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Go Tell the Bees That I Am Gone

Электронная книга - «Go Tell the Bees That I Am Gone». Краткое содержание книги:

#1 New York Times bestselling author Diana Gabaldon returns with the newest novel in the epic Outlander series.
The past may seem the safest place to be . . . but it is the most dangerous time to be alive. . . .
Jamie Fraser and Claire Randall were torn apart by the Jacobite Rising in 1746, and it took them twenty years to find each other again. Now the American Revolution threatens to do the same. It is 1779 and Claire and Jamie are at last reunited with their daughter, Brianna, her husband, Roger, and their children on Fraser’s Ridge. Having the family together is a dream the Frasers had thought impossible. Yet even in the North Carolina backcountry, the effects of war are being felt. Tensions in the Colonies are great and local feelings run hot enough to boil Hell’s teakettle. Jamie knows loyalties among his tenants are split and it won’t be long until the war is on his doorstep. Brianna and Roger have their own worry: that the dangers that provoked their escape from the twentieth century might catch up to them. Sometimes they question whether risking the perils of the 1700s—among them disease, starvation, and an impending war—was indeed the safer choice for their family. Not so far away, young William Ransom is still coming to terms with the discovery of his true father’s identity—and thus his own—and Lord John Grey has reconciliations to make, and dangers to meet . . . on his son’s behalf, and his own. Meanwhile, the Revolutionary War creeps ever closer to Fraser’s Ridge. And with the family finally together, Jamie and Claire have more at stake than ever before.
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“Too small a sample size.” She laughed, shakily. “And I didn’t travel with Mandy. Don’t worry. Mama said the odds of someone my age and my state of health having a stroke were infinitesimal. As for pregnancy …”

“Bree.” He stood and pulled her to her feet, facing him. “I meant it, m’aoibhneas. I’d never risk your life, your health—or your happiness.” He tilted his head so they were forehead-to-forehead, eye-to-eye, and he felt her smile. “D’ye not know how much you mean to me?” he said. “Let alone the kids. For that matter … do ye really think I’d risk you dying on me and leaving me wi’ those wee fiends?”

She laughed, though he could see the tears still glimmering at the corners of her eyes. She squeezed his hands, hard, then let go and dug for a handkerchief in her pocket.

“‘M’aoibhneas’?” she asked, shaking the handkerchief out and wiping her nose with it. “I don’t know that one. What does it mean?”

“Joy,” he said gruffly, and cleared his throat. “My joy.” He nodded at the wheel and its sprung tyre. “What is it they say? Happiness is someone who can mend ye when you’re broken?”

* * *

IT TOOK LESS than an hour to mend the wheel—so far as she could do that.

“It really needs a blacksmith to put fresh rivets in the tyre,” she said, rising from a squat by the freshly attached wheel. “All I had was flat-headed tacks for the felloes and a couple of really crude screws and some wire, but—”

“We’ll drive slowly,” Roger said. He shaded his eyes, judging the height of the sun. “There’s a good three hours of daylight left. And I think there’s a place called Bartholomew, or Yamville, or something like that on this road. Might be big enough to boast a blacksmith.”

The kids had exhausted themselves running up and down the trace, playing tag and hide-and-seek while she was mending the wheel. A solid lunch of cold boiled potatoes (remarkably good with a little salt and vinegar) and eggs, with a good dollop of sauerkraut for vitamin C, and apples to finish off—they had a bag of small greenish-yellow apples, sweet but tart—and Mandy was out cold, curled up in the wagon bed with her head on a sack of oats, and Jem and Germain yawning beside her but determined not to fall asleep and miss anything.

Roger felt much the same. The trace had widened into an actual road, but there was no one on it; they hadn’t passed or met anyone in the last two hours, and the horses had slowed, so the forest passed quietly, tree by tree, rather than the jolting green blur of the earlier part of the journey. It was soothing, hypno … hyp—

“Hey!” Brianna grabbed his arm, startling him back into wakefulness. By reflex, he hauled back on the reins and the horses stopped, snorting, their sides slicked with sweat.

“You’d be dead on your feet, if you were standing up,” she said, smiling. “You crawl in back with Mandy for a while. I’ll drive.”

