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The World's Greatest Books [Volumes 1-15, 17-20]

Электронная книга - «The World's Greatest Books [Volumes 1-15, 17-20]». Краткое содержание книги:

Антология содержит:
The World's Greatest Books — Volume 01 — Fiction от Неизвестный
The World's Greatest Books — Volume 02 — Fiction от Неизвестный
The World's Greatest Books — Volume 03 — Fiction от Неизвестный
The World's Greatest Books — Volume 04 — Fiction от Неизвестный
The World's Greatest Books — Volume 05 — Fiction от Неизвестный
The World's Greatest Books — Volume 06 — Fiction от Неизвестный
The World's Greatest Books — Volume 07 — Fiction от Неизвестный
The World's Greatest Books — Volume 08 — Fiction от Неизвестный
The World's Greatest Books — Volume 09 — Lives and Letters от Неизвестный
The World's Greatest Books — Volume 10 — Lives and Letters от Неизвестный
The World's Greatest Books — Volume 11 — Ancient and Mediæval History от Неизвестный
The World's Greatest Books — Volume 12 — Modern History от Неизвестный
The World's Greatest Books — Volume 13 — Religion and Philosophy от Неизвестный
The World's Greatest Books — Volume 14 — Philosophy and Economics от Неизвестный
The World's Greatest Books — Volume 15 — Science от Неизвестный
The World's Greatest Books — Volume 17 — Poetry and Drama от Неизвестный
The world's greatest books от Mee, Arthur, 1875-1943, joint editor & Hammerton, John Alexander, Sir, 1871-1949, joint editor & McClure, S. S. (Samuel Sidney), 1857-1949, joint editor
The World's Greatest Books — Volume 19 — Travel and Adventure от Неизвестный
The World's Greatest Books — Volume 20 — Miscellaneous Literature and Index от Неизвестный
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"Boris," she said, "if it's that, don't be too sad. It may all come right in the desert. For the desert is the garden of Allah."

He made her no answer.

At last in their journeying they came to the sacred city of Amara, and camped in the white sands beyond it.

This was the place described by the sand-diviner, and here Domini knew that her love was to be crowned, that she would become a mother. She hesitated to tell her husband, for in this place his misery and fear of men seemed mounting to a climax. Nevertheless, as if in a frantic attempt to get the better of his mental torture, he had gone off, saying he wanted to see the city.

While he was away, Domini was visited first by Count Anteoni, who told her that he had joined the Mohammedan religion, and was at last happy and at peace; secondly, when night had fallen, by the priest of Amara. This man was talkative and genial, fond of the good things of life. Domini offered him a cigar. He accepted it. An Arab brought coffee, and the same African liqueur which had been taken to the tent on the night when Trevignac had dined with Domini and Androvsky.

When the priest was about to drink some of it, he suddenly paused, and put the glass down. Domini leant forward.

"Louarine," she said, reading the name on the bottle. "Won't you have some?"

"The fact is, madame," began the priest, with hesitation, "this liqueur comes from the Trappist monastery of El Largani."

"Yes?"

"It was made by a monk and priest to whom the secret of its manufacture belonged. At his death he was to confide the secret to another whom he had chosen. But the monks of El Largani will never earn another franc by Louarine when what they have in stock is exhausted."

"The monk died suddenly?"

"Madame, he ran away from the monastery after being there in the eternal silence for twenty years, after taking the final vows."

"How horrible!" said Domini. "That man must be in hell now, in the hell a man can make for himself by his own act."

As she spoke, Androvsky appeared by the tent door. He was looking frightfully ill, and like a desperate man. When the priest had gone, Domini told Androvsky about the liqueur and the disappearance of the Trappist monk. As she spoke, his face grew more ghastly. He stood rigid, as if with horror.

"Poor, poor man!" she said, as she finished her story.

"You--you pity that man then?" murmured Androvsky.

"Yes," she replied. "I was thinking of the agony he must be enduring if he is still alive."

Androvsky seemed painfully moved, and almost as if he were on the verge of some passionate outburst of emotion; and something like a deep voice far down in the loving heart of Domini said to her, "If you really love, be fearless. Attack the sorrow which stands like a figure of death between you and your husband. Drive it away. You have a weapon--faith--use it!"

At last she summoned all her courage, all her faith, and she forced from Androvsky the confession of what it was which held him in perpetual misery, even in freedom, even with her, whom he loved beyond and above all human beings.

