The Lacquer Screen
- Автор: ван Гулик Роберт Ханс
- Серия: Judge Dee #8
- Язык: английский
- Жанр: Другие детективы
Электронная книга - «The Lacquer Screen». Краткое содержание книги:
Early in his career, Judge Dee visits a senior magistrate who shows him a beautiful lacquer screen on which a scene of lovers has been mysteriously altered to show the man stabbing his lover. The magistrate fears he is losing his mind and will murder his own wife. Meanwhile, a banker has inexplicably killed himself, and a lovely lady has allowed Dee's lieutenant, Chiao Tai, to believe she is a courtesan. Dee and Chiao Tai go incognito among a gang of robbers to solve this mystery, and find the leader of the robbers is more honorable than the magistrate.
One of the most satisfyingly devious of the Judge Dee novels, with unusual historical richness in its portrayal of the China of the T'ang dynasty.-—New York Times Book Review
Even Judge Dee is baffled by Robert van Gulik's new mysteries in The Lacquer Screen. Disguised as a petty crook, he spends a couple of precarious days in the headquarters of the underworld, hobnobbing with the robber king. Dee's lively thieving friends furnish some vital clues to this strange and fascinating jigsaw.-—The Spectator
So scrupulously in the classic Chinese manner yet so nicely equipped with everything to satisfy the modern reader.-—New York Times
Robert Van Gulik (1910-67) was a Dutch diplomat and an authority on Chinese history and culture. He drew his plots from the whole body of Chinese literature, especially from the popular detective novels that first appeared in the seventeenth century.
Magistrate Teng passed his hand over his face. He looked a moment at the screen, then quickly averted his gaze. He said in a strangled voice:
'That screen became an obsession. During the last weeks I dreamt several times that I was killing my wife — horrible, stifling nightmares from which I awoke bathed in perspiration. The thought persecuted and tortured me every waking moment; the screen began to haunt me. . . . And I could not bring myself to tell this to my wife. She could bear with everything, but not that I, her husband, would ever turn against her—even if in a deranged state of mind. I knew that that would break her heart.'
The magistrate stared in front of him with unseeing eyes. Then he suddenly took hold of himself and continued in a matter-of-fact voice:
'Today we took our noon meal together outside, in a shadowy corner of the garden. But I found the air oppressive, I felt restive and thought a headache was coming on. I told my wife I would spend the siesta in my library, going over some official documents. But in my library it was also very hot, I couldn't concentrate my thoughts. Thus I decided to take my siesta in my wife's bedroom.' He rose and added: 'Come with me, I'll show you.'
He took one of the candles, and they left the library together. Teng led the judge through a winding corridor to a small passage. He opened the door and, from the threshold, showed Judge Dee his wife's dressing-room. On the right stood a large toilet-table of carved rosewood with a round mirror of polished silver. On the left, in front of a narrow door, a low bamboo couch. In the centre of the floor of shining red marble tiles was a small round table of ebony, intricately carved. 'On that table,' Magistrate Teng said, 'stood the antique vase that I broke. The door on the left there gives onto a miniature garden with a goldfish pond. My wife's chambermaid always sleeps on that bamboo couch in front of it. The large, red-lacquered door you see opposite leads to my wife's bedroom. Wait here, please.'
He went inside, took an intricate key from his bosom and opened the red door. He left it standing ajar, then came back to the judge.
'When, this afternoon, I entered this dressing-room, the chambermaid was lying asleep on the bamboo couch. The last thing I remember is that I saw, through the bedroom door, which was standing ajar just as it is now, part of the bed, with my wife lying on it, naked. She was slumbering peacefully, lying half on her back, her head cradled in her folded right arm. I saw her beautiful profile, but she had laid her right leg over her left, so that the lower half of her body was turned away from me. She had loosened the long tresses she was so proud of, they provided a black-silk mat for her shoulders, then cascaded down from the edge of the bedstead. Then, just when I was about to go to her and wake her up, suddenly everything went black.'
