The Historians' History of the World 01 [Prolegomena; Egypt, Mesopotamia]
- Автор: Gutenberg
- Год: 1905
- Язык: английский
- Жанр: История
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The two scenes of warfare of the Pharaohs at this period were Syria on the east of the Delta, and Nubia, properly so called, on the south of Elephantine. One would have thought that the large tracts of sand, separating the Syrians from Egypt, would have prevented any incursions from that quarter. But the nomadic tribes made such inroads on that district that a series of fortresses had to be built from the Red Sea to the Nile, to protect the entrance of the Wady Tumilat from the hordes; and this wall, begun by Amenemhat and continued by his successors, marked the extreme limit, at that time, of the empire of the Pharaohs in this direction. Beyond stretched the desert, a world almost unknown to the Egyptians at that time.
Of the people of Syria and Palestine they had only vague ideas brought thither by the caravans or brought to the ports in the Mediterranean by sailors who had been there. Sometimes, however, a party of emigrants, or even whole tribes, driven from their country by misery or revolutions, would arrive and settle in Egypt. One of the bas-reliefs of the tomb of Khnumhotep depicts the arrival of such a party. It represents thirty-seven men, women, and children, brought before the governor of the nome of Mah, to whom they present a sort of greenish paint, called moszmit, and two boxes. They are armed like Egyptians with bows, javelins, axes, and clubs; one of them plays, as he walks, on an instrument resembling an old Greek lyre in shape. The cut of their dress, the brilliancy and good taste of the fringed and patterned materials, the elegance of most of the things they have with them, testify to an advanced stage of civilisation, albeit inferior to that of Egypt. Asia already supplied Egypt with slaves, perfumes, cedar wood, and cedar essences, enamelled precious stones, lapis-lazuli, and the embroidered and dyed stuffs of which Chaldea retained the monopoly until the time of the Romans.c
The monuments of this great period provoked wonder among the ancients, and the old traveller and historian Herodotus thus describes the marvels of Egypt:a
MONUMENTS OF THE TWELFTH DYNASTY: A CLASSICAL VIEW
It was the resolution of all the princes to leave behind them a common monument of their fame:—With this view, beyond the Lake Mœris, near the City of Crocodiles, they constructed a labyrinth, which exceeds, I can truly say, all that has been said of it; whoever will take the trouble to compare them, will find all the works of Greece much inferior to this, both in regard to the workmanship and expense. The temples of Ephesus and Samos may justly claim admiration, and the Pyramids may individually be compared to many of the magnificent structures of Greece, but even these are inferior to the Labyrinth. It is composed of twelve courts, all of which are covered; their entrances are opposite to each other, six to the north and six to the south; one wall encloses the whole; the apartments are of two kinds, there are fifteen hundred above the surface of the ground, and as many beneath, in all three thousand. Of the former I speak from my own knowledge and observation; of the latter, from the information I received.
The Egyptians who had the care of the subterraneous apartments would not suffer me to see them, and the reason they alleged was, that in these were preserved the sacred crocodiles, and the bodies of the kings who constructed the labyrinth: of these therefore I presume not to speak; but the upper apartments I myself examined, and I pronounce them among the greatest efforts of human industry and art.
The almost infinite number of winding passages through the different courts, excited my warmest admiration: from spacious halls I passed through smaller apartments, and from them again to large and magnificent courts, almost without end. The ceilings and walls are all of marble, the latter richly adorned with the finest sculpture; around each court are pillars of the whitest and most polished marble: at the point where the labyrinth terminates, stands a pyramid one hundred and sixty cubits high, having large figures of animals engraved on its outside, and the entrance to it is by a subterraneous path.
Wonderful as this labyrinth is, the Lake Mœris, near which it stands, is still more extraordinary: the circumference of this is three thousand six hundred stadia, or sixty schæni, which is the length of Egypt about the coast. This lake stretches itself from north to south, and in its deepest parts is two hundred cubits; it is entirely the produce of human industry, which indeed the work itself testifies, for in its centre may be seen two pyramids, each of which is two hundred cubits above and as many beneath the water: upon the summit of each is a colossal statue of marble, in a sitting attitude. The precise altitude of these pyramids is consequently four hundred cubits; these four hundred cubits, or one hundred orgyiæ, are adapted to a stadium of six hundred feet; an orgyia is six feet, or four cubits, for a foot is four palms, and a cubit six.
The waters of the lake are not supplied by springs; the ground which it occupies is of itself remarkably dry, but it communicates by a secret channel with the Nile; for six months the lake empties itself into the Nile, and the remaining six the Nile supplies the lake. During the six months in which the waters of the lake ebb, the fishery which is here carried on furnishes the royal treasury with a talent of silver every day; but as soon as the Nile begins to pour its waters into the lake, it produces no more than twenty minæ.
[The silver which the fishery of this lake produced was, says Larcher, appropriated to find the queen with clothes and perfume.]
The inhabitants affirm of this lake, that it has a subterraneous passage inclining inland towards the west, to the mountains above Memphis, where it discharges itself into the Libyan sands. I was anxious to know what became of the earth, which must somewhere have necessarily been heaped up in digging this lake; as my search after it was fruitless, I made inquiries concerning it of those who lived nearer the lake. I was the more willing to believe them, when they told me where it was carried, as I had before heard of a similar expedient used at Nineveh, an Assyrian city. Some robbers, who were solicitous to get possession of the immense treasures of Sardanapalus, King of Nineveh, which were deposited in subterraneous apartments, began from the place where they lived to dig under ground, in a direction towards them. Having taken the most accurate measurement, they continued their mine to the palace of the king; as night approached they regularly emptied the earth into the Tigris, which flows near Nineveh, and at length accomplished their purpose. A plan entirely similar was executed in Egypt, except that the work was here carried on not by night but by day; the Egyptians threw the earth into the Nile, as they dug it from the trench; thus it was regularly dispersed, and this, as they told me, was the process of the lake’s formation.d
Thus Herodotus explains what he but faintly understood; his translator William Beloe has added the following commentary:a
Herodotus, Diodorus, and Pomponius Mela differ but little in opinion concerning its extent. The design of it was probably to hinder the Nile from overflowing the country too much, which was effected by drawing off such a quantity of water, when it was apprehended that there might be an inundation sufficient to hurt the land. [The regulation of the Nile floods has been accomplished in the latter part of the nineteenth century, by dams elsewhere described.] The water, Pococke observes, is of a disagreeable muddy taste, and almost as salt as the sea, which quality it probably contracts from the nitre that is in the earth, and the salt which is every year left in the mud. The circumference of the lake at present is no more than fifty leagues. Larcher says we must distinguish betwixt the lake itself, and the canal of communication from the Nile; that the former was the work of nature, the latter of art. This canal, a most stupendous effort of art, is still entire; it is called Bahr Yusuf, the canal of Joseph. According to Savary it is forty leagues in length.