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There Was an Old Woman [= The Quick And the Dead]

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Before the last echo of the shot had trailed down Riverside Drive, Ellery Queen realized that he had just witnessed a murder. Robert Potts lay shot through the heart. Not only had Ellery Queen been a witness but also Inspector Queen and Sergeant Velie. Yet not one of them knew who committed the murder. This is the story of the Old Woman (Cornelia Potts), who lived with all her children (six) in the incredible Potts “palace” on Riverside Drive — on its front lawn a great, bronze Oxford complete with trailing bronze shoelaces. Over the household hovers a ruthless killer who fits his cold-blooded crimes into the pattern of a Mother Goose rhyme. There are amusing and queer characters galore Thurlow, who spent his life bringing fruitless lawsuits; Louella, the would-be inventor; Horatio, the Philosopher of Escapism. And in addition there is the lovely, red-haired Sheila, revolted by the actions of her family. Here is murder as weird and baffling as Ellery Queen has yet encountered — a stiff dose of murder in the best Queen fashion.
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Ellery stared back at his father. “Something’s gone wrong,” he muttered. “Velie’s in trouble. Come on!” He took two strides toward the open French door behind the occasional table, the others following. But then he stopped. On the very edge of the circle of lamplight.

A slender thing had darted in from the black terrace, a snake. But it was not a snake; it was a human arm. Even this was the impression of an instant, for it all occurred so quickly that they could only halt, Ellery included, and glare, powerless to move, unable to comprehend its nature or its purpose.

The hand was gloved, a gloved blur. It snatched the .25 automatic from the bird’s nest on the table, brought it to a level in an amazingly fluid extension of its original movement, and for the fragment of a second poised the snub nose of the weapon on a direct line with Ellery’s heart.

In that instant several things happened. Sheila screamed, clutching Charley. Ellery’s hand came up from his side, defensively. With a snarl the Inspector dived head-first at Ellery’s legs.

But one thing happened before any of the other three got fairly started... The gloved finger squeezed the trigger of the Colt and smoke and flame enveloped it. Ellery toppled to the floor.

25

The Light That Succeeded

The arm, the hand, the weapon disappeared. Only the smoke remained, hovering over the table, a little cloud. It began to drift lazily toward the lamp.

Inspector Queen, on the floor, rolled over swiftly and grasped Ellery by his jacket lapels. “Ellery. Son.”

He shook Ellery.

Sheila whispered: “Is he...? Charley!” She hid her face in Paxton’s coat.

“Inspector—” Charley paid no attention. “Ellery,” he said, and tugged.

Ellery groaned, opening his eyes.

“Ellery!” The Inspector’s voice lifted with incredulity. “Are you all right, son?”

“All right?” Ellery struggled to sit up. He shook his head. “What hit me? I remember an arm — a shot—”

“The Inspector dived for your legs,” said Sheila, dropping to her knees beside him. “Don’t move now — lie back! Charley, take a look. Help me get his jacket off—”

“Sit still now, you blinking hero,” growled Charley. “Setting traps!”

“Please,” said the Inspector. They sat back on their haunches. Ellery was still shaking his head. “Where does it hurt, son? I don’t see any blood—”

“Doesn’t hurt anywhere,” said Ellery testily.

“Out of his head,” Sheila whispered. “Do you think... possibly... internal injuries?”

“Let’s get him over to that easy-chair,” said Charley in a low voice.

The Inspector nodded, bent over again. “Now look, son. Don’t you try to do a thing. We’re going to pick you up and carry you over to that chair. It can’t be your back, because you sat up by yourself, so I think it’s safe enough to try—”

“Sheila,” whispered Charley, “call a doctor.”

Ellery looked around suddenly, as if for the first time conscious of what was going on about him. “What is this?” he snarled. “Why are you fussing over me? Get after that murdering maniac!” And he sprang to his feet.

The Inspector shrank from him, open-mouthed. “You’re not wounded?”

“Of course I’m not wounded, Dad.”

“But — that shot, son! Fired at a range of five feet!”

