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The Best American Science Fiction and Fantasy 2021

Электронная книга - «The Best American Science Fiction and Fantasy 2021». Краткое содержание книги:

The best science fiction and fantasy stories of 2021, selected by series editor John Joseph Adams and guest editor Veronica Roth.
This year’s selection of science fiction and fantasy stories, chosen by series editor John Joseph Adams and bestselling author of the Divergent series Veronica Roth, showcases a crop of authors that are willing to experiment and tantalize readers with new takes on classic themes and by exchanging the ordinary for the avant-garde. Folktales and lore come alive, the dead rise, the depths of space are traversed, and magic threads itself through singular moments of love and loss, illuminating the circulatory nature of life, death, the in-between, and the hereafter.
The Best American Science Fiction and Fantasy 2021 captures the all-too-real cataclysm of human nature, claiming its place in the series with compelling prose, lyrical composition, and curiosity’s never-ending pursuit of discovering the unknown.
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I’d never had sex before. I think it happens later for fat kids. While everyone else was trying each other on, I was still trying to figure out why I never fit into anything. I don’t regret that. I can’t imagine doing this out in the world where I am the worst thing that can happen to somebody.

I didn’t know what it would be like. I hope it’s this good for everyone, with a circle of adoring worshippers vying for the right to adore you, to touch every inch of you, to murmur in wonder as you climax again and again until nap time, when you are lovingly spooned and crooned to sleep. I luxuriated in it for a long time, not thinking about what it meant to only touch thin people, to only be touched by them. I watched my bank balance climb. I didn’t ask myself what they saw when they looked at me. I existed as a collection of nerves that did not think.

I stopped thinking about going home. I stopped thinking about the Pill. I stopped thinking. I became what I had always been and nothing more: my fat, fat body.

When I came back to thinking again, I found it did not make things easier.

I have been here for three years now, and I don’t think I can ever live anywhere else. Outside, they tell me, there are no more like me. Only in places like here, where a few of us fled before the world could change us. Nobody is allowed to bring us food presents anymore; everyone is too worried they’ll try and slip us the Pill. Someone might actually be that upset that I exist. I don’t think about that either. I don’t exist for them. I accept their worship and forget their faces completely. It’s always the same face anyhow.

Sometimes I point my camera at that face and ask them what they’re doing here, what do they want, why did they come seeking the thing they’ve worked so hard to avoid becoming?

They mumble about mothers and goddesses, about the embrace of flesh and the fullness of desire. It sounds like my own voice inside my head. I think about my dad, about god’s hands. Would he have been one of these? Would he have come to miss my mother’s body the way he first knew it?

I think about showing this film in LA. I think about Denny telling me I can leave here anytime. I think about how I could leave my body anytime, too, how any of us can. I think about Andrew, about how he left his and gained nothing at all. How I used to see him as the enemy when he was just me.

Deep down on the lowest floor, in perfect privacy, the fats make love to each other. There is a boy who came only a few weeks ago, an import from one of the countries that’s taken to the Pill slowly, so we have a lot of recruits from their shores. We had no common language at first, but we’ve worked on that and discovered an unmapped country between us. He’s so sweet and shy and eager to lift the heaviness of his belly so that he can slip inside me and then drop it on top of mine, warm and weighty like a curtain. He whispers to me that we don’t ever have to go back, that we can raise darling fat babies right here, that we’ll become like another species. Homo pillus can inherit the earth, while Homo lipidus lives in secret.

“But we’ll live,” he whispers to me as we conspire to remake the world in the image of our thick ankles. “We’ll live,” he says, his tongue tracing the salty trenches made by the folds in my sides. Belly to belly, fat against fat.

“We’ll live.”

MEL KASSEL

Crawfather

FROM The Magazine of Fantasy & Science Fiction

When Nancy turns fourteen, we tell her about how we fight the crawfather. She doesn’t believe us at first, and we laugh, proud because she’s smart and skeptical, a scientist.