“Nah, I’m fine.” He resisted her attempt to take the reins from him, but in the process he lost control of his face and yawned so widely that his ears roared with the sound of distant surf and his eyes watered.

“Go,” she said, gathering the reins up neatly and twitching them across the horses’ backs, clicking her tongue before he could argue. “I’m fine. Really,” she added more softly, looking at him.

“Aye. Well … maybe just for a bit.” He couldn’t bring himself to leave her alone on the bench, though, and groped under it for the big canteen. He splashed water into his face, drank a little, and put the plug back in, feeling slightly more alert.

“What else have ye got in your magic bag?” he asked, having spotted the canvas rucksack under the bench next to the canteen. “Besides your tea?”

“Some of my small tools,” she replied, glancing at the bag. “And a good thing, too. A few books—presents, and a few toys for Mandy, and the Grinch book I made for her. She wanted to bring Green Eggs and Ham, but that wouldn’t do.”

Roger smiled at the thought of the Brumbys and their society friends spotting the big bright-orange book. Bree was slowly working on handmade approximations of some of the other Dr. Seuss books, with her own whimsical versions of the drawings and as much of the original verse as she and Claire could remember between them. They were by no means as eye-catching as the real thing, but also much less likely to cause more than a smile or a puzzled frown, should anyone look through one.

“And what if you meet a printer in Savannah, who catches sight of it and wants to publish the book?” he asked, trying to sound no more than mildly curious. He’d almost got over worrying about exposing bits of future culture to the eighteenth century, but it still gave him an uneasy feeling at the back of his neck, as though the Time Police might be lying in wait to spot Horton Hears a Who! and denounce them. To whom? he wondered.

“I guess it would depend how much he offered me,” she said lightly. She felt his resistance, though, and transferred the reins to her left hand in order to pat his.

“Historical friction,” she said. “There are all kinds of things—ideas, machines, tools, whatever—that were—are, I mean—discovered more than once. Mama said the hypodermic needle was independently invented by at least three different people, all around the same time, in different countries. But other things are invented or discovered and they just … sit. No one uses them. Or they’re lost, and then found again. For years—centuries, sometimes—until something happens, and suddenly it’s the right time, and whatever it is comes suddenly into its own, and spreads, and it’s common knowledge.

“Besides,” she added practically, nudging the bag with her foot, “what harm could it do to loose a bastardized version of The Cat in the Hat on the eighteenth century?”

He laughed in spite of his uneasiness.

“Nobody would print that one. A story showing children being deliberately disobedient to their mother? And not suffering Dire Consequences for doing it?”

“Like I said. Not the right time for a book like that,” she said. “It wouldn’t … stick.”

She’d got over the emotional breakdown altogether now—or at least that’s what she looked like. Long red hair spilling loose down her back, face animated but not troubled, her eyes on the road and the horses’ bobbing heads.

“And then I have Jane,” she said, nodding at the bag and lowering her voice. “Speaking of dire consequences, poor girl.”

“Ja—oh, Fanny’s sister?”

“I mended the drawing, but I promised Fanny that I’d paint Jane, too,” Bree said, and frowned a little. “Make her more permanent. And Lord John says Mr. Brumby is providing me with the best painting supplies that money and a solid Tory reputation can buy in Savannah. I couldn’t persuade Fanny to let me take her drawing, but she did let me copy it so I’d have something to work from.”

“Poor girl. Girls, I should say.” Claire had told Brianna, after the uproar over Fanny’s getting her monthly, what had happened to Jane, and Bree had told him.

“Yes. And poor Willie, too. I don’t know if he was in love with Jane or just felt responsible for her, but Mama said he showed up at her funeral in Savannah, looking awful, with that huge horse. He gave Da the horse, for Fanny—he’d already given Fanny to him, to take care of—and then he just … left. They haven’t heard anything about him since.”

Roger nodded, but there wasn’t much to say. He’d met William, Ninth Earl of Ellesmere, once, several years before, for roughly three minutes, on a quay in Wilmington. A teenager then, tall and thin as a rail—and with a striking resemblance to Bree, though he was dark-haired—but with a lot more confidence and bearing than he’d have expected from someone that age. He supposed that was one of the perquisites of being born (at least theoretically) to the hereditary aristocracy. You really did think the world—or a good part of it—belonged to you.

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