The Black Lizard Big Book of Pulps
- Автор: Anderson Lars, Barr Randolph
- Год: 2007
- Язык: английский
- Год: Vintage Books
- ISBN: 978-0-307-28048-0
- Жанр: Криминальные детективы
Электронная книга - «The Black Lizard Big Book of Pulps». Краткое содержание книги:
Weighing in at over a thousand pages, containing over forty-seven stories and two novels, this book is big baby, bigger and more powerful than a freight train — a bullet couldn’t pass through it. Here are the best stories and every major writer who ever appeared in celebrated Pulps like Black Mask, Dime Detective, Detective Fiction Weekly, and more. These are the classic tales that created the genre and gave birth to hard-hitting detectives who smoke criminals like packs of cigarettes; sultry dames whose looks are as lethal as a dagger to the chest; and gin-soaked hideouts where conversations are just preludes to murder. This is crime fiction at its gritty best.
The man was still standing there when she peered out the door again. He never saw the slender blade as it flew through the air, sped by a hand that had learned its cunning from the most expert knife thrower in Shanghai. The blade went through, sinking into the flesh at the base of his throat as though it had been butter. He died without an outcry.
Now she must work fast, if she were to escape and save Wylie too. Benedetti she bound and gagged and rolled against the sideboard where he was out of the way. But first she had taken his revolver from his side pocket.
Trip after trip she made, first to the flat tin roof of the house, and then to the front of the house. Finally she was satisfied with what she had done, and, snatching up a flashlight from the sideboard, fled toward the path in the jungle that she knew led to the place of sacrifice.
A tropical squall was rising out of the sea beyond the little cove. A cloud, black in the light of the moon, was rising above the horizon. She glanced at it anxiously. Then she plunged into the jungle.
The valences of the palms were motionless against the moonlit sky. The atmosphere, as she pushed her way along, seemed saturated with mystery, dew dripping, bars of green moonlight between the trunks of the trees; the cry of night birds, the patter of something in the dark mystery of the tree roof overhead, the thudding of the drums that had never ceased. Out of that familiar hollow rhythm of drums that had begun to emerge a thread of actual melody — an untraditional rise and fall of notes — a tentative attack, as it were, on the chromatic scale of the beat. A tentative abandonment of Africa. It was a night of abandonment, anyhow, a night of betrayal and the peeling off of blanketing layers down to the raw.
Once she stopped short with a sudden emptiness in her chest at sight of what she thought was a man in the path ahead. But it was only a paint-daubed, grinning skull on a bamboo stake planted in the ground — a voodoo ouanga. Then she went ahead again. Evidently there were no guards posted. With every inhabitant of the island concerned in the ceremony in one way or another there would be no need for guards to be posted now.
The rapid sequence of events had edged Vivian’s nerves, and the boom of the drums — heavy, maddening, relentless — did nothing to soothe them. That passage through the jungle was galling, fraying the nerve ends like an approaching execution.
A red glow came to her through the trees, and seemed to spread and spread until it included the whole world about her in its malignancy. The drums, with that queer rise and fall of notes that it seemed impossible to achieve with taut skins stretched over drum heads, beat upon her senses, pounded until the air was filled with sounds that seemed to come from the earth, the sky, the forest; dominated the flow of blood with strange excitations.
She had formulated no plan for rescuing Wylie. She could not, until she reached the spot and saw what she had to contend with. She had the gun she had taken from Benedetti, but six cartridges against a horde of drum-maddened blacks — that was only a last resort.
And then she stood on the edge of a clearing that seemed sunk to the bottom of a translucent sea of opalescent flame.
Something that was age-old was happening in that crimson-bathed clearing, something old and dark, buried so deeply under the subtleties of civilization that most men go through life without ever knowing it is there, was blossoming and flowering under the stark madness of those thudding drums.
Coconut fiber torches, soaked in palm oil, flaring red in the blackness of the night lit up the space in front of her like a stage, the torchlight weaving strange scarlet and mauve shadows. Tall trees, lining the clearing opposite her, seemed to shelter masses of people, darker shadows against the red glow of the burning torches.
Two enormous drums, taut skins booming under the frenzied pounding of the palms of two drummers, stood on one side. A dozen, two dozen dancing black figures, male and female,
spun and danced in the center of the clearing, movements graceful and obscene — animal gestures that were identical with similar dances of their ancestors hundreds of years before in Moko or the Congo.
And then she saw Wylie. He was tied to a post in the center of the clearing, and the dancers were milling about him. Beside him stood a woman whom Vivian instinctively knew must be the Mamaloi, the priestess of whom Benedetti had spoken.
Now and then the priestess gave vent to a sound that seemed to stir the dancers to greater activity — to spur the slowly humming throng of watchers to a point of frenzy; a sound such as Vivian had never heard before and never hoped to hear again. When she stopped, it would hang, incredibly high-pitched, small, like a black thrill in the shadow. It was shocking and upsetting out of that ancient thin figure.
Her eyes shifted from the aged figure to the sky line above the trees. The black cloud that, a short time before had been no larger than the palm of her hand on the horizon, was visible through the branches of the trees now. Even as she looked a faint flicker of heat lightning laced through it.
And then, as if at a conductor’s signal, more torches flowered on the edge of the clearing, and in their light the Lady from Hell saw half a dozen men staggering forward with an enormous thing of bamboo — a cage — and in that cage was a great snake; a boa constrictor, perhaps, or a python, although neither of them, she seemed to remember, was native to Haiti.
Chapter VI
White Man’s Voodoo
They placed the cage in the center of the clearing, and Vivian saw that it had been placed so that a small door in the cage was directly opposite Wylie’s bound figure. The significance of that fact went through her like a breath of cold wind. If she failed, she also would be bound to that stake. Mentally she could see the little door in the cage opening, the great triangular head of the snake gliding slowly...
Swiftly she bent over and caught up a handful of the black leaf mold underfoot, smeared it over her face, her arms, her neck, her shoulders. A section of the dress she was wearing was ripped off and made into a turban that hid the flaming crown of her hair. More earth was rubbed onto the white of her dress.
Then, with swift leaps, she was on the outer fringe of the dancers, and the chaos of moving arms and legs caught her up and swallowed her as a breaking wave on the beach swallows a grain of sand.
It was a mad thing to do, a desperate thing. She knew that, normally, her crude disguise would not have fooled the natives. The Haitian black seems to have the ability to almost smell the presence of a blanc, much as an animal can smell the presence of another. But, in that flickering torchlight, the crudeness of disguise would not be so apparent, and in that unceasing madness of drums that went on like a black echo of something reborn, she hoped that her alien presence would pass unnoticed long enough for her to accomplish her object.
Slowly she worked her way through the writhing, dancing mass of figures toward the center. She knew that her time was short — that the lesser ceremony was approaching its height. Even as she reached the inner ring of dancers she saw the ancient Mamaloi joining in the dance, while the others kept a respectful distance from her. Monotonously, maddeningly, the priestess twisted and turned and shivered, holding aloft a protesting fowl. Faster and faster she went, and while all eyes were fastened on that whirling figure Vivian managed to reach Wylie’s bound figure.
A swift slash with the knife she had hidden beneath her dress and his hands were free.
“Keep still... don’t let them see that you’re not bound,” she whispered. Another motion and the bonds that fastened his ankles to the post were free.