The World's Greatest Books [Volumes 1-15, 17-20]
- Автор: Gutenberg
- Год: 1910
- Язык: английский
- Жанр: Культурология
Электронная книга - «The World's Greatest Books [Volumes 1-15, 17-20]». Краткое содержание книги:
The World's Greatest Books — Volume 01 — Fiction от Неизвестный
The World's Greatest Books — Volume 02 — Fiction от Неизвестный
The World's Greatest Books — Volume 03 — Fiction от Неизвестный
The World's Greatest Books — Volume 04 — Fiction от Неизвестный
The World's Greatest Books — Volume 05 — Fiction от Неизвестный
The World's Greatest Books — Volume 06 — Fiction от Неизвестный
The World's Greatest Books — Volume 07 — Fiction от Неизвестный
The World's Greatest Books — Volume 08 — Fiction от Неизвестный
The World's Greatest Books — Volume 09 — Lives and Letters от Неизвестный
The World's Greatest Books — Volume 10 — Lives and Letters от Неизвестный
The World's Greatest Books — Volume 11 — Ancient and Mediæval History от Неизвестный
The World's Greatest Books — Volume 12 — Modern History от Неизвестный
The World's Greatest Books — Volume 13 — Religion and Philosophy от Неизвестный
The World's Greatest Books — Volume 14 — Philosophy and Economics от Неизвестный
The World's Greatest Books — Volume 15 — Science от Неизвестный
The World's Greatest Books — Volume 17 — Poetry and Drama от Неизвестный
The world's greatest books от Mee, Arthur, 1875-1943, joint editor & Hammerton, John Alexander, Sir, 1871-1949, joint editor & McClure, S. S. (Samuel Sidney), 1857-1949, joint editor
The World's Greatest Books — Volume 19 — Travel and Adventure от Неизвестный
The World's Greatest Books — Volume 20 — Miscellaneous Literature and Index от Неизвестный
Now, as to the light of the candle. We will light one or two, and set them at work in the performance of their proper function. You observe a candle is a very different thing from a lamp. With a lamp you take a little oil, fill your vessel, put in a little moss, or some cotton prepared by artificial means, and then light the top of the wick. When the flame runs down the cotton to the oil, it gets stopped, but it goes on burning in the part above. Now, I have no doubt you will ask, how is it that the oil, which will not burn of itself, gets up to the top of the cotton, where it will burn? We shall presently examine that; but there is a much more wonderful thing about the burning of a candle than this. You have here a solid substance with no vessel to contain it; and how is it that this solid substance can get up to the place where the flame is? Or, when it is made a fluid, then how is it that it keeps together? This is a wonderful thing about a candle.
You see, then, in the first instance, that a beautiful cup is formed. As the air comes to the candle, it moves upwards by the force of the current which the heat of the candle produces, and it so cools all the sides of the wax, tallow, or fuel as to keep the edge much cooler than the part within; the part within melts by the flame that runs down the wick as far as it can go before it is stopped, but the part on the outside does not melt. If I made a current in one direction, my cup would be lopsided, and the fluid would consequently run over—for the same force of gravity which holds worlds together, holds this fluid in a horizontal position. You see, therefore, that the cup is formed by this beautifully regular ascending current of air playing upon all sides, which keeps the exterior of the candle cool. No fuel would serve for a candle which has not the property of giving this cup, except such fuel as the Irish bogwood, where the material itself is like a sponge, and holds its own fuel.
You see now why you have such a bad result if you burn those beautiful fluted candles, which are irregular, intermittent in their shape, and cannot therefore have that nicely-formed edge to the cup which is the great beauty in a candle. I hope you will now see that the perfection of a process—that is, its utility—is the better point of beauty about it. It is not the best-looking thing, but the best-acting thing which is the most advantageous to us. This good-looking candle is a bad burning one. There will be a guttering round about it because of the irregularity of the stream of air and the badness of the cup which is formed thereby.