"Domini," he said, "you want to know what it is that makes me unhappy even in our love--desperately unhappy. It is this. I believe in God, I love God, I have insulted God. I have tried to forget God, to deny Him, to put human love higher than love for Him. But always I am haunted by the thought of God, and that thought makes me despair. Once, when I was young, I gave myself to God solemnly. I have broken the vows I made! I gave myself to God as a monk."

"You are the Trappist!" she whispered. "You are the monk from the monastery of El Largani who disappeared after twenty years?"

"Yes," he said, "I am he."

Standing there in the sands, while the world was wrapped in sleep, Androvsky told Domini the whole story of his life in the monastery, of his innocent happiness there, and of the events which woke up within him the mad longing to see life and the world, and to know the love of woman. He told her of his secret departure by night from the monastery, of his journey to the desert in search of complete and savage liberty. He told her how he had fought against his growing love for her, how he had tried to leave her; how, at the last moment in the garden by night, his passion for her had conquered him and driven him to her feet. He told her how the officer, Trevignac, had known him long ago in the monastery, and had recognised him when the Arab brought in the liqueur which he had made. He kept nothing from her.

"That last day in the garden," he said finally, "I thought I had conquered myself, and it was in that moment that I fell for ever. When I knew you loved me, I could fight no more. You have seen me, you have lived with me, you have divined my misery. But don't think, Domini, that it ever came from you. It was the consciousness of my lie to you, my lie to God, that--that--I can't tell you--I can't tell you--you know."

He looked into her face, then turned to go away into the desert.

"I'll go! I'll go!" he muttered.

Then Domini spoke.

"Boris!" she said.

He stopped.

"Boris, now at last you can pray."

She went into the tent, and left him alone. He knew that in the tent she was praying for him. He stood, trying to listen to her prayer, then, with an uncertain hand, he felt in his breast. He drew out a wooden cross, given to him by his mother when he entered the monastery. He bent down his head, touched it with his lips, and fell upon his knees in the desert.

From that night, Domini realised that her duty was plain before her. Androvsky was still at heart a monk, and she was a fervently religious woman. She put God above herself, above her poor, desperate, human love, above Androvsky and his passionate love for her. She put the things of eternity before the things of time. She never told Androvsky of the child that was coming.

After he had made his confession to the priest of Beni-Mora who had married them, she led him to the monastery door, and there they parted for ever on earth, to be reunited, as both believed, in heaven.

And now, in the garden of Count Anteoni, which has passed into other hands, a little boy may often be seen playing.

Sometimes, when twilight is falling over the Sahara, his mother calls him to her, to the white wall from which she looks out over the desert.

"Listen, Boris," she whispers.

The little boy leans his face against her breast, and obeys.

An Arab is passing below on the desert track, singing to himself, as he goes towards his home in the oasis, "No one but God and I knows what is in my heart."

The mother whispers the words to herself. The cool wind of the night blows over the vast spaces of the Sahara and touches her cheek, reminding her of her glorious days of liberty, of the passion that came to her soul like fire in the desert.

But she does not rebel, for always, when night falls, she sees the form of a man praying, one who once fled from prayer in the desert; she sees a wanderer who at last has reached his home.

OLIVER WENDELL HOLMES

Elsie Venner

Oliver Wendell Holmes, essayist, poet, scientist, and one of the most lovable men who have adorned the literature of the English tongue, was born at Cambridge, Massachusetts, Aug. 29, 1809, of a New England family with a record in which he took great pride. After studying medicine at Harvard, he went to Europe on a prolonged tour, and, returning, took his M.D., and became a popular professor of anatomy. He had some repute as a graceful poet in his student days. "Elsie Venner," at first called "The Professor's Story," was published in 1861, and was the first sustained work of fiction that came from the pen of Oliver Wendell Holmes. Illumined by admirable pictures of life and character in a typical New England town, the book itself is a remarkable study of heredity--a study only relieved by the author's kindly humour. The unfortunate child, doomed before her birth to suffer from the fatal bite of a rattlesnake--an incident unduly extravagant in some critics' opinions--and only throwing off the evil influence on her death-bed, is one of the most pathetic figures in all American literature. It was not until seven years later that "Elsie Venner" was followed by another novel, "The Guardian Angel," a story which is worked out on the same lines of thought as the former. Holmes died on October 7, 1894.

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