Теория фильмов

Глава 2. Французская теория, 1949–1968

1. Althusser, Louis. Lenin and Philosophy and Other Essays. Trans. Ben Brewster. New York: Monthly Review, 2001. 2. Barthes, Roland. Mythologies. Trans. Annette Lavers. New York: Hill and Wang, 1972. 3. Image/Music/Text. Trans. Stephen Heath. New York: Hill and Wang, 1977. 4. Baudry, Jean-Louis. Ideological Effects of the Basic Cinematographic Apparatus. Trans. Alan Wilhanis // Film Quarterly, Vol. 28, No. 2 (Winter 1974–5): 39–47. 5. Baudry, Jean-Louis. The Apparatus: Metapsychological Approaches to the Impression of Reality in the Cinema. Trans. Jean Andrews and Bertrand Augst // Camera Obscura, Vol. 1, No. 1 (Fall 1976): 104–126. 6. Bellour, Raymond. The Analysis of Film. Ed. Constance Penley. Bloomington, IN: Indiana University Press, 2000. 7. Bergstroin, Janet, ed. Endless Night: Cinema and Psychoanalysis, Parallel Histories. Berkeley, CA: University of California Press. 1999. 8. Browne, Nick. The Rhetoric of Filmic Narration. Ann Arbor, MI: UMI Research Press, 1976. 9. Cahiers du cinéma editors. John Ford’s Young Mr. Lincoln. Trans. Helen Lackner and Diana Marias // Screen, Vol. 13, No. 3 (Autumn 1972): 5–44. 10. Clarke, Simon. The Foundations of Structuralism: A Critique of Lévi-Strauss and the Structuralist Movement. Sussex: Harvester Press. 1981. 11. Comolli, Jean-Louis and Jean Narboni. Cinema/Ideology/Criticism. Trans. Susan Bennett // Screen, Vol. 12, No. 1 (Spring 1971): 27–38. 12. Cusset, François. French Theory: How Foucault, Derrida, Deleuze, &Co. Transformed the Intellectual Life of the United States. Trans. Jeff Fort. Minneapolis, MN: University of Minnesota Press, 2008. 13. Dayan, Daniel. The Tutor-Code of Classical Cinema // Movies and Methods, Volume I. Ed. Bill Nichols. Berkeley, CA: University of California Press, 1976. 438–451. 14. Debord, Guy. The Society of the Spectacle. Trans. Donald Nicholson-Smith. New York: Zone Books, 1995. 15. Donald, James, Anne Friedberg, and Luara Macus, eds. Close Up 1927–1933: Cinema and Modernism. Princeton, NJ: Princeton University Press, 1998. 16. Dosse, François. History of Structuralism, Volume I: The Rising Sign, 1945–1966. Trans. Deborah Glassman. Minneapolis, MN: University of Minnesota Press, 1997. 17. During, Simon, ed. The Cultural Studies Reader. 3rd ed. New York: Routledge, 2010. 18. Eco, Umberto. Articulations of the Cinematic Code // Movies and Methods, Volume I. Ed. Bill Nichols. Berkeley, CA: University of California Press, 1976. 590–607. 19. Foucault, Michel. Discipline and Punish: The Birth of the Prison. Trans. Alan Sheridan. New York: Vintage Books, 1977. 20. Freud, Sigmund. The Freud Reader. Ed. Peter Gay. New York: W. W. Norton, 1989. 21. Gallop, Jane. Reading Lacan. Ithaca, NY: Cornell University Press, 1985. 22. Gitlin, Todd. The Sixties: Years of Hope, Days of Rage. New York: Bantam Books, 1987. 23. Graham, Peter and Ginette Vincendeau, eds. The French New Wave: Critical Landmarks. London: BFI, 2009. 24. Gramsci, Antonio. Selections from the Prison Notebooks. Eds. and trans. Quintin Hoare and Geoffrey Nowell Smith. New York: International Publishers, 2003. 25. Gutting, Gary. French Philosophy in the Twentieth Century. Cambridge: Cambridge University Press, 2001. 26. Hall, Stuart, Dorothy Hobson, Andrew Lowe, and Paul Willis, eds. Culture, Media, Language: Working Papers in Cultural Studies, 1972–79. New York: Routledge, 1996. 27. Harvey, Sylvia. May ’68 and Film Culture. London: BFI, 1980. 28. Heath, Stephen. Film and System: Terms of Analysis Part I // Screen, Vol. 16, No. 1 (Spring 1975): 7–77. 29. Heath, Stephen. Film and System: Terms of Analysis Part II // Screen, Vol. 16, No. 2 (Summer 1975): 91–113. 