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King Suckerman

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King Suckerman is a sterling thriller that weaves the blaxploitation films, the drug deals, the soul music and the racial tensions that defined the seventies into a story of natural-born killers and two men who risk everything to bring them down. Wilton Cooper is at a drive-in movie when he notices the ugly white boy walk into the projection booth. Seconds later he hears a gun goes off, perfectly timed to coincide with the movie’s noisy climax. When the boy struts coolly out, blood sprayed on the front of his cheap print shirt, Cooper knows he’s found his partner. Dimitri Karras and Marcus Clay are old friends whose affection transcends the barriers of race. Clay is a Vietnam vet trying to make a go of his own small business, while Karras is drifting, playing pickup basketball and supporting himself with small-time drug dealing. When Karras takes Clay with him to make a buy from a new supplier, they cross paths with Wilton Cooper — and enter a world where merciless, unpredictable violence is the only certainty. Cooper cuts a swath of bloody mayhem that leads straight to Karras’s door, and Karras has the battle of a lifetime to keep his walk on the wild side from destroying his entire world. Set in Washington, D.C., on the eve of the Bicentennial, King Suckerman is an unforgettable novel of morality, friendship, and unexpected consequences. This powerful novel confirms George Pelecanos as one of the great original talents in crime fiction.
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“You’re right,” said Clay. “But he’s my friend.”

“What about you?” said Elaine. “What about me?”

Clay rolled onto his side, slipped an arm beneath Elaine, wrapped the other around her shoulder. He pulled her to him tight.

Dimitri Karras stumbled up the stairs. The big gray house cat, Dumbo, tore down a flight from out of who knew where, disappeared. Karras made it to the next landing, listened to Irvine Nichols from behind his door, lecturing one of his young black lovers about being late. Karras took the next set of stairs.

He used his key to enter his apartment. Vivian lay on the couch facedown, one arm off and touching the floor, her breath heavy and stale and souring the air. The lamps and overheads had been turned off; only the blue glow of the television tube lit the room. Karras stood for a couple of minutes, watching the end of an old Mannix. God, it was late. He went to the girl, turned her face so that her nose and mouth were off the cushion, put his palm on her back. She had sweat into her shirt. He killed the power on the TV.

In the closeness of his bathroom, Karras could smell the cigarettes, booze, and reefer in his clothes. He stripped and clumsily kicked his jeans and Hawaiian shirt toward a straw hamper that sat against the wall. Looking in the mirror, he placed his fingers beneath his nose, took in the lingering fish smell of Donna’s box.

“You old bastard,” said Karras roguishly, but he couldn’t even bring himself to smile. Maybe he’d get Marcus on the phone, tell him about his stand-up fuck in the head at Benbow’s, have a few laughs about it, then go into that bit about his guilt, how he’d felt sad after he’d pulled out, looking at the jiz shot trail down good-time Donna’s leg. How he really was only looking for that one good girl out there, that one he’d never been able to find. But Marcus would be asleep now, next to Elaine. And Marcus, Karras saw it more often now in his face, he was getting tired of listening to that song. The truth was, Karras could barely stand to listen to it himself.

Karras washed, went to bed. In the dark of his room he remembered that his mother had phoned earlier in the week. Before passing to sleep, he made a promise to himself that he would visit her soon.

Bobby Roy Clagget lay facedown on the bed, his head turned toward the window. Reflected light from the motel pool below played across the brownish curtains that covered the window facing the street. Over a song coming from the nightstand’s clock radio he could hear the movement of tractor trailers along New York Avenue, the industrial-corridor artery that led in and out of town. He felt Wilton Cooper’s callused palm and fingers, slick with some sort of grease, rub his naked thighs and then knead his bare behind.

Cooper sang along to the tune coming from the radio: “Are you man enough, big and baaad enough?” The Four Tops had seen their best days, Cooper knew. But this cut was kickin’, and Levi Stubbs, you could always count on him to be bad. Cooper took a long swig of his Near Beer, put the can down on the stained green carpet by the bed.

