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The World's Greatest Books [Volumes 1-15, 17-20]

Электронная книга - «The World's Greatest Books [Volumes 1-15, 17-20]». Краткое содержание книги:

Антология содержит:
The World's Greatest Books — Volume 01 — Fiction от Неизвестный
The World's Greatest Books — Volume 02 — Fiction от Неизвестный
The World's Greatest Books — Volume 03 — Fiction от Неизвестный
The World's Greatest Books — Volume 04 — Fiction от Неизвестный
The World's Greatest Books — Volume 05 — Fiction от Неизвестный
The World's Greatest Books — Volume 06 — Fiction от Неизвестный
The World's Greatest Books — Volume 07 — Fiction от Неизвестный
The World's Greatest Books — Volume 08 — Fiction от Неизвестный
The World's Greatest Books — Volume 09 — Lives and Letters от Неизвестный
The World's Greatest Books — Volume 10 — Lives and Letters от Неизвестный
The World's Greatest Books — Volume 11 — Ancient and Mediæval History от Неизвестный
The World's Greatest Books — Volume 12 — Modern History от Неизвестный
The World's Greatest Books — Volume 13 — Religion and Philosophy от Неизвестный
The World's Greatest Books — Volume 14 — Philosophy and Economics от Неизвестный
The World's Greatest Books — Volume 15 — Science от Неизвестный
The World's Greatest Books — Volume 17 — Poetry and Drama от Неизвестный
The world's greatest books от Mee, Arthur, 1875-1943, joint editor & Hammerton, John Alexander, Sir, 1871-1949, joint editor & McClure, S. S. (Samuel Sidney), 1857-1949, joint editor
The World's Greatest Books — Volume 19 — Travel and Adventure от Неизвестный
The World's Greatest Books — Volume 20 — Miscellaneous Literature and Index от Неизвестный
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Scene.—Hall in Justice Clement's. Clement, Kitely, Old Knowell.

Clement: Stay, stay, give me leave; my chair, sirrah. Master Knowell, you went to meet your son. Mistress Kitely, you went to find your husband; you, Master Kitely, to find your wife. And Well-bred told her first, and you after. You are gulled in this most grossly all.

[Bobadill and Matthew are ushered in; then Brain-Worm, with Down-Right and Stephen; all make their charges.

Clement: You there (to Bobadill), had you my warrant for this gentleman's apprehension?

Bobadilclass="underline" Ay, an't please your worship; I had it of your clerk.

Clement: Officer (to Brain-Worm), have you the warrant?

Brain-Worm: No, sir; your worship's man, Master Formal, bid me do it.

Brain-Worm, in fear of some worse penalty, discloses himself. As he reveals one after another of his devices, the delighted Justice begs for him a readily granted pardon from Old Knowell. Finally, he announces that by this time Young Knowell and Bridget are married. Clement despatches a servant to bring home the young couple to dinner "upon my warrant." Enter Bridget, Young Knowell, and Well-Bred.

Clement: Oh, the young company—welcome, welcome, give you joy. Nay, Mistress Bridget, blush not; Master Bridegroom, I have made your peace; give me your hand. So will I for all the rest, ere you forsake my roof. Come, put off all discontent; you, Master Down-right, your anger; you, Master Knowell, your cares; Master Kitely and his wife, their jealousy.

Kitely: Sir, thus they go from me. Kiss me, sweetheart.

Clement: 'Tis well, 'tis well. This night we'll dedicate to friendship, love, and laughter.

FOOTNOTES:

[P] Ben Jonson was born at Westminster in 1573. He was brought up by his stepfather, a master bricklayer, and educated at Westminster School, where he got his learning under Camden. While still a youngster, he went a-fighting in the Low Countries, returning to London about 1592. In 1598 he emerged as a dramatic author with the play "Every Man in His Humour." This was the first of a series of comedies, tragedies, and masques, which rank highly. In human interest, however, none surpassed his first success. Unlike Shakespeare, with whom he consorted among the famous gatherings of wits at the Mermaid Tavern, Jonson regarded himself as the exponent of a theory of dramatic art. He was steeped in classical learning, which he is wont to display somewhat excessively. Besides his dramas, Jonson wrote many lyrical pieces, including some admirable songs, and produced sundry examples of other forms of versification. He died on August 6, 1637.

JUVENAL[Q]

Satires

I.—Of Satire and its Subjects

Still shall I hear and never pay the score, Stunned with hoarse Codrus' "Theseid" o'er and o'er? Shall this man's elegies and the other's play Unpunished murder a long summer day?

