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There Was an Old Woman [= The Quick And the Dead]

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Before the last echo of the shot had trailed down Riverside Drive, Ellery Queen realized that he had just witnessed a murder. Robert Potts lay shot through the heart. Not only had Ellery Queen been a witness but also Inspector Queen and Sergeant Velie. Yet not one of them knew who committed the murder. This is the story of the Old Woman (Cornelia Potts), who lived with all her children (six) in the incredible Potts “palace” on Riverside Drive — on its front lawn a great, bronze Oxford complete with trailing bronze shoelaces. Over the household hovers a ruthless killer who fits his cold-blooded crimes into the pattern of a Mother Goose rhyme. There are amusing and queer characters galore Thurlow, who spent his life bringing fruitless lawsuits; Louella, the would-be inventor; Horatio, the Philosopher of Escapism. And in addition there is the lovely, red-haired Sheila, revolted by the actions of her family. Here is murder as weird and baffling as Ellery Queen has yet encountered — a stiff dose of murder in the best Queen fashion.
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“Nevertheless.”

Charley located it in the heap and handed it to him. Ellery once more placed it over the confession against the window.

“Look here, Charley. What do you see?”

“You mean the signatures?”

“Yes.”

Charley looked. And then he said in an astonished voice: “No blurriness!”

“Exactly.” Ellery took the papers down. “In other words, the Cornelia Potts signature on this stock-selling memorandum and the Cornelia Potts signature on the confession match perfectly. There are no slightest variations in the formation and size of characters. Line for line, curve for curve, the two signatures are exact duplicates. Twins, like Bob and Mac. Even the dot over the i is in the identical spot.”

“And the signature on the stock-selling memo is the only memo signature that does match exactly?” asked Charley hoarsely.

“That’s why I went through the entire batch — to make sure. Yes, it’s the only one.”

“I think I see where all this leads...”

“But it’s so clear! No one ever writes his name in precisely the same way twice — that’s a scientific fact. There are invariably minor differences in the same person’s signature, and there would be if you had a million samples to compare. Charley, we’ve established a new fact in the Potts case!”

“One of these two signatures is a forgery.”

“Yes.”

“But which one?”

“Come, Charley. The Old Woman signed this stock-selling memo in our presence. Therefore the memo signature must be genuine. Therefore the signature on the confession is the forgery.”

“Somebody got hold of this memo, typed out that phony confession, and then traced the signature of the memo off on the bottom of the confession?”

“Only way it could have produced an identical signature; yes, Charley. The stock memo’s been in the desk in this study since the day the Old Woman typed out all these instructions—”

“Yes,” mumbled Charley. “After I made the various phone calls necessary that day, I put the memos in this desk, as usual...”

“So anyone in the house could have found them and used this one to trace off its signature. It was probably done just the way I’ve illustrated — by slapping the stock memo against the sunny windowpane, placing the typed confession over the memo, and then tracing the memo signature onto the confession by utilizing the sunlight-created translucence of both sheets.”

“And the house is full of those soft pencils the Old Woman used—”

“And it would have been child’s play to slip into the Old Woman’s bedroom and use her portable typewriter for the typing of the ‘confession’ and that note at the bottom of the will. The whole operation was undoubtedly done between the time the Old Woman died alone in her bed and the time we all came back to the house — you, Sheila, Dad, and I — and found her body with the large sealed envelope in her hand. There was about an hour for the criminal to work in — and a few minutes would have been ample.”

Ellery went to the telephone.

“What are you going to do?”

“Bring joy to my father’s heart.” He dialed Police Headquarters.

“What?” repeated the Inspector feebly.

Ellery said it again.

“You mean,” said the old gentleman after another pause, “you mean... it’s open again?”

“What else can it mean, Dad? The confession signature is now patently a tracing job, so Cornelia Potts never wrote the confession. Therefore she didn’t confess to the murders at all. Therefore we still don’t know who killed the Potts twins. Yes, I’m afraid the case is open again.”

“I might have known,” muttered the Inspector. “All right, Velie and I will be up there right away.”

When Ellery turned from the telephone, there was Sheila, her back against the door. Charley was licking his lips.

“I heard you tell your father,” said Sheila.

“Sheila—!”

“Just a minute, Charley.” Ellery advanced across the study with outstretched hands. Hers were cold, but steady. “I think you know, Sheila, that I’ll—”

“I’m all right, thanks.” She was tightly controlled. She slipped her hands from his, and clenched them. “I’m past being shocked or surprised or sent into hysterics by anything, Ellery.”

“You sensed this all along.”

“Yes. Instinct, I guess.” Sheila even laughed. She turned to Charley Paxton, her face softening. “That’s why I refused to leave the house, darling. Don’t you see now?”

“No, I don’t see,” muttered Charley. “I don’t see anything any more!”

“Poooor Charley.”

Ellery was quite suffused in admiration.

Sheila kissed her troubled swain. “You don’t understand so many things, lambie-pie. I’ve been a coward long enough. Nobody can make me afraid any more.” Her chin tilted. “Somebody’s out for my blood, is he? Well, I won’t run away. I’ll see this through to the bitter end.”

23

The Fruit of the Tree

Now the house of Potts bore palls once more, shadows that shrank in stealth from them, like cats.

It became intolerable. They walked out onto the terrace overlooking the inner court to be rid of it. Here there was some graciousness in the flagged floor, the Moorish columns, the ivies and flowers and the view of grass and tall trees. The sun was friendly. They sat down in warm-bottomed steel chairs to wait for Inspector Queen and Sergeant Velie. Sheila sat close to Charley; their hands clasped, and after a moment her head dropped, defeated, to his shoulder.

It was interesting, Ellery thought, how from the terrace one could view all the good and all the evil in this manmade scene. Directly before him, at the end of a path bordered not unpleasantly with geraniums and cockleshells, stood Horatio’s Ozzian house, a distortion of a dream, but with the piquancy of all sugar-coated fantasy. Surrounded as it was by civilized lawn and serene and healthy trees, it could not offend; in certain moods, Ellery agreed as he tried not to look at Sheila and Charley, it might even charm.

The tower of Louella was another thing. It cast its squat shadow over the gracious garden, its false turret crenelated as if against a besieging army, a flag (which Ellery noticed for the first time) whipping sullenly above the mock battlements. He watched the fluttering pennant curiously, unable to make out its design. Then the breeze straightened it for a moment, and he saw it whole. It bore a picture of a woman’s oxford, and across it the words, simply: THE POTTS SHOE.

“It isn’t even the grotesquerie,” Ellery thought to himself impatiently. “It’s the downright bad taste. This flag, the bronze Shoe on the front lawn.”

He turned to glower at it, for its gigantic toe box was visible from where he sat, the rest cut off by the angle of the house. THE PO he read, backwards. In neon tubing!

Ellery wondered how Cornelia Potts had neglected in her will to leave instructions for her tombstone. Perhaps, he thought uncharitably, the Old Woman had foreseen the reluctance of St. Praxed’s to permit erection of a Vermont marble lady’s oxford, tombstone size, within its hoary yard.

Stephen Brent and Major Gotch were raptly playing checkers under a large green table umbrella to one side of the court lawn. They had not even noticed in their absorption the appearance of Sheila, Charley Paxton, and Ellery. Birds sang ancient melodies, and Ellery closed his eyes and dozed.

“Sleeping!”

Ellery awoke with a jerk. His father stood over him, in the scowling mood of frustration. Behind him bulked Sergeant Velie, belligerent. Sheila and Charley were on their feet. On the lawn, where old Steve and the Major had been bent over their checkerboard, stood merely an umbrella table and two iron chairs.

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