Clagget swallowed hard. Ugly and skinny as he was, he had never had a woman, had never expected to have one. What Wilton was doing to him, he had not considered it himself. Strangely, Wilton’s touch, it didn’t feel all that wrong. After all, Wilton was family, like an older brother, or an uncle, someone like that.

Or a father. That was something else Clagget had never had.

There was his own father, not even a memory, gone before he had even gotten up on his own two feet. And then there was the stepfather with the sour-mash breath who beat him near bloody every goddamn night, until Bobby Roy had to hurt someone, anyone, or anything else, had to give some of that pain back. But Clagget had been too thin and weak to put a hurting on any of the farm boys who called him names in his hometown. Animals, now — animals were something else. Animals were easy. Clagget started with chickens, pulverizing them with buckshot and sometimes cutting them slowly at the base of their skinny necks with the buck knife he always kept whetting-stone sharp. Then barnyard kittens, so many of them always around they would never be missed. You could get one to like you real easy, so that it crawled right into your lap. While it was purring, just a hard, sure push of your thumbnail into the soft spot right behind its ear. Or shove the buck straight up into its chest while the kitten squirmed in your hand, the warm blood splashing across your fingers.

Warm. Like the warmth of being held by a father.

Clagget winced as Cooper’s finger slipped inside him.

“Wilton,” whispered Clagget.

“Hush,” said Cooper. “Just gettin’ friendly, is all.”

The song ended, and the station’s jock went into a commercial about a place called the Style Shop. The Style Shop, the Style Shop, the Style Shop... he must have repeated it a half dozen times.

Clagget said, “Wilton?”

“Yes, little brother?”

“What are we doing here?”

Wilton’s voice was silk. “Oh, a little bit of this and that. Gonna go out to that farm tomorrow, pick up that cocaine from those biker boys. Gonna need your help there, B.R. Give you a chance to realize the promise I seen in you back at the drive-in.”

“And then?”

“Get the money back from Trouble Man, I guess. After that, hang out, enjoy that Bicentennial thing they got planned up here. Then take the ’caine back to Carlos, keep all the money, Carlos’s drug money and the money we get back from Trouble Man, for ourselves. Carlos, as far as we are from Miami, he won’t know a thing. How’s that sound to you?”

Clagget concentrated on the brown curtain, the blue reflection rippling against the fabric. A thick black bug crawled across the curtain, its antennae wiggling in the light.

“B.R.?” said Cooper. “I asked you how that sounds.”

“Sounds good, Wilton.” Clagget swallowed. “Sounds good.”

Wilton Cooper undid his belt buckle as he stood away from the bed. He looked at the skinny boy lying there, the bare-twig arms, the acned buttocks and back. Well, the boy sure wasn’t no prize. But he was his for the trip, and he was steady with a gun.

Cooper stepped out of his drawers. It wasn’t like he was anybody’s sissy, nothing like that. Uh-uh. And he would cut any man who dared call him a punk. He had learned something in prison, though, and once you learned it you never went back: There wasn’t no pussy in the world tighter than the brown eye on a young boy. You could take that motherfucker to the bank and draw interest on it, every goddamn time.

Ten

Ronald Thomas shook a Kool out from the bottom of the deck. He sat on the stoop, watched his brother Russell approach a couple of fine young girls who stood on the street corner, talking and laughing and telling stories. Russell looked back at his brother, smiled as he put a little down-strut into his walk. Ronald lit his smoke.

Russell couldn’t talk to the ladies, had never even been close to having the rap down, but he was one of those dudes who believed he could. Ronald couldn’t think of a time Russell had gotten any play his own self. It was always Ronald, hooking Russell up on a double, a girlfriend of one of Ronald’s freaks, situations like that. Nothing but mercy-pussy for young Russell, on account of he was one sorry-looking motherfucker for real. Their uncle even had him going on one of those special buses for a while back in grade school, this bus where all the kids wore helmets and shit, had drool going down their chins, falling onto raggedy-ass bibs that were always gray and wet. Russell dropped out of school sometime after that, partly’ cause he couldn’t keep up and partly from shame. Soon after, Ronald dropped out with him.

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