“Careful, Ben,” says Carl, “you raised her to ask questions.”

Ben, Nancy’s dad, holds his hands up: Nothin’ I can do.

We’re gathered in Ben’s cabin, standing in a semicircle around the living-room furniture. Nancy sits in the armchair, knees up to her chest and arms around her shins. Her mother, Irene, sits next to her on one of the wooden chairs we’ve dragged in from the kitchen. Most of us are standing.

Irene is the fulcrum on which Nancy’s trust wobbles. Her mother would never prank her—​Irene loves Nancy so baldly that it overshoots fierce and lands in pitiful. We’ve never seen such doting, such hair-smoothing.

“You don’t have to go to the fight this year,” she tells her daughter. “You don’t have to go until you’re ready.”

“Don’t sugarcoat it!” Judy says. “Carl and I didn’t. The twins started going when they were thirteen.”

Nancy looks ready to cry. It’s a tough talk; we all remember it. There’s no one in your corner. You’re oblivious until the whole family sits you down, tells you a preposterous story, offers you hot cocoa and clucks at your slowness to believe. Judy brags about her twins, but she won’t tell you that when she got the talk, she ran away from home the next day. We found her when a bookstore in Brainerd called.

Now, though, she drives the twins to archery classes twice a week and owns a compound bow herself. She’s the one who hit the crawfather in the eye during the reunion of ’88.

“You guys can’t be serious.” Nancy holds her head in her hands. Irene squeezes her shoulders.

“I’m sorry, sweetie. Everyone goes through this. It’s never easy. We don’t have to talk about it any more tonight.” Judy raises her eyebrows at this, but Ben orders them back down with a glance. Irene continues, “No one is laughing at you, I promise. This is a big deal. We’re telling you about it because we know you’re ready.”

“You’re gonna do great. Brain like yours?” Carl yells.

“Let’s give her some time,” says Ben.

“We’re serious,” says Grandpa Richie. “It’s serious.”

Twenty-two feet at its deepest point, Bluegill Lake has none of the blackness that spells a cold drop. The bottom is right there, layered into three substrates that, according to a PowerPoint briefing Judy conducted a few years back, are classified as sand, pulpy peat, and fibrous peat by the Institute for Fisheries Research.

The lake gets weedy quick, and we make disgusted faces at each other when the slime-slick threads find our ankles. The twins have been reprimanded for telling the younger cousins that the weeds are all the hair that has ever disappeared down shower drains. Still, this year, everyone swims, and everyone jumps from the inflatable blue and yellow trampoline several yards out. Horseflies the size of olives investigate the parts in our hair and leave us fanning the tops of our heads.

There’s a dock at one end of the beach where we toss hunks of bread to bluegills and pumpkinseeds. They swarm at the surface to eat, and the sounds of their bodies slapping against each other are lewd enough to make the adults laugh. Rarely, but often enough to enchant, a pike darts out from the weeds and scatters the school.

“Was that a northern?” the children squeal.

“Oh, I think so,” we say, as though we’re teasing the existence of pixies.

The lake is a horseshoe, and the crawfather lives at the end of the western arm in a cave made of muck. The crawfather is the size of an eighteen-wheeler and about as smart as one. That’s something we always impress on the new fighters—​the crawfather may be huge, but it’s incapable of guile.

We met the crawfather for the first time in the late 1800s. The story goes like this: Great-Grandpa Lawrence built a cabin on Bluegill Lake for the spring and summer, thereby supplementing his earnings as a railroad worker with a bit of money from selling fresh-caught walleye. Like all the Vensons before and after him, he never left Minnesota, and he loved to fish. He knew that he could hook muskies and bluegills without much travel away from the shore, but walleye tastes better, sells better. So, he’d wait for the winds to pick up in the late afternoons, when the water fought itself into prime walleye chop, or he’d head out at night, when he could spot the scuffed-coin shine of their eyes as they fed.

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