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King Suckerman

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King Suckerman is a sterling thriller that weaves the blaxploitation films, the drug deals, the soul music and the racial tensions that defined the seventies into a story of natural-born killers and two men who risk everything to bring them down. Wilton Cooper is at a drive-in movie when he notices the ugly white boy walk into the projection booth. Seconds later he hears a gun goes off, perfectly timed to coincide with the movie’s noisy climax. When the boy struts coolly out, blood sprayed on the front of his cheap print shirt, Cooper knows he’s found his partner. Dimitri Karras and Marcus Clay are old friends whose affection transcends the barriers of race. Clay is a Vietnam vet trying to make a go of his own small business, while Karras is drifting, playing pickup basketball and supporting himself with small-time drug dealing. When Karras takes Clay with him to make a buy from a new supplier, they cross paths with Wilton Cooper — and enter a world where merciless, unpredictable violence is the only certainty. Cooper cuts a swath of bloody mayhem that leads straight to Karras’s door, and Karras has the battle of a lifetime to keep his walk on the wild side from destroying his entire world. Set in Washington, D.C., on the eve of the Bicentennial, King Suckerman is an unforgettable novel of morality, friendship, and unexpected consequences. This powerful novel confirms George Pelecanos as one of the great original talents in crime fiction.
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A young man nearly stepped right on him. He got down on one knee and saw the massive wound in Ronald’s gut. Ronald put his hand on the young man’s shirtsleeve, gripped it tight.

“Goddamn, man, you all right?”

“Where go my brother?” said Ronald.

“You just hold on, blood. I’m gonna get you some help. We’ll find your brother, too, don’t you worry about that. Just hold on.”

The young man found an older man, who appeared to be sober and responsible, standing alone at the edge of the promenade.

“There’s a man needs help. He’s hurt real bad.”

“Show me,” said the older man, who read genuine fear in the young man’s face.

The two men went to the fountain. Rubies and emeralds sparkled in Ronald Thomas’s open eyes.

“Do something,” said the young man.

“Ain’t nothin’ to do,” said the older man. “This man is dead.”

The explosions ended just as the red, white, and blue light stopped flickering on the cinder-block wall. Then there was a great cheering sound and scattered applause. Wilton Cooper guessed that the big celebration was done.

His eyes traveled down to his shirt. A small fountain of blood pumped out rhythmically from the scorched, ragged opening in the fabric. He let his head fall to the side. That was all he had the strength to do.

Bobby Roy Clagget, light as he was, had been lifted by the bath of his own blood and carried a foot to rest against the wall. Cooper could see the slow rise and fall of Clagget’s birdcage chest. Clagget’s thin lips were pulled up high over his gums, and his complexion was stark and marbleized, beyond blue. He looked as dead as any man Cooper had ever seen.

Cooper knew that he, Wilton Cooper, was dead, too.

What was Bobby Roy thinking? Cooper guessed that B. R. Clagget was just plain surprised. That he had been shot, and yes, that it was all about to end. If he thought himself to be the hero of his own private movie, then it didn’t make sense — it couldn’t make sense — that the hero would die. Hadn’t the hero always walked away in the last reel?

Cooper coughed up a great black glob of blood that flopped over his mouth and came to rest on his chin.

“Wilton?”

“Yes, little brother.”

“I’m dyin’, blood.”

Cooper issued a gurgling laugh. The blood was in his lungs now, and he was drowning in it. He stared at the cinder-block wall, the mortar lines erasing in the forty-watt light.

“Wilton?”

“Yeah?”

“It hurts,” said Clagget in a small and childish way.

“What,” said Wilton Cooper. “Didn’t you think it would?”

Twenty-Eight

Marcus Clay drove across the city, taking the Sousa Bridge over the river and into Anacostia Park. Clay, Karras, and Adamson walked down to the picnic area, where revelers still gathered, drinking, laughing, listening to music, and getting high.

Adamson had the pack slung over his shoulder. He nodded toward the end of the manicured grass where the tree line gave to a thin forest that ran upriver.

