The Great Events by Famous Historians [Volumes 1-14]
- Автор: Gutenberg
- Год: 1905
- Язык: английский
- Жанр: История
Электронная книга - «The Great Events by Famous Historians [Volumes 1-14]». Краткое содержание книги:
The Great Events by Famous Historians, Volume 01
The Great Events by Famous Historians, Volume 02 / (From the Rise of Greece to the Christian Era)
The Great Events by Famous Historians, Volume 03
The Great Events by Famous Historians, Volume 04
The Great Events by Famous Historians, Volume 05 / (From Charlemagne to Frederick Barbarossa)
The Great Events by Famous Historians, Volume 06 / (From Barbarossa to Dante)
The Great Events by Famous Historians, Volume 07
The Great Events by Famous Historians, Volume 08 / The Later Renaissance: from Gutenberg to the Reformation
The Great Events by Famous Historians, Volume 09
The Great Events by Famous Historians, Volume 10
The Great Events by Famous Historians, Volume 11
The Great Events by Famous Historians, Volume 12
The Great Events by Famous Historians, Volume 13
The Great Events by Famous Historians, Volume 14
The Great Events by Famous Historians, Volume 17
The Great Events by Famous Historians, Volume 21 / The Recent Days (1910-1914)
It was to the centre of ecclesiastical Rome, the shrine of the apostles, the chief church of Christendom and its adjacent buildings, that the care of the Builder-pope was first directed. The Leonine City of Borgo, as it is more familiarly called, is that portion of Rome which lies on the right side of the Tiber, and which extends from the castle of St. Angelo to the boundary of the Vatican gardens—enclosing the Church of St. Peter, the Vatican palace with all its wealth, and the great Hospital of Santo Spirito, surrounded and intersected by many little streets, and joining to the other portions of the city by the bridge of St. Angelo.
Behind the mass of picture-galleries, museums, and collections of all kinds, which now fill up the endless halls and corridors of the papal palace, comes a sweep of noble gardens full of shade and shelter from the Roman sun, such a resort for the
"learnèd leisure Which in trim gardens takes its pleasure"
as it would be difficult to surpass. In this fine extent of wood and verdure the Pope's villa or casino, now the only summer palace which the existing Pontiff chooses to permit himself, stands as in a domain, small yet perfect. Almost everything within these walls has been built or completely transformed since the days of Nicholas. But, then as now, here was the heart and centre of Christendom, the supreme shrine of the Catholic faith, the home of the spiritual ruler whose sway reaches over the whole earth. When Nicholas began his reign, the old Church of St. Peter was the church of the Western world, then, as now, classical in form, a stately basilica without the picturesqueness and romantic variety, and also, as we think, without the majesty and grandeur, of a Gothic cathedral, yet more picturesque if less stupendous in size and construction, than the present great edifice, so majestic in its own grave and splendid way, with which, through all the agitations of the recent centuries, the name of St. Peter has been identified. The earlier church was full of riches and of great associations, to which the wonderful St. Peter's we all know can lay claim only as its successor and supplanter. With its flight of broad steps, its portico and colonnaded façade crowned with a great tower, it dominated the square, open and glowing in the sun, without the shelter of the great existing colonnades or the sparkle of the fountains.
Behind was the little palace begun by Innocent III, to afford a shelter for the popes in dangerous times, or on occasion to receive the foreign guests whose object was to visit the shrine of the apostles. Almost all the buildings then standing have been replaced by greater, yet the position is the same, the shrine unchanged, though everything else then existing has faded away, except some portion of the old wall which enclosed this sacred place in a special sanctity and security, which was not, however, always respected. The Borgo was the holiest portion of all the sacred city. It was there that the blood of the martyrs had been shed, and where from the earliest age of Christianity their memory and tradition had been preserved. It was not necessary for us to enter into the question whether St. Peter ever was in Rome, which many writers have laboriously contested. So far as the record of the Acts of the Apostles is concerned, there is no evidence at all for or against, but tradition is all on the side of those who assert it. The position taken by Signor Lanciani on this point seems to us a very sensible one. "I write about the monuments of ancient Rome," he says, "from a strictly archaeological point of view, avoiding questions which pertain, or are supposed to pertain, to religious controversy.
"For the archaeologist the presence and execution of SS. Peter and Paul in Rome are facts established beyond a shadow of doubt by purely monumental evidence. There was a time when persons belonging to different creeds made it almost a case of conscience to affirm or deny a priori those facts, according to their acceptance or rejection of the tradition of any particular church. This state of feeling is a matter of the past, at least for those who have followed the progress of recent discoveries and of critical literature. There is no event of the Imperial age and of Imperial Rome which is attested by so many noble structures, all of which point to the same conclusion—the presence and execution of the apostles in the capital of the Empire. When Constantine raised the monumental basilicas over their tombs on the Via Cornelia and the Via Ostiensis; when Eudoxia built the Church ad Vincula; when Damascus put a memorial tablet in the Platonia and Catacombos; when the houses of Pudens and Aquila and Prisca were turned into oratories; when the name of Nymphae Sancti Petri was given to the springs in the catacombs of the Via Nomentana; when the 29th of June was accepted as the anniversary of St. Peter's execution; when sculptors, painters, medallists, goldsmiths, workers in glass and enamel, and engravers of precious stones all began to reproduce in Rome the likeness of the apostle at the beginning of the second century, and continued to do so till the fall of the Empire—must we consider them as laboring under a delusion, or conspiring in the commission of a gigantic fraud? Why were such proceedings accepted without protest from whatever city, whatever community—if there were any other—which claimed to own the genuine tombs of SS. Peter and Paul? These arguments gain more value from the fact that the evidence on the other side is purely negative."
This is one of those practical arguments which are always more interesting than those which depend upon theories and opinions. However, there are many books on both sides of the question which may be consulted. We are content to follow Signor Lanciani. The special sanctity and importance of Il Borgo originated in this belief. The shrine of the apostle was its centre and glory. It was this that brought pilgrims from the far corners of the earth before there was any masterpiece of art to visit, or any of those priceless collections which now form the glory of the Vatican. The spot of the apostles' execution was indicated "by immemorial tradition" as between the two goals (inter duas metas) of Nero's Circus, which spot Signor Lanciani tells us is exactly the site of the obelisk now standing in the piazza of St. Peter. A little chapel, called the Chapel of the Crucifixion, stood there in the early ages, before any great basilica or splendid shrine was possible.
This sacred spot, and the church built to commemorate it, were naturally the centre of all those religious traditions which separate Rome from every other city. It was to preserve them from assault, "in order that it should be less easy for the enemy to make depredations and burn the Church of St. Peter, as they have heretofore done," that Leo IV, the first pope whom we find engaged in any real work of construction, built a wall round the mound of the Vatican, and Colle Vaticano—"little hill," not so high as the seven hills of Rome—where against the strong wall of Nero's Circus Constantine had built his great basilica. At that period—in the middle of the ninth century—there was nothing but the church and shrine—no palace and no hospital. The existing houses were given to the Corsi, a family which had been driven out of their island, according to Platina, by the Saracens, who shortly before had made an incursion up to the very walls of Rome, whither the peoples of the coast (luoghi maritimi del Mar Terreno) from Naples northward had apparently pursued the corsairs, and helped the Romans to beat them back. One other humble building of some sort, "called Burgus Saxonum, Vicus Saxonum, Schola Saxonum, and simply Saxia or Sassia," it is interesting to know, existed close to the sacred centre of the place, a lodging built for himself by Ina, King of Wessex, in 727. Thus the English have a national association of their own with the central shrine of Christianity.