The World's Greatest Books [Volumes 1-15, 17-20]

Montaigne is the frankest and honestest of all writers. The essays are an entertaining soliloquy on every random topic that comes into his head, treating everything without ceremony, yet with masculine sense. I know not anywhere the book that seems less written. It is the language of conversation transferred to a book. Montaigne talks with shrewdness, knows the world, and books, and himself; never shrieks, or protests, or prays. He keeps the plain; he rarely mounts or sinks; he likes to feel solid ground and the stones underneath.

We are natural believers. We are persuaded that a thread runs through all things, and all worlds are strung on it as beads. But though we reject a sour, dumpish unbelief, to the sceptical class, which Montaigne represents, every man at some time belongs. The ground occupied by the sceptic is the vestibule of the temple. The interrogation of custom at all points is an inevitable stage in the growth of every superior mind. It stands in the mind of the wise sceptic that our life in this world is not quite so easy of interpretation as churches and school books say. He does not wish to take ground against these benevolences, but he says: "There are doubts. Shall we, because good nature inclines us to virtue's side, say, 'There are no doubts—and lie for the right?' Is not the satisfaction of the doubts essential to all manliness?"

I may play with the miscellany of facts, and take those superficial views which we call scepticism; but I know they will presently appear to me in that order which makes scepticism impossible. For the world is saturated with deity and law. Things seem to tend downward, to justify despondency, to promote rogues, to defeat the just; but by knaves as by martyrs the just cause is carried forward, and general ends are somewhat answered. The world-spirit is a good swimmer, and storms and waves cannot drown him. Through the years and the centuries, through evil agents, through toys and atoms, a great and beneficent tendency irresistibly streams. So let a man learn to look for the permanent in the mutable and fleeting; let him learn to bear the disappearance of things he was wont to reverence without losing his reverence.

Shakespeare

Shakespeare is the only biographer of Shakespeare. So far from Shakespeare being the least known, he is the one person in all modern history known to us. What point of morals, of manners, of economy, of philosophy, of taste, of conduct of life has he not settled? What district of man's work has he not remembered? What king has he not taught statecraft? What maiden has not found him finer than her delicacy? What lover has he not outloved?

Some able and appreciating critics think no criticism on Shakespeare valuable that does not rest purely on the dramatic merit; that he is falsely judged as poet and philosopher. I think as highly as these critics of his dramatic merit, but still think it secondary. He was a full man who liked to talk; a brain exhaling thoughts and images, which, seeking vent, found the drama next at hand.

Shakespeare is as much out of the category of eminent authors as he is out of the crowd. He is inconceivably wise; the others, conceivably. With this wisdom of life is the equal endowment of imaginative and lyric power. An omnipresent humanity co-ordinates all his faculties. He has no peculiarity, no importunate topic, but all is duly given. No mannerist is he; he has no discoverable egotism—the great he tells greatly, the small subordinately. He is wise without emphasis or assertion; he is strong as Nature is strong, who lifts the land into mountain slopes without effort, and by the same rule as she floats a bubble in the air, and likes as well to do the one as the other. This power of transferring the inmost truth of things into music and verse makes him the type of the poet.

One royal trait that belongs to Shakespeare is his cheerfulness. He delights in the world, in man, in woman, for the lovely light that sparkles from them. Beauty, the spirit of joy, he sheds over the universe. If he appeared in any company of human souls, who would not march in his troop? He touches nothing that does not borrow health and longevity from his festal style. He was master of the revels to mankind.

Napoleon

Among the eminent persons of the nineteenth century, Bonaparte owes his predominance to the fidelity with which he expresses the aim of the masses of active and cultivated men. If Napoleon was Europe, it was because the people whom he swayed were little Napoleons. He is the representative of the class of industry and skill. "God has granted," says the Koran, "to every people a prophet in its own tongue." Paris, London, and New York, the spirit of commerce, of money, of material power, were also to have their prophet—and Bonaparte was qualified and sent. He was the idol of common men because he, in transcendent degree, had the qualities and powers of common men. He came to his own and they received him.