“A child couldn’t have missed you,” cried Sheila.

“He must have hit you, Ellery,” said Charley. “Maybe it was just a flesh wound, a scratch somewhere, but—”

Ellery lit a cigaret with slightly shaking fingers. “Do I have to do a strip-tease to convince you?” He ripped open his shirt front. Something metallic shone in the lamplight.

“A bullet-proof vest!” gasped the Inspector.

“Told you I’d taken precautions, Dad. I didn’t depend merely on Velie. This is that steel-mesh vest the Commissioner of Scotland Yard presented to you last year.” He grinned. “What the well-dressed dilettante of detection will wear.” Ellery clapped his father on the shoulder and helped the old gentleman to his feet.

The Inspector shook off Ellery’s hand, becoming gruff. “Sissy,” he growled. “Letting me knock the wind out of you. You’d never make a cop.”

“And talking about cops,” said Charley, “what happened to Sergeant Velie?”

“Velie!” exclaimed Ellery. “Knocked my brains out, too, Dad. Gangway!”

“Be careful, Ellery! Whoever that was took the gun with him!”

“Oh, that character’s made his exit from the script long ago,” snapped Ellery; and he dived through the nearest French door. “Sheila, turn the lights on out here, will you?” he called back.

Sheila ran for the foyer. A moment later the terrace was flooded with light.

“No sign of whoever it was,” panted Charley Paxton.

“Here’s the gun,” cried the Inspector. “Dropped it on the terrace just outside the study. Velie! Where are you, damn your idiot’s hide?”

“Velie!” shouted Ellery.

Detective Flint stamped out of the house by way of the foyer, his big hand on Sheila’s arm. “I caught this gal in the foyer, Inspector. Monkeying with the light switch.”

“Start looking for the Sergeant, you dumb ox,” snarled the Inspector. “Ellery sent Miss Brent!”

“Yes, sir,” said Flint startled, and at once he began to search among the empty chairs of the terrace, as if he expected Sergeant Velie to materialize in one of them.

“Here he is.” Ellery’s voice was faint. They found him at the far end of the terrace. He was kneeling by the Sergeant’s still, supine figure, slapping the big man’s cheeks without mercy. As they ran up, Velie gurgled deep in his throat and blinked his eyes open.

“Glug,” said Sergeant Velie.

“He’s still dizzy,” Inspector Queen bent over him. “Velie!”

“Huh?” The Sergeant turned glassy eyes on his superior.

“Are you all right, Sergeant?” asked Ellery Queen anxiously. “What happened?”

“Oh,” Velie groaned and sat up, feeling his head.

“What happened, Velie?” roared the Inspector.

“Take it easy, will ya? Here I am hidin’ behind one of these pillars,” rumbled Velie, “and — ouch! The roof comes down on my conk. Say,” he said excitedly, “I’m wounded. I got a lump on the back of my head!”

“Slugged from behind,” said Ellery, rising. “Sees nothing, hears nothing, knows nothing. Come along. Sergeant. It’s a miracle you’re alive.”

There was no clue to Velie’s assailant. Detective Flint had seen nothing. They agreed it was the same person who had attempted to assassinate Ellery.

“It was a good trap while you set it,” laughed Charley as they returned to the library. Then he shook his head.

“Smart,” said Ellery through his teeth. “And quick. Slippery customer. Have to use grappling hooks.” He fell into a fierce study. The Inspector examined his clothes while Sergeant Velie groped in the liquor cabinet for first aid.

“Funny,” mumbled the Inspector.

“What?” Ellery was scarcely paying attention.

“Nothing, son.”

The Inspector then examined the room under full light. The longer he searched, the more perplexed he seemed. And finally he stopped searching and said, “It’s impossible.”

“What’s impossible?” asked Sergeant Velie. He had administered two glasses of first aid and was himself again.

“What are you talking about, Dad?”

“You’re still slug-nutty from that fall you took,” said the Inspector, “or you’d know without my having to tell you. A shot was fired in this room, wasn’t it?”

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