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Billy Summers [en]
- Автор: Кинг Стивен Эдвин
- Год: 2021
- Язык: английский
- Жанр: Другие детективы
Электронная книга - «Billy Summers [en]». Краткое содержание книги:
Agreeing to be in this city so long was a mistake. Monopoly was a mistake. Having a backyard barbecue was a mistake. Knocking over those tin birds in the shooting gallery? Mistake. Having time to think and act like a normal person was the biggest mistake of all. He’s not a normal person. He’s a hired assassin, and if he doesn’t think like who and what he is, he’ll never get clear.
He uses a relatively clean swatch of the packing paper to wipe off the hat and the laptop case. He slings the strap over his shoulder and pulls on the gimme cap, which was once clean and is now grimy. He goes to the head of the alley and peers out again. A cop car comes squalling around the next corner, lights and siren. Billy pulls back until it passes. Then he heads out, walking briskly toward Pearson Street and the apartment building across from the demolished railway station. He thinks of Fallujah again, the endless sweeps through the narrow streets with the baby shoe bouncing against his hip. Waiting for the patrol to be over. Wanting to go back to the relative safety of the base a mile outside of town, where there would be hot food, touch football, maybe a movie under the desert stars.
Nine blocks, he tells himself. Nine blocks and you’re home and dry. Nine blocks and this particular patrol is over. No movie under the stars, that was Billy Summers, but Dalton Smith has both YouTube and iTunes on one of his AllTech computers. No violence, no explosions, just people doing zany things. Plus kissing at the end.
Nine blocks.
8
He has done seven of those blocks, and the more modern part of the city is behind him, when he sees a city Transit van roll across an intersection ahead. Billy supposes it could be another DPW Transit, they all look the same, but it’s moving slow, almost coming to a stop in the middle of West Avenue before speeding up again.
Billy has stepped into a doorway. When the van doesn’t return, he starts walking again, always looking ahead for cover should it return. If they come back and see him, he’s probably going to be dead. The closest thing he has to a weapon are the keys on his keyring. Unless, of course, Nick was playing straight with him all along. In that case he might get no more than a harsh tongue-lashing, but he has no intention of finding out. Either way, he has to keep going if he wants to get to the apartment building.
He pauses at the intersection, looking in the direction the Transit van went. He sees nothing but a few cars and a UPS truck. Billy trots across the street, head lowered, helpless not to think of Route 10 in Fallujah, also known as IED Alley.
He turns onto Pearson, jogs one final block, and there’s his building. He has to cross the street to get to it, and he feels an insane itching on his right shoulderblade, as if someone – it would be Dana, of course – is zeroing the sight of a silenced pistol in on it. The near-constant wind that blows across the rubble-strewn vacant lot sends a coupon fold-in sheet from the local newspaper against one of his ankles and Billy gives a little skip of surprise.
He hurries along the frost-heaved walk of 658, then up the steps. He looks over his shoulder for the Transit van, sure he’ll see it, but the street is deserted. The sirens are all behind him, like the rest of his David Lockridge life. He tries one key and it’s wrong. He tries another and that one is wrong, too. He thinks of the phone he could have lost and the laptop he could have lost, the way he lost the baby shoe.
Easy, he thinks. Those are your Evergreen Street keys, you never took them off your keyring, so chill out. You’re almost home free.
The next one opens the foyer door. He steps inside and closes it. He looks out through a ragged mesh of lace curtain, maybe Beverly Jensen’s work. He sees nothing, sees nothing, sees a crow land on some of the jagged rubble across the street, sees the crow take off, sees nothing, sees a kid on a trike with his mother walking patiently beside him, sees another sheet of newspaper go cartwheeling across the patched pavement, has time to think the patched pavement of Pearson Street, and then he sees the Transit van, going slow. Billy holds perfectly still. He can see through the mesh, but Reggie in the passenger seat can’t see in. He might notice a sudden movement behind the lace curtain, though. Billy thinks the other one certainly would.
The Transit van moves on. Billy waits for its brake lights to flash. They don’t, and then it’s out of sight. He’s not sure he’s safe, but he thinks he is. Hopes. He goes downstairs and lets himself into the apartment. Not home, just a place to hide, but for the time being that’s good enough.
CHAPTER 11
1
The basement apartment’s one window is covered by a length of burgundy cloth. Billy pushes it aside on its rod and sits down, thinking again that the apartment is like a submarine and this window is his periscope. He stays on the couch for fifteen minutes, arms folded across his chest, waiting for the Transit van to come back. It may even stop if Dana, who is no fool, decides the place might be worth checking out. Unlikely, when there are several rundown neighborhoods ringing the central city, but not impossible.
Billy has become more and more sure if they find him they mean to kill him.
Billy has no handgun, although it would have been simple enough to get one. There are gun sales in the area almost every day of the week, it seems. Not that he would have set foot in the building where the sale was being held when he could have bought a reliable piece in the parking lot for cash, no questions asked. Something simple, a .32 or .38 that could be easily concealed. It wasn’t forgetfulness in that case, he just hadn’t foreseen a situation where he might need one.
Although, he thinks, if you changed the plan without telling Nick, you must have foreseen something.
If they do come back – paranoid, but within the realm of possibility – what could Billy do about it? Not much. There’s a butcher knife in the kitchen. And a meat fork. He could use the meat fork on the first one in, and he knows that would be Reggie. The easy one. Then Dana would do him.
When fifteen minutes have passed and the bogus DPW truck hasn’t returned, Billy decides they have either moved on to another part of the city, maybe to check out the house on Evergreen Street, or have gone back to the McMansion to await further orders from Nick. He closes the curtain, shutting out the view, and looks at his watch. It’s twenty to eleven. How the time flies when you’re having fun, he thinks.
Channels 2 and 4 are broadcasting the usual morning drivel, but with crawls about the shooting and the explosions running across the bottom of the screen. The real motherlode is Channel 6, where they have trashed their morning shows to go live at the scene. They’ve got the goods to do that because someone in their news department dispatched a crew to the courthouse to cover Allen’s arraignment, and didn’t send them to Cody when the warehouse fire broke out. It might have been neglect or outright laziness, you didn’t wind up as the head of news in a small border south city like Red Bluff because you were Walter Cronkite, but whoever was in charge is going to look mighty wise in retrospect.
ONE DEAD, NO REPORTED INJURIES IN COURTHOUSE CATASTROPHE, reads the chyron at the bottom of the screen. The correspondent in the red dress is still doing her thing, although she’s now doing it on the corner of Main Street, because Court Street has been closed off. It looks to Billy like the city’s entire police force is down there, plus two forensics vans, one from the state police.
‘Bill,’ the reporter says, presumably speaking to the anchor back in the studio, ‘I’m sure there’ll be a press conference later, but as of now we have no official word to pass on. We do have eyes on the scene, though, and I want to show you something that George Wilson, my incredibly brave cameraman, spotted just a few minutes ago. George, can you show that again?’