The poet exclaims against the dreary commonplaces in contemporary poetry, and against recitations fit to crack the very statues and colonnades of the neighbourhood! But he also underwent his training in rhetoric.

So, since the world with writing is possessed, I'll versify in spite, and do my best To make as much wastepaper as the rest!

It may be asked, why write satire? The reason is to be found in the ubiquitous presence of offensive men and women. It would goad anyone into fury to note the social abuses, the mannish women, and the wealthy upstarts of the imperial city.

When the soft eunuch weds, and the bold fair Tilts at the Tuscan boar with bosom bare, When all our lords are by his wealth outvied Whose razor on my callow beard was tried, When I behold the spawn of conquered Nile, Crispinus, both in birth and manners vile, Pacing in pomp with cloak of purple dye— I cannot keep from satire, though I try!

There is an endless succession of figures to annoy: the too successful lawyer, the treacherous spy, the legacy-hunter. How one's anger blazes when a ward is driven to evil courses by the unscrupulous knavery of a guardian, or when a guilty governor gets a merely nominal sentence!

Marius, who pilled his province, 'scapes the laws, And keeps his money, though he lost his cause: His fine begged off, contemns his infamy, Can rise at twelve, and get him drunk ere three— Enjoys his exile, and, condemned in vain, Leaves thee, victorious province, to complain! Such villainies roused Horace into wrath, And 'tis more noble to pursue his path Than an old tale of Trojan brave to treat, Or Hercules, or Labyrinth of Crete.

It is no time to write fabulous epics when cuckolds connive at a wife's dishonour, and when horse-racing ne'er-do-wells expect commissions in the army. One is tempted to fill volumes in the open street about such figures as the forger carried by his slaves in a handsome litter, or about the wealthy widow acquainted with the mode of getting rid of a husband by poison.

Wouldst thou to honours and preferment climb? Be bold in mischief—dare some mighty crime, Which dungeons, death, or banishment deserves, For virtue is but drily praised—and starves. To crime men owe a mansion, park, and state, Their goblets richly chased and antique plate. Say, who can find a night's repose at need, When a son's wife is bribed to sin for greed, When brides are frail, and youths turn paramours? If nature can't, then wrath our verse ensures! Count from the time since old Deucalion's boat, Raised by the flood, did on Parnassus float: Whatever since that golden age was done, What human kind desires, and what they shun, Joy, sorrow, fear, love, hatred, transport, rage, Shall form the motley subject of my page. And when could Satire boast so fair a field? Say, when did vice a richer harvest yield? When did fell avarice so engross the mind? Or when the lust of play so curse mankind? O Gold, though Rome beholds no altar's flame, No temples rise to thy pernicious name, Such as to Victory, Virtue, Faith are reared, Or Concord, where the clamorous stork is heard, Yet is thy full divinity confessed, Thy shrine established here, in every breast.

After a vigorous outburst against the degrading scramble among impoverished clients for doles from their patrons, and a mordant onslaught upon the gluttony of the niggardly rich, Juvenal sees in his age the high-water mark of iniquity.

Nothing is left, nothing for future times, To add to the full catalogue of crimes: Vice has attained its zenith; then set sail, Spread all thy canvas, Satire, to the gale.

II.—A Satire on Rome

This sharp indictment is put in the mouth of one Umbricius, who is represented as leaving his native city in disgust. Rome is no place for an honourable character, he exclaims.

Here, then, I bid my much-loved home farewell. Ah, mine no more! There let Arturius dwell, And Catulus; knaves, who, in truth's despite, Can white to black transform, and black to white. Build temples, furnish funerals, auctions hold, Farm rivers, ports, and scour the drains for gold! But why, my friend, should I at Rome remain? I cannot teach my stubborn lips to feign; Nor when I hear a great man's verses, smile, And beg a copy, if I think them vile.

The worst feature is the predominance of crafty and cozening Greeks, who, by their versatility and diplomacy, can oust the Roman.

I cannot rule my spleen and calmly see A Grecian capital—in Italy! A flattering, cringing, treacherous artful race, Of torrent tongue, and never-blushing face; A Protean tribe, one knows not what to call, Which shifts to every form, and shines in alclass="underline" Grammarian, painter, augur, rhetorician, Rope-dancer, conjurer, fiddler, and physician, All trades his own your hungry Greekling counts; And bid him mount the sky—the sky he mounts!

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