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A Three Dog Problem

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In the wake of a referendum which has divided the nation, the last thing the Queen needs is any more problems to worry about. But when an oil painting of the Royal Yacht Britannia – first given to the Queen in the 1960s – shows up unexpectedly in a Royal Navy exhibition, she begins to realise that something is up.
When a body is found in the Palace swimming pool, she finds herself once again in the middle of an investigation which has more twists and turns than she could ever have suspected. With her trusted secretary Rozie by her side, the Queen is determined to solve the case. But will she be able to do it before the murderer strikes again? 
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Had Cynthia simply slipped in her bare feet on those tiles? Rozie had never truly been convinced, and the Queen obviously wasn’t either. She had called in a senior policeman within days of the housekeeper dying. She knew, intuitively or otherwise, that there was something more.

Rozie knew she was adding two and two and making about two hundred and fifty, but the feeling wouldn’t go away.

Why did nobody tell me?

In the morning, she would talk to Her Majesty.

Part 3

A Three Dog Problem

Chapter 20

It was to be a month of diplomacy and death.

Back from a refreshing weekend at Windsor, the Queen was on her way downstairs to have lunch with Philip, Charles and Anne, to talk over a few issues surrounding the wider family. It was agreed that when Charles took over, the Firm would be slimmed down, for public purposes at least. Fewer faces on the balcony overlooking the Birthday Cake, fewer close protection officers required; more work for those that remained visibly royal. But the senior royals – her own children and Charles’s boys – were ready for that. It was the lesser family members who would kick up a fuss. They liked being seen to be useful – and all the jollies that went with it. One had to let them down gently, and Charles still had a list of details to discuss.

Her equerry interrupted her at the foot of the stairs with the news that her APS would like a word, and it was rather urgent.

‘She said it’s to do with the enamel box, ma’am.’

The Queen sighed briefly.

‘Tell them to keep the soup hot. I’ll be as quick as I can. I’ll see her in the 1844 Room.’

She walked swiftly towards the nearest unoccupied room where they could shut the door with the certainty of not being overheard. Willow, Candy and Vulcan padded happily at her heels. As she strode past portraits of ancestors clad in velvet and ermine, she vividly remembered the day she had given Rozie the box the girl was referring to, at the end of the first mystery Rozie had helped with, as a token of her gratitude. If Rozie had mentioned the box, then it would be with good reason.

The Queen reached the 1844 Room, which sat among the semi-state apartments on the ground floor. This was where she held audiences with her most important visitors. Its peach-pink walls were calming to nervous guests, but there was a formal grandeur to its twenty golden marble pillars, its malachite candelabras and the blue and gold Regency furniture. Like many of the public rooms in the Palace, it was multi purpose. She thought of them as stage sets, ready to be transformed as the occasion required. Yesterday, Philip had used this one to host a lunch and today the furniture was arranged along one side as the porters readied it for a reception. Fortunately, it was empty for now.

‘Make sure we’re not disturbed, will you?’

The equerry took this as confirmation that his presence wasn’t required and remained in the corridor outside. Rozie arrived a couple of minutes later.

‘You’ll have to be quick. I only have a minute.’

‘Yes, Your Majesty. It’s about Cynthia Harris.’

‘Oh?’

Rozie rapidly explained about her brief discussion yesterday with Uncle Max.

‘I looked up Mrs Harris’s employment record,’ she went on, ‘and it turns out she was almost certainly at the Works Department, as it was called then, in 1986 when the refurbishment was done. The current team in Operations pointed me towards a man called Joe Flowers who used to work there as a superintendent. But he’s struggling with Alzheimer’s. I went to talk to him at his care home when I got back from Balmoral, but I couldn’t get any sense out of him.’

‘They may well not have known about Mrs Harris.’

‘True,’ Rozie said, trying to keep the urgency out of her voice. ‘But before that, she was assistant to the Deputy Surveyor at the Royal Collection, ma’am, and at the time, that would have been Sholto Harvie.’

‘Sholto? Gracious!’

‘If a painting had gone missing, surely she would have known about it, and she’d remember? I know it seems minor, but you said you were surprised I couldn’t find the right link in the picture’s journey, and it seems to me that Mrs Harris could have been that link. If we now think there was a racket going on . . .’

‘The Breakages Business. I see.’

‘Perhaps Cynthia knew about that. Perhaps they suspected she did. I just find it . . .’ Rozie searched for a reasonable description of her state of mind. ‘Of concern,’ she said, though the feeling was stronger, ‘that there was somebody right here all along, who was on the spot at the time, and nobody mentioned her to me. We were in separate places over the summer because I was in Scotland when she wasn’t, and vice versa. When you came back from Balmoral, I would have had the opportunity to talk to her face to face at last – if I’d only known how useful she could be. But of course, that never happened.’

‘Yes, I see,’ the Queen said.

‘Your staff tend to stay a long time. Everyone tells stories. I can’t believe Uncle Max was the only person who knew about her previous jobs. And afterwards, Mr Harvie saying nothing about her death? It just doesn’t make sense. At the time I thought he was being reserved and diplomatic, but if she worked for him directly – well, it’s just weird. He was very conversational most of the time.’

The Queen pursed her lips. She looked very grim indeed. ‘You do know what you’re suggesting, don’t you?’

Rozie said quietly, ‘Yes, ma’am.’ She swallowed.

There was the sound of snuffling and the pattering of doggy paws on the carpet as the two women stood quietly, considering the body lying in a pool of blood.

‘Well,’ the Queen said at last. ‘Do you have anyone in particular in mind?’

‘I don’t. Not that I can make any sense of, anyway.’

‘Have you talked to Chief Inspector Strong?’

‘Not yet.’

‘Let me think about it for a while.’

‘I—Of course. Yes.’ Rozie relaxed a little. ‘I didn’t think you’d believe me. I thought I was getting a bit dramatic.’

‘And yet you came to find me,’ the Queen said, ‘and kept me from lunch with the Princess Royal. You must have thought it was important.’

Rozie tried to hide her smile. Princess Anne was known for her punctuality. Even her mother might be on the receiving end of a sharply raised eyebrow. ‘I did. I’m sorry.’

‘Don’t be. And now I really must go.’

However, after Rozie left her, the Queen remained in the calm stillness of the room, grateful for a moment of solitude.

Rozie had been on her mind yesterday while she was out riding at Windsor. She had been thinking about the notes. If Cynthia Harris had targeted herself, one had to wonder who had targeted Rozie and why. The notes seemed designed to get rid of her and the Queen had wondered if there was a specific reason why somebody wanted her out of the way.

And now this. The idea that Mrs Harris had been deliberately killed, almost the moment she got back to the Palace from Scotland, to stop Rozie from talking to her. Why? Because Rozie had been asking about a painting by a fairly unknown Australian that went missing thirty years ago. It was outlandish. It was outright ridiculous. And yet . . .

The strangest thing of all was the behaviour of Sholto Harvie, who had failed to mention that he once worked closely with a woman whose death was in the news, along with fanciful stories of young princesses and bottles of champagne. Why stay silent about that, but disclose the story of the Breakages Business?

Sholto couldn’t be the killer – if indeed there was one. What harm could he have done from the Cotswolds? And anyway, why help and hinder at the same time?

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