30. Home, Stewart, ed. What Is Situationism? A Reader. San Francisco, CA: AK Press, 1996. 31. James, David E. Allegories of Cinema: American Film in the Sixties. Princeton, NJ: Princeton University Press, 1989. 32. Jameson, Fredric. The Prison-House of Language: A Critical Account of Structuralism and Russian Formalism. Princeton, NJ: Princeton University Press, 1972. 33. Kauppi, Niilo. French Intellectual Nobility: Institutional and Symbolic Transformations in the Post-Sartrian Era. New York: State University of New York Press, 1996. 34. Radicalism in French Culture: A Sociology of French Theory in the 1960s. Burlington, VT: Ashgate, 2010. 35. Lacan, Jacques. The Language of the Self: The Function of Language in Psychoanalysis. Trans. Anthony Wilden. Baltimore, MD: Johns Hopkins University Press, 1968. 36. Écrits: A Selection. Trans. Bruce Fink. New York: Hill and Wang, 2002. 37. Lévi-Strauss, Claude. Structural Anthropology. Trans. Claire Jacobson and Brooke Grundfest Schoepf. New York: Basic Books, 1963. 38. The Elementary Structures of Kinship. Trans. James Harle Bell, John Richard von Stunner, and Rodney Needham. Boston, MA: Beacon Press, 1969. 39. Lotringer, Sylvère and Sande Cohen, eds. French Theory in America. New York: Routledge, 2001. 40. MacCabe, Colin. Godard: A Portrait of the Artist at Seventy. New York: Faber and Faber, 2003. 41. Macey, David. Lacan in Contexts. New York: Verso, 1988. 42. Macksey. Richard and Eugenio Donate, eds. The Structuralist Controversy: The Languages of Criticism and the Sciences of Man. Baltimore, MD: Johns Hopkins University Press, 1972. 43. Marx, Karl. Karl Marx: Selected Writings. Ed. David McLellan. New York: Oxford University Press, 1977. 44. Metz, Christian. Film Language: A Semiotics of the Cinema. Trans. Michael Taylor. Chicago, IL: University of Chicago Press, 1974. 45. Language and Cinema. Trans. Donna Jean Umiker-Sebeok. The Hague: Mouton, 1974. 46. The Imaginary Signifier: Psychoanalysis and the Cinema. Trans. Celia Britton, Annwyl Williams, Ben Brewster, and Alfred Guzzetti. Bloomington, IN: Indiana University Press, 1982. 47. Miller, Jacques-Alain. Suture (Elements of the Logic of the Signifier). Trans. Jacqueline Rose // Screen, Vol. 18, No. 4 (Winter 1977): 24–34. 48. Oudart, Jean-Pierre. Cinema and Suture. Trans. Kari Hanet // Screen, Vol. 18, No. 4 (Winter 1977): 35–47. 49. Pasolini, Pier Paolo. The Cinema of Poetry. Trans. Marianne de Vettimo and Jacques Bontemps // Movies and Methods, Volume I. Ed. Bill Nichols. Berkeley, CA: University of California, 1976. 542–558. 50. Rodowick, D. N. The Crisis of Political Modernism: Criticism and Ideology in Contemporary Film Theory. Berkeley, СA: University of California, 1994. 51. Roudinesco, Elisabeth. Jacques Lacan. Trans. Barbara Bray. New York: Columbia University Press, 1997. 52. Sanders, Carol. The Cambridge Companion to Saussure. Cambridge: Cambridge University Press, 2004. 53. Saussure, Ferdinand de. Course in General Linguistics. Trans. Wade Baskin. Eds. Charles Bally and Albert Sechehaye. New York: McGraw-Hill, 1959. 54. Silverman, Kaja. The Subject of Semiotics. New York: Oxford University Press, 1983. 55. Spottiswoode, Raymond. A Grammar of the Film: An Analysis of Film Technique. Berkeley, CA: University of California Press, 1950. 56. Thompson, Duncan. Pessimism of the Intellect? A History of New Left Review. Monmouth: Merlin Press, 2007. 57. Turner, Graeme. British Cultural Studies: An Introduction. Boston, MA: Unwin Hyman, 1990. 58. Weber, Samuel. Return to Freud: Jacques Lacan’s Dislocation of Psychoanalysis. Trans. Michael Levine. Cambridge: Cambridge University Press, 1992. 59. Williams, Linda. Figures of Desire: A Theory and Analysis of Surrealist Film. Berkeley, CA: University of California Press. 1981.