“Think I’ll take a walk in the woods, Marcus.”

“All right, Al. You take care.”

“Right.”

Adamson looked at Karras for a moment, then turned and jogged toward the woods. He entered the black space between the trees.

Clay said, “Come on.”

They walked down to the waterline, where they copped a joint from a Ward 8 resident their own age. Clay and Karras had a seat on the grass looking out across the Anacostia, the sky still bright in the west and thick with smoke.

Clay fired up the number. The two of them smoked it down without conversation, listening to Hendrix’s Are You Experienced? coming loud from a Gremlin parked behind them in the lot. Clay smiled. Probably some blood, back in the world. The brothers over there, they did love their Jimi. Listening to the music, it made Clay think of Rasheed; the image of Rasheed kept the smile on his face.

“Marcus?”

“What?”

“How can you be grinning like that tonight?”

“Just thinking of young Rasheed. Picturing him, is all. All the energy he had, how opinionated he was. How he was always so certain that he was right.”

“And now it’s okay to talk about him in a good way, is that what you’re saying? Because we took out the ones who took him?”

“Say it again?”

“You think we did the right thing.”

“I know we did.”

I don’t know,” said Karras.

Across the river, boats had begun to return to their marinas, where brightly colored lights were strung along the docks. A houseboat threw a small wake that lapped at the bulkhead of the eastern shore.

“Dimitri?” said Clay. “You remember that time, I don’t know, I was just out of high school, nineteen sixty-six or somethin’ like that, I took that trip up to New York?”

“I remember.”

“Yeah. Took the train up there to get in a city game with Earl Manigault. Was eager to try, you know. And I found that game, too, right on One Hundred and Thirty-fifth Street. I knew I’d find it, ’cause I wanted it too bad, had practiced all summer long just for the chance.”

Karras almost smiled. “And he took your ass to school.”

“You don’t have to tell me. He damn sure did. That’s when I knew — I knew — I didn’t have it in me to be the best at ball. And that’s when I decided to go ahead and go for something else.’Course, the draft board had a different idea, sidetracked me a little bit. But I held on to that goal. To open my own business, build something for myself. And you know? I was right. I mean, look what happened to Earl. The streets claimed him, man, and here was a brother who could not be stopped on the court. But I think, what it was, he just didn’t have the vision to move on and get where he needed to be with his life. Like he was in hang time all the time, and he didn’t know how to get back down.”

“What’s your point?”

“You’re still up there, too, Dimitri.”

“Marcus—”

“Listen. Here’s what I been playin’ with in my mind: I want you to come work for me. I think you should.”

“Aw, come on, man.”

“I’m serious.”

“What, you and me and Cheek and Tate? That’s a bigger staff than you had before.”

“Need someone with some rock knowledge in that place. Dupont Circle ain’t exactly a hotbed of funk, man. Someone comes in lookin’ for a Mo the Rooster LP—”

“Mott the Hoople.”

“Whatever. And as far as overloading the staff goes, it ain’t gonna cost me, ’cause I’m not promising you much to start. I’m talking minimum wage.”

Karras looked over at Clay. “I don’t know, Marcus. I’m not much for holding a job where you gotta be somewhere every day at some special time. I wouldn’t want to let you down.”

“I got faith in you, man. More than you got in yourself. It doesn’t work out between us, you go your own way, that’s fine, too. I’m talkin’ about giving you a little stability right now, ’cause you need it.”

“Thanks, Marcus. But I gotta think about it, okay?”

“Think on it, then. I’d like you in there Tuesday morning, nine sharp, when we open back up.”

Karras lay back in the grass. He stared at the sky until his eyes grew heavy. When he heard Clay’s voice again, it was difficult to tell if Karras had slept or just been deep into his high. The sky had lightened, though, and there were stars in it instead of smoke.

“Mitri, man.”

Karras got up, resting on his elbows. The dewy grass felt cool against his bare feet. “What are we doin’?”

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