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The Black Lizard Big Book of Pulps

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The BIGGEST, the BOLDEST, the MOST COMPREHENSIVE collection of PULP WRITING ever assembled!
Weighing in at over a thousand pages, containing over forty-seven stories and two novels, this book is big baby, bigger and more powerful than a freight train — a bullet couldn’t pass through it. Here are the best stories and every major writer who ever appeared in celebrated Pulps like Black Mask, Dime Detective, Detective Fiction Weekly, and more. These are the classic tales that created the genre and gave birth to hard-hitting detectives who smoke criminals like packs of cigarettes; sultry dames whose looks are as lethal as a dagger to the chest; and gin-soaked hideouts where conversations are just preludes to murder. This is crime fiction at its gritty best.
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There rose a howl of fear. The demons of these blancs, not content with lying in wait and springing out upon them, were now flying through the air; attacking them from the heavens, sucking from their bodies all their strength.

What use to resist when even the magic of the Papaloi and the Mamaloi was not sufficient to fight off the demons.

They bolted headlong, fly paper sticking to every part of their anatomy. They fell, scaled with the awful things, and promptly acquired more. Women fell and shrieked as they were trampled upon, not from the pain of the trampling feet, but from the fear that they might be left behind at the mercy of the demons. Men, blinded by the sticky things, ran in circles and clutched at whatever they came in contact with.

Then came the low drone of an airplane engine in the distance, flying low because of the storm. Turning, Vivian ran back into the dining room, where Benedetti still lay, bound upon the floor, his eyes glaring hatred at her. Calmly she sat down and wrote upon one of his letterheads which she found in the desk there. Then she snatched off the gag that muffled his mouth.

“The danger is all over,” she told the man, “for us. But for you trouble is just beginning.”

“You can’t escape,” he raved at her viciously. “I don’t know what you’ve done, but you won’t be able to leave the island. In an hour, two hours — by daylight at least — they will return, and what they will do to you won’t be pleasant.”

Vivian smiled. The invisible plane seemed to be circling the house now. She waved the paper she had written to dry the ink.

“What the American authorities in Port-au-Prince do to you will not be pleasant, either,” she told Benedetti. “Voodoo is forbidden by law. You have not only aided and abetted voodoo ceremonies, but you have also procured human sacrifices for the ceremonial. There was the little French girl from the Port-au-Prince cabaret, and the girl from Santo Domingo — you should not have boasted. For you murdered them as surely as if you had driven a knife in their hearts, and the law will agree with me.”

“You’ll never live to tell the Americans, even if they believed the tale,” he scoffed.

“Oh, yes I will,” she mocked. Her voice was as dry and keen as a new ground sword. “Within an hour I shall be on my way to Cape Hatien. Hear that,” and she raised an admonitory hand. In the silence the plane could be heard. She threw open the French windows. From where he lay Benedetti could see a Marine plane slanting down toward the comparatively sheltered waters of the little cove.

“In less than ten minutes,” she said, “the plane will have taxied up to the beach and the Marine pilot and his observer will be in this room, asking if we need aid. You see,” and her smile was completely mocking and scornful now, “you yourself brought about your own downfall — planted the idea in my brain when you told me that the plane passed overhead every night at about this time. There was a can of luminous paint in your storeroom. I saw it, and there he is coming to see what it’s all about — and to take you to Cape Hatien — unless...”

“Unless what?” he queried eagerly.

“Unless you sign this memorandum. It deposes that I have purchased this plantation from you — that you have received the purchase price — and that proper legal transfer to it will be made later.”

There was a calculating gleam in the man’s eyes as he made assent. His gaze flickered out through the open door to where the plane had already landed on the surface of the cove.

Vivian had caught that gleam. “Of course,” she went on smoothly, “we will have the Marine officers sign it as witnesses in your presence. Then you can accompany us back to Cape Hatien in the plane, and the lawyers of the Haitian Sugar Central will be glad to see that memorandum is put in proper legal form before I, in turn, resell the plantation to them. I shall not refuse the price they are willing to pay — and it will not matter to the sugar trust whether you or I are the owner.” She gazed at him for a moment. “Well, do you agree? — or do you go to Cape Hatien a prisoner?”

Benedetti shot a glance at the trim, uniformed figure coming cautiously up from the beach. Feverishly he scribbled his name at the bottom of the memorandum.

Brother Murder

T. T. Flynn

More famous as a writer of Western fiction for the pulps, the prestigious Saturday Evening Post, and in book form, Thomas Theodore Flynn (1902–1978) was also a prolific author of mystery fiction, producing a story, “The Pullman Murder,” for the very first issue of Dime Detective (November 1931).

He led the type of macho life that many male writers thought helpful in learning about the world, spending time as a hobo and working as a carpenter, door-to-door salesman, clerk, traveling salesman, and in a shipyard, steel mills, on ships in the engine and fire rooms, and in a railroad shop, inspecting locomotives.

He published five Western novels with Dell between 1954 and 1961, one of which, The Man from Laramie, was filmed starring James Stewart and directed by Anthony Mann.

Flynn’s only two mystery novels were paperback originals published in Great Britain by Hector Kelly, It’s Murder (1950) and Murder Caravan (1951).

His mystery pulp stories tended to be humorous and cheerful, as exemplified by the series featuring Mike Harris and Trixie Meehan, both of whom work for the Blaine International Agency. Mike is tough, redheaded, and wise-cracking; Trixie is cute and pert and, while depending upon her partner if a fight breaks out, is also smart and inventive when necessary.

“Brother Murder” first appeared in the December 2, 1939, issue of DFW.

Father Orion was the Prophet of Truth, with Death as the greatest Truth of all — but Mike and Trixie were unbelievers

Chapter I

Girl in a Coffin

I was doing sixty-eight on the Ventura highway, north of Los Angeles, when the siren wailed behind me — and you could have had all the fun for a kippered herring.

Sixty-eight on that smooth open highway through the orange groves — and when I heard the siren and looked in the rear-view mirror, the motorcycle cop was coming like a bee to a flower.

“Whoa, Mike,” says I, and stood the long fast coupe halfway on its nose at the edge of the pavement.

He rolled alongside, killed the engine and wanted to know sarcastically: “Going somewhere?”

“Points east,” says I. “Did the sunshine make me reckless for a moment?”

“It made you murderous at that speed!” he snapped. “Name, please!”

“Harris,” says I.

“First name?”

“Michael Harris.”

“Red hair,” says he, peering in at me. “Sawed-off and wisecracking.”

“Is this a beauty contest?” I gave him.

“It’s a pinch,” he informed me coldly. “We’ll go down the road and get it over with. I came out here looking for you.”

“Not me,” I told him. “No one knew I’d be along this stretch of road.”

He was glancing in a small notebook.

“Blue Packard coupe,” he read off. “New York tags. Sawed-off redhead named Mike Harris driving.” He pocketed the book and grinned nastily. “If I hadn’t been out this way looking for you, I wouldn’t have caught you splitting the road open. Which makes us even for my trouble. Over sixty-five — and that’ll cost you huckleberries, young feller.”

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