You may see some pretty examples of the action of the ascending current when you have a little gutter run down the side of a candle, making it thicker there than it is elsewhere. As the candle goes on burning, that keeps its place and forms a little pillar sticking up by the side, because, as it rises higher above the rest of the wax or fuel, the air gets better round it, and it is more cooled and better able to resist the action of the heat at a little distance. Now, the greatest mistakes and faults with regard to candles, as in many other things, often bring with them instruction which we should not receive if they had not occurred. You will always remember that whenever a result happens, especially if it be new, you should say: "What is the cause? Why does it occur?" And you will in the course of time find out the reason.
Then there is another point about these candles which will answer a question—that is, as to the way in which this fluid gets out of the cup, up to the wick, and into the place of combustion. You know that the flames on these burning wicks in candles made of beeswax, stearine, or spermaceti, do not run down to the wax or other matter, and melt it all away, but keep to their own right place. They are fenced off from the fluid below, and do not encroach on the cup at the sides.
I cannot imagine a more beautiful example than the condition of adjustment under which a candle makes one part subserve to the other to the very end of its action. A combustible thing like that, burning away gradually, never being intruded upon by the flame, is a very beautiful sight; especially when you come to learn what a vigorous thing flame is, what power it has of destroying the wax itself when it gets hold of it, and of disturbing its proper form if it come only too near.
But how does the flame get hold of the fuel? There is a beautiful point about that. It is by what is called capillary attraction that the fuel is conveyed to the part where combustion goes on, and is deposited there, not in a careless way, but very beautifully in the very midst of the centre of action which takes place around it.
II.—The Brightness of the Candle
Air is absolutely necessary for combustion; and, what is more, I must have you understand that fresh air is necessary, or else we should be imperfect in our reasoning and our experiments. Here is a jar of air. I place it over a candle, and it burns very nicely in it at first, showing that what I have said about it is true; but there will soon be a change. See how the flame is drawing upwards, presently fading, and at last going out. And going out, why? Not because it wants air merely, for the jar is as full now as it was before, but it wants pure, fresh air. The jar is full of air, partly changed, partly not changed; but it does not contain sufficient of the fresh air for combustion.
Suppose I take a candle, and examine that part of it which appears brightest to our eyes. Why, there I get these black particles, which are just the smoke of the candle; and this brings to mind that old employment which Dean Swift recommended to servants for their amusement, namely, writing on the ceiling of a room with a candle. But what is that black substance? Why, it is the same carbon which exists in the candle. It evidently existed in the candle, or else we should not have had it here. You would hardly think that all those substances which fly about London in the form of soots and blacks are the very beauty and life of the flame. Here is a piece of wire gauze which will not let the flame go through it, and I think you will see, almost immediately, that, when I bring it low enough to touch that part of the flame which is otherwise so bright, it quells and quenches it at once, and allows a volume of smoke to rise up.
Whenever a substance burns without assuming the vaporous state—whether it becomes liquid or remains solid—it becomes exceedingly luminous. What I say is applicable to all substances—whether they burn or whether they do not burn—that they are exceedingly bright if they retain their solid state when heated, and that it is to this presence of solid particles in the candle-flame that it owes its brilliancy.
I have here a piece of carbon, or charcoal, which will burn and give us light exactly in the same manner as if it were burnt as part of a candle. The heat that is in the flame of a candle decomposes the vapour of the wax, and sets free the carbon particles—they rise up heated and glowing as this now glows, and then enter into the air. But the particles when burnt never pass off from a candle in the form of carbon. They go off into the air as a perfectly invisible substance, about which we shall know hereafter.
Is it not beautiful to think that such a process is going on, and that such a dirty thing as charcoal can become so incandescent? You see, it comes to this—that all bright flames contain these solid particles; all things that burn and produce solid particles, either during the time they are burning, as in the candle, or immediately after being burnt, as in the case of the gunpowder and iron-filings—all these things give us this glorious and beautiful light.