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Crossroads

Электронная книга - «Crossroads». Краткое содержание книги:

It's December 23, 1971, and the Hildebrandt family is at a crossroads. The patriarch, Russ, the associate pastor of a suburban Chicago church, is poised to break free of a marriage he finds joyless-- unless his brilliant and unstable wife, Marion, breaks free of it first. Their eldest child, Clem, is coming home from college afire with moral absolutism, having taken an action that will shatter his father. Clem's sister, Becky, long the social queen of her high-school class, has veered into the era's counterculture, while their younger brother Perry, fed up with selling pot to support his drug habit, has firmly resolved to be a better person. Each of the Hildebrandts seeks a freedom that each of the others threatens to complicate.
Universally recognized as the leading novelist of his generation, Jonathan Franzen is often described as a teller of family stories. Only now, though, in *Crossroads* , has he given us a novel in which a family, in all the intricacy of its...
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Right around the time he determined that he had no choice but to start dealing drugs, three of his best friends had joined Crossroads. For Bobby Jett it was a matter of a girl he was chasing, for Keith Stratton the allure of nine undersupervised days on the Crossroads spring trip to Arizona, and for David Goya, whose mother belonged to First Reformed, a not terribly punishing punishment for multiple curfew violations. Under Rick Ambrose, Crossroads had begun to undermine traditional social categories. Seemingly unlikely candidates for Christian fellowship drifted in, gave it a try. Among the ones who stuck with it, to Perry’s surprise, were all three of his friends. They still partied of a weekend, but their center of conversational gravity had shifted. Referring warmly to the Arizona trip, or more archly to the sensitivity training they did on Sunday nights, or more lubriciously to certain choice girls on the Crossroads roster, they made Perry feel excluded from a thing that sounded fun.

After a harrowing spring, followed by a summer of inhaling lawn-mower exhaust and getting wasted and rereading Tolkien, he proposed to Ansel Roder that the two of them check out Crossroads. Roder refused emphatically (“I’m not into cults”), and so Perry, on his first Sunday night in tenth grade, walked by himself into the vault-ceilinged third-floor room that Crossroads had appropriated in his father’s church. The air was blue with tobacco smoke, the walls and the ceiling vaults covered with hand-painted quotations from e. e. cummings, John Lennon, Bob Dylan, even Jesus, and with more inscrutable, unattributed lines, such as Why guess? Get the facts. DEATH KILLS. Before Perry knew it, he was being hugged by David Goya, physical contact with whom he’d heretofore naturally avoided. In the ensuing minutes, he was touched by—squeezed by, pulled into the exciting breasts of—twenty times more female bodies than he’d touched like that in his entire life. Very pleasant! After greetings and administrative business, the group marched downstairs, a hundred strong, to the church’s function hall, where the touching, male and female, in various formats, continued for another two hours. The only uncomfortable moment came when Perry, introducing himself to the group, alluded to his dad’s being the associate minister “here.” He glanced at Rick Ambrose and was pierced by a pair of burning dark eyes, slightly narrowed in puzzlement or suspicion, as if to ask, Does your dad know you’re here?

The Reverend did not know it. Since Perry seemed unable to argue with him without crying, he habitually concealed as much as he could for as long as he could. The following Sunday, to forestall any questions, he told his mother that he was having dinner at Roder’s, and he did stop in there, for a while, to consume freezer pizza and apparently quite a volume of gin and grape soda in front of the color TV in the Roders’ comfortably appointed cellar. Though he was noted for holding his liquor well, things started happening so fast when he arrived at Crossroads that he couldn’t remember them all later. It was possible he’d stumbled or lurched. He found himself confronted by two older advisers, alumni of the group, and informed that he was drunk. Rick Ambrose came wading through the crowd and led him out into a hallway.

“I don’t care if you want to be drunk,” Ambrose said, “but you’re not doing it here.”

“Okay.”

“Why are you even here? Why did you come?”

“I don’t know. My friends…”

“Are they drunk?”

Fear of punishment was killing Perry’s buzz. He shook his head.

“You’re damn right they’re not,” Ambrose said. “I ought to just send you home.”

“I’m sorry.”

“Are you really? Do you want to talk about that? Do you want to be part of this group?”

Perry hadn’t decided yet. But it was undeniably pleasant to have the full attention of the mustachioed leader about whom his irreverent friends spoke admiringly; to be in frank conversation, for once, with an adult. “Yes,” he said. “I do.”

Ambrose took him back into the smoke-filled room and interrupted regular programming for one of the plenary Confrontations that were at the heart of Crossroads praxis. The issues at hand were alcohol use, respect for one’s peers, and self-respect. Kids Perry barely knew addressed him as if they knew him very well. David Goya told him that he was an amazing person but that he, David, sometimes worried that he, Perry, used drugs and liquor to avoid his real emotions. Keith Stratton and Bobby Jett piped up in the same key. The thing went on and on and on. Although in some respects Perry had never experienced anything more horrible, he was also thrilled by the quantity and intensity of attention he was getting, as a sophomore and a newcomer, just for having drunk some gin. When he broke down in tears, weeping with shame, authentically, the group responded in a kind of ecstasy of supportiveness, advisers praising him for his courage, girls crawling over to hug him and stroke his hair. It was a crash course in the fundamental economy of Crossroads: public display of emotion purchased overwhelming approval. To be affirmed and fondled by a roomful of peers, most of them older, many of them cute, was exceedingly pleasant. Perry wanted more of this drug.

When the group headed down to the function hall for activities, Rick Ambrose held him back and collared him in a headlock evidently meant to be affectionate. “Well done,” Ambrose said, releasing him.

“Frankly, I’d assumed I’d be severely punished.”

“You didn’t think that was severe? They really let you have it.”

“I do feel a bit put through the ringer.”

“One thing, though.” Ambrose lowered his voice. “I don’t know if you’re aware of it, but there were some hard feelings when your father left the group. I feel bad about it, and I really don’t know what to do. But if you want to be here, I need to know your dad’s okay with it. I need to know you’re here for your own sake, not because of something going on with you and him.”

“He doesn’t even know. I wasn’t even thinking of him.”

“Well, you need to fix that. He needs to know. Are we clear?”

Perry’s conversation with the Reverend, later that night, was thankfully short. His father made a trembling steeple of his fingers and regarded them sadly. “I’d be lying,” he said, “if I told you that your mother and I aren’t worried about you. I think you need some kind of purpose in your life. If this is what you want it to be, I won’t stop you.” Perry’s analysis was that he was actually of such small concern to his father that his joining the enemy camp didn’t even merit anger.

By the time Becky joined Crossroads, he’d already mastered the game of it. The object was to move closer to the center of the group, to become an inner-circler, by following the rules exemplified by Ambrose and the other advisers. The rules required counterintuitive behaviors. Instead of comforting a friend with fibs, you told him unwelcome truths. Instead of avoiding the socially awkward, the hopelessly uncool, you sought them out and engaged with them (making sure, of course, that you were noticed doing this). Instead of choosing friends as exercise partners, you (conspicuously) introduced yourself to newcomers and conveyed your belief in their unqualified worth. Instead of being strong, you blubbered. Where his tears on the night of drinking gin had been cathartic, his tears later on came more easily and were a more fungible currency, redeemable for progress toward the inner circle. Because it was a game, he was good at it, and although intimacies achieved by game-theoretical calculation were hard to feel great about, he sensed that other people genuinely valued his insights and were genuinely moved by his emotional displays.

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