'I came to myself lying on the floor here in the dressing-room, among the broken pieces of the antique vase. My eyes were blurred, I had a splitting headache, and was completely confused. I looked at the chambermaid. She was still fast asleep. I scrambled up, and stumbled to the bedroom. I remember feeling relieved at seeing that my wife was still asleep, lying exactly as I had seen her before. My attack had passed unnoticed, thank Heaven! But when I had gone inside I suddenly saw what I had done. My antique dagger was stuck in her breast, and she was dead.'
MAGISTRATE TENG DISCOVERS HIS WIFE
He buried his face in his hands and started to sob softly, leaning against the door-jamb.
Judge Dee quickly went into the bedroom. He surveyed the broad couch covered with a mat of closely-woven, soft reed. Near the pillow there were a few small bloodstains. Then he looked up, and saw on the wall next to the window the empty sheath of a dagger, suspended by a silken cord. By its side hung a fine old sword in a copper-studded scabbard, and a seven-stringed lute. The only window, consisting of bamboo lattice-work pasted over with thick white paper, was closed by a cross-bar of carved wood. The only other furniture was a small tea-table, a beautifully carved antique specimen of sandalwood, and two stools of the same material. In a corner stood a pile of four clothes-boxes of red leather, one for each season, richly decorated with gilded flower-motifs.
When he had rejoined the magistrate, he asked softly:
'What did you do after that?'
'That second, fearful shock completely unnerved me. I ran outside, locked the door behind me, and somehow or other succeeded in getting back to my library. While I was still trying to grasp the awful truth, feeling ill and confused, the steward came and announced your visit.'
'I am very, very sorry that my visit came at that terrible moment!' Judge Dee said contritely. 'But of course I had no idea that . . .'
'I humbly apologize for the abrupt manner in which I received you,' Magistrate Teng said formally. 'Shall we go back to my library?'
When they were seated again at the tea-table, Teng said:
'After you had left I recovered somewhat, and the routine of the afternoon session had a calming influence. There was a rather curious case of a suicide which helped to draw my mind away from the fearful tragedy. At the same time, however, I realized the legal consequences. Justice must take its course. I would have to travel to the Prefecture without delay, and give myself up to the Prefect as the murderer of my wife. But what was I to do with my poor wife's dead body, what was I to say to the steward, to the servants? Then I realized how fortunate I was in having you here, a wise and sympathetic colleague. I ordered the headman to go to the hostel I had recommended to you, and to ask you to come and see me. When he returned with the message that you had left for no one knew where, a sudden panic seized me. I had counted so much on your coming, and now you would perhaps return only the next day, or perhaps some mishap had befallen you . . . and I would have to face everything alone. Soon the servants would want to clean and air the bedroom, the steward would ask for the key. . . . I became obsessed with the idea that the dead body had to disappear. When the servants were taking their evening meal, I went to the bedroom, quickly bound up the hair, and wrapped the body in a coat I took at random. Then I carried it through the emergency exit to the back street. It was quite deserted, I reached the ruins unnoticed, and deposited my pitifully light burden in the marsh.
'After I had come back, however, I suddenly realized how foolish I had been. In my agitation I had stupidly overlooked the most obvious means for deferring the discovery of my deed, namely to pretend that I had mislaid my key of the bedroom. This was indeed the pretext I gave the steward when, after the evening-meal, he again asked me for the key. This experience convinced me that my state of mind made me wholly incapable of managing my affairs. I again sent the headman to your hostel, this time leaving an urgent message to come as soon as you returned. I waited here for you, hoping against hope that you would come, despite the late hour. And, thank Heaven, you came! Now tell me, Dee, what should I do?'
For a long time the judge made no reply. He sat there silently, staring at the screen while slowly stroking his long beard. At last he looked at the magistrate and said:
'My answer to your question is: nothing. At least for the time being.'
'What do you mean by that?' Teng exclaimed, sitting up in his chair. 'We must go to Pien-foo, first thing tomorrow morning. Let's now write a letter to the Prefect, to be sent this very night by a special messenger so that . . .'
Judge Dee raised his hand.
'Calm yourself!' he said. 'I examined the body, I saw the scene of the tragedy, and I am not satisfied that we know all the facts. I want proof that you killed your wife.'
Magistrate Teng jumped up. Agitatedly pacing the floor he shouted:
'You talk nonsense, Dee! Proof? What more proof do you want? My attacks, my dreams, that screen there . . .'