost all the liberal sciences; but his mother diverted him from the study of philosophy, as unsuitable to one who was to be an emperor; and his master Seneca discouraged him from reading the old orators, that he might keep him the longer in admiration of himself. He was much addicted to poetry, and composed verses both with pleasure and ease: nor did he, as some think, publish those of other authors for his own. I have had in my hands some little pocket-books of his, with some well-known verses, all of his own writing, and written in such a manner, that it was very evident from the blotting and interlining, that they had not been transcribed from a copy, nor dictated by another, but written by the composer of them.
He had likewise a great taste for painting, and moulding of images, but of all things an extravagant desire of popular applause, being a rival of every man who was upon any account admired by the people. It was the general belief, that, after the prizes he won by his performances upon the stage, he would the next lustrum have entered amongst the wrestlers at the Olympic games. For he was continually practising in that way; nor did he attend in Greece that kind of solemnity any otherwise, than as the judges used to do, sitting upon the ground in the Stadium. And if a pair of wrestlers happened to get without the limits assigned them, he would with his own hands bring them back into their proper place.
A Night Watchman of Rome, showing the Bells worn on his Jacket
Towards the end of his life, he made a public vow, that if he continued in the peaceable enjoyment of the empire, he would, in the games which he intended to give for his success against the insurgents, appear upon the stage, to manage the water-organ, as also to play upon the flutes and bagpipe, and upon the day concluding those diversions, would act his part in a play, and dance to the story of Turnus in Virgil. And there are some who say, that he put to death the player Paris as a dangerous rival.
He had an invincible desire, but capriciously directed, of rendering himself famous through all succeeding ages. He therefore took from several things and places their former appellations, and gave them new names derived from his own. He called the month of April, too, Neroneus, and had a design to change the name of Rome into that of Neropolis.
He thought there was no other use of riches and money than to squander them away profusely; regarding all those as sordid wretches who kept their expenses within due bounds; and extolling those as truly noble and generous souls, who lavished away and wasted all before them. He never wore the same garment twice. He would game for four hundred thousand sesterces for every spot that came up upon the tali. He used to fish with a golden net, drawn by silken cords of the finest scarlet colour. It is said that he never travelled with less than a thousand carts attending him with his baggage: the mules being all shod with silver, and their drivers dressed in scarlet clothes of the finest wool; and a numerous train of footmen, and Africans, with bracelets on their arms, and mounted upon horses in splendid trappings.
He was a despiser of all religious worship, except that of the Syrian goddess; but at last he regarded her so little that he spurned her, being now engaged in another superstition, in which he invariably persisted. For having received from some obscure plebeian a little image of a girl, as a preservative against plots, and discovering a conspiracy immediately after, he constantly worshipped, and with three sacrifices a day, his imaginary protectress, as the greatest amongst the gods. He was likewise desirous to have it thought that he had from the information of that deity a knowledge of future events. A few months before he died, he offered several sacrifices, to consult the entrails of the victims; but could never obtain any favourable intimations from them.d
MERIVALE’S ESTIMATE OF NERO AND HIS TIMES
The youth who at the age of seventeen years had been called to govern the civilised world, is represented in his busts and medals as handsome in countenance, but, as Suetonius remarks, without grace or winningness of expression. His hair was not the bright auburn of Apollo, the delight of the Romans, to which it was so often likened, but yellowish or sandy; his figure, though of middle stature, was ill-proportioned, the neck was thick and sensual, the stomach prominent, the legs slender. His skin, it is added, was blotched or pimpled; but this, it may be supposed, was the effect of intemperance in his later years; his eyes were dark gray or greenish, and their sight defective, which may account perhaps for the scowl which seems to mark their expression. His health, notwithstanding his excesses, continued good to the end, and it was only from anxious concern for his voice that he wrapped his throat in kerchiefs, like a confirmed valetudinarian. In his dress there was a mixture of slovenliness and finery; in the arrangement of his cherished locks he was exceedingly careful, piling them in tiers above the crown, and letting them fall from thence over the shoulders, a fashion which was reputed not less indecent, or at least effeminate, than the looseness of his cincture, the bareness of his feet, and the lightness of the chamber-robe in which he did not scruple to appear in public.
We may trace perhaps to the character of his master, and to the kind of education he was likely to receive from him, the ardent love of admiration, ill-directed as it was, which distinguished the pupil of Seneca. To this constant anxiety to compete with rivals, and triumph over them, however trifling the objects on which it was exercised, may be ascribed the indifference Nero evidently felt to the title of divinity, which in his inordinate vanity he might have been expected to claim. He wanted to be admired as the first among men, not to be adored as a god. He could not be Apollo, and contend at the same time for the prize of the Pythian games; he could not be Hercules, and carry off the chaplet at Nemea; he could not be Jupiter, and gain the victory at the great contest of Olympia—distinctions on which his soul was bent from an early period of his career, and which, as we shall see, he lived eventually to achieve. His courtiers might, if they pleased, pronounce his likeness to these or any other divinities; but to make him actually divine was to rob him of the honours he so vehemently affected. The poets might predict his apotheosis after death, and doubtless the verses in which Lucan, at that time his friend and companion, challenged him to choose what godship he would assume in heaven, and where he would fix his throne, imploring him to take his seat in the middle of the universe, lest if he leaned ever so little from the centre the world should be thrown by his august weight from its eternal balance—such verses were doubtless accepted as a fitting tribute to the germ of a divine existence hereafter to blossom into flower. But the ardour with which Nero aspired to distinctions among mortal men was itself a guarantee against his usurping the character of the impassive godhead, which can neither enjoy a triumph nor suffer a disgrace.