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Crossroads

Электронная книга - «Crossroads». Краткое содержание книги:

It's December 23, 1971, and the Hildebrandt family is at a crossroads. The patriarch, Russ, the associate pastor of a suburban Chicago church, is poised to break free of a marriage he finds joyless-- unless his brilliant and unstable wife, Marion, breaks free of it first. Their eldest child, Clem, is coming home from college afire with moral absolutism, having taken an action that will shatter his father. Clem's sister, Becky, long the social queen of her high-school class, has veered into the era's counterculture, while their younger brother Perry, fed up with selling pot to support his drug habit, has firmly resolved to be a better person. Each of the Hildebrandts seeks a freedom that each of the others threatens to complicate.
Universally recognized as the leading novelist of his generation, Jonathan Franzen is often described as a teller of family stories. Only now, though, in *Crossroads* , has he given us a novel in which a family, in all the intricacy of its...
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Hanging on a string from the car’s rearview mirror, lurching and spinning with Volker’s brakings for rude Italian drivers, was a painted plastic Buddha. Along the narrow streets were tiny trattorias, inviting but unaffordable, and bars with colorful bottles doubled by the mirrors behind them, and long, unpainted walls gouged by trucks and plastered with posters for a circus, for an automobile show, for FOLKAROMA, 29–31 Agosto. Wider avenues offered glimpses of churches and ruins and monuments, pastel in the haze, that Becky might have visited with Shirley, or with her mother, but hadn’t with Tanner, because theirs was not that kind of trip.

There ensued an uglier Rome, more sprawling than the pretty Rome. They passed scooters in buzzing packs of twenty, apartment blocks bedecked with drying laundry, pyramids of car tires, gas station after gas station. Tanner was improvising and the Germans speaking German, Renata consulting a map, while Becky monitored her condition. For four and a half years, her period had arrived as reliably as the thunderstorms that ended a sweltering Midwestern day. Now she felt nothing in her belly, no change at all, an ominous stasis. Even before the last of ugly Rome fell away and they reached the autostrada, a dread had taken root in her.

Volker’s acceleration pressed her back into her leather seat. He was driving so fast that the trucks they passed looked stationary. She saw the speedometer needle trembling at two hundred kilometers an hour, climbing higher. The sky was white hot and the windows were down, the roar of air so loud that she could hear only Tanner’s high notes. He was still immersed in his music, Renata gazing at him again, Volker serene at the wheel. The Buddha’s string tightened and tilted as he braked for a car going only recklessly fast, not insanely fast.

Stiff with dread, barely able to raise her arm, Becky touched Tanner’s shoulder. He smiled and nodded in time with his strumming. She was too frightened to move again or speak. Beyond the dangling plastic Buddha, another nearly stationary car rushed up to meet them. Volker flashed his headlights, the Buddha smiled, and her dread branched out in all directions. What did she know about Volker, except that he looked like Charles Manson? Did he believe in Buddhist reincarnation? Was he trying to crash them to a higher plane, beyond the whiteness of the sky? And the weirdness of Edoardo, his thing for pretty houseguests, the vacancy of his apartment—was everyone perverted? Was this why Volker and Renata stayed there? Did they pay Edoardo to cruise the streets and find fresh meat? Was the farmhouse in Tuscany just a lure for unsuspecting Americans? She’d placed herself and Tanner in the hands of people she knew absolutely nothing about. She wanted to ask Volker to slow down, but her jaw was locked, her chest muscles petrified. The Mercedes was flying at airplane speed, meteor speed. It telescoped the passing trees and road signs, smashed them together in a blur of violence. Was this how she would die? She could see her death as clearly as if it had already happened. It filled her with sadness, but at least she’d had a chance to live in the world, at least she’d experienced real love and beheld the light of God. The unborn soul in her had never even seen the light.

Dear God, she prayed, if this is the final test, I accept the test. If my time has come, I’ll die rejoicing in you. But please let it be your will that I live. If it’s your will that I live, I promise I will always serve you. If it’s your will that I be pregnant, I promise I will never harm my baby. I will love her and cherish her and teach her to love you, I promise, I promise, I promise, if you would only let me live. Please, God. Let me live.

 

 

 

Clem met Felipe Cuéllar at a construction site where the work consisted of shoveling sand, under a sand-colored Lima sky, and pushing it up narrow planks in a wheelbarrow. For a month, they shared a corrugated metal lean-to near the water treatment plant, shared food and beer, awakened to the smell of each other’s farts. Like other young men from the highlands, Felipe had come to the city in the winter to earn some cash. When it was time for him to go home, in November, Clem offered to join him and work for his family in exchange for food and shelter. The nonweather of Lima, the identically beige-skied days, was oppressing him, and throughout his months in Peru he’d seen the Andes in the east, the sun reflected on their heights, without getting any closer. He knew so little of farming, it didn’t occur to him that planting season coincided with the arrival of the rains.

He’d thought he knew what labor was. He’d carried tons of tar paper up six flights of stairs, a hundred-pound roll at a time, at a building site in Guayaquil, he’d stood in raw sewage outside Chiclayo and shoveled for ten hours, he’d raked hot asphalt under midday sun, but not until he was slipping and crawling in the mud of the Andes, in freezing fog and pelting hail, pulling out stones with cracked and swollen fingers, hacking at the earth with a dull-bladed implement, the altitude sharp-bladed in his brain, the blood from broken capillaries in his throat, did he put to rest the question of his strength.

When he’d left New Orleans, a year and a half earlier, his only plan had been to have no plan. With a few hundred dollars and the Spanish he’d taught himself while waiting for a passport, he’d crossed the Mexican border at Matamoros and headed farther south, intending to be gone for two years, the same term he would have served in the army. When he’d exhausted his money, on a boat passage to Guayaquil, he’d become an itinerant day laborer, motiveless in every respect except the need to work. If he saw a bus packed with other workers, he squeezed onto it without caring where it was going, not because he wished to understand the underprivileged but simply because, if he didn’t work, he didn’t eat.

Neither having nor seeking a larger motive, he’d been surprised to find one in the highlands. The fundamental equation of human existence—soil + water + plants + labor = food—was the most applied of sciences, nothing philosophical about it, but the Andean farmers’ way with their seedlings and their tubers, their wresting of sustenance from the harshest margins of arability, was a fulfillment of the plant physiology and genetics, the physical and atmospheric chemistry, the nitrogen cycles, the molecular jujitsu of chlorophyll, that he’d studied in school without appreciating their existential crux; and it had given him a plan. He would stay on through the potato harvest, complete his two-year term, and return to Illinois to study the impure science of agronomy.

The Cuéllars lived in a hamlet an hour’s walk from the town of Tres Fuentes. Once a week, after the crops had been planted, Clem descended on a boggy track through the puna, past pockets of hardwood forest whose recession upslope made the gathering of firewood arduous, to a post office conceivably colonial in age. Unlike the Cuéllars, whose first language was Quechua, the postal clerk spoke perfect Spanish. He was Clem’s sole connection to the world beyond the highlands, his fútbol-themed calendar the only marker of that world’s chronology. Every week, Clem returned to find another line of days x-ed out.

One afternoon, when x’s had consumed half of February, the clerk had a small package for him. He took it outside and sat down on the rim of a dry, ruined fountain. The air was scented with the smoke of kitchen fires, the sun hidden by a ceiling of pale cloud through which he could feel its warmth. In the package were three pairs of wool socks and a letter from his mother.

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