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The Year's Best Fantasy and Horror. Fifth Annual Collection

Электронная книга - «The Year's Best Fantasy and Horror. Fifth Annual Collection». Краткое содержание книги:

This acclaimed series, winner of numerous World Fantasy Awards, continues its tradition of excellence with scores of short stories from such writers as K. W. Jeter, Karl Edward Wagner, Terry Bisson, S. P. Somtow, Charles de Lint, Kobo Abe, Jane Yolen and many others. Supplementing the stories are the editors' invaluable overviews of the year in fantastic fiction, Edward Bryant's witty roundup of the year's fantasy films, and a long list of Honorable Mentions—all of which adds up to an invaluable reference source, and a font of fabulous reading.
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From behind the bushes that separated us from the path, we heard voices. We all sat up straight, even Conrad, who I knew was hoping for the sweet voice of a child unattended. Even Andy tried to rouse himself, but the sun was too high for him.

I started to move but Dracula held me back, his cold hand across my belly. Harlequin paused for maybe five seconds, centering himself as Dracula had taught us to do before an approach, and then stepped through the bushes. Conrad and a few of the other students repositioned themselves quietly to watch, but Dracula stayed where he was and kept me there, too.

There was almost no noise. Harlequin made none, of course, and his victims never knew what happened. That was the way it should be; Dracula loathed noise. I remembered how quiet my grandmother had been, too: how peaceful. We waited. Daylight had started to seep into the park and class was almost over when Harlequin stepped like a dancer back into the clearing among us.

His face and clothes were scarlet with blood. His teeth dripped. He looked stronger than he had in a long time, more substantial. His movements were more fluid and directed, less flighty.

In outstretched hands he carried two tall ridged silver thermos bottles, apparently taken from the victims. He dropped to his knees, bowed his head as if in offering, and passed one of the bottles in each direction around the circle. Dracula drank first, his eyes closed in pleasure and his long throat working. At last, without opening his eyes, he passed the thermos to me.

The blood was warm and sweet. Obviously the victims had been virgins, barely so, a young man and a young woman on the verge of becoming lovers when Harlequin had intervened. The mouth of the thermos was wide enough that the blood spilled over my nose and chin, bathing me in its vitality. I knew some of it was reaching the baby and I was glad, then I wished it wouldn’t because maybe there wouldn’t be enough left for me, but there was nothing I could do about that.

I drank until I felt renewed, and then, reluctantly, passed the bottle on.

When Dracula said, “Prove yourself” to me, we were making love on his red silk sheets. The others had gone home for the day, or had gone wherever it was they went when they weren’t at school; I couldn’t imagine. City daylight came through the high window gray and pale blue, and it was exciting to be awake.

He was straddling me on all fours, and under the huge mound of my belly his penis entered me easily. It thrilled me to think of his penis pushing back and forth past the fetus like a fang.

I would turn seventeen soon. The baby would be born soon. Soon we would be graduated.

“Prove yourself," he said, and I thought he was talking about something sexual.

Although I couldn’t guess what there was left that I hadn't already done, I gasped, “Tell me what you want.”

He buried his face in my shoulder. His teeth grazed my neck and found a spot, but they didn’t go in yet; he was playing with me. “Prove yourself,” he murmured again, “or leave the scholomance. Now.”

I stiffened with fear and outrage and frantic desire. I tried to wrap my arms and legs around him, but my stomach was too big, the baby was between us, and Dracula was moving down my body. I spread my legs and waited for his sharp tongue, but he stopped at my navel and I felt his teeth.

“You are not the Tenth Scholar,” I heard him say.

“Why not? Who is? Harlequin? Shit, I thought you were smart enough to see through him—”

“The baby is the Tenth Scholar.”

A fang went into my belly button and withdrew again. There was the suggestion of pain.

I struggled weakly to get out from under him. Of course I couldn’t, and, anyway.

I didn’t know where I’d go if I got free. “You mean I can’t stay?”

“I have taught you as much as it is possible for you to learn.”

Betrayal made me light-headed, as though he’d already bitten through. “No,” I cried foolishly. “Please.”

His voice came up to me singsong, seductive, and cold as immortal blood. “If you give me the baby now, you may stay to raise it until it can take its place at my side. Twelve years, perhaps, or ten years, or fourteen, depending on its nature and inclinations. If you do not give me the baby, you will leave. Tonight. I have lost interest in you.”

“Take it,” I said.

A vision of the dog with the butchered throat came into my head. A vision of my grandmother, dying when I’d been sure she’d never die, leaving me. I bit my lower lip hard to drive the visions away.

At first there was no more pain, really, than during any normal bite, except that the nerves in my abdomen were exquisitely sensitive. He sucked and drank a lot of blood. Before he was done I was so dizzy I could barely see, and he, obviously, was stoned.

His hands went all over my body—cold skin, sharp nails. His tongue went all over my body. He had started to sing as if to himself, to croon, and his laughter was sweet and smooth. Unable to fathom what I’d be like in fourteen years, what the city would be like when I had to go back into it alone, I paid attention only to him, only to the perforations his teeth were making from my navel to my pubic hair, only to his promise that if I did this he would let me stay.

Now pain and blood gushed. I lost and regained consciousness and lost it again; stars fell. When I awoke, the light was the same blue-gray it had been, but I was sure time had passed. There was a terrible, wonderful emptiness in my abdomen, and the wound had already started to close.

I heard Dracula’s odd crooning and the gurgling of an infant, but for a while I couldn’t find them. The colors in the room—chartreuse, mauve, blood-red— gave around me like living tissue. Then I saw the tall thin form by the window, blackened by my blood and the baby’s and the rich nourishing blood of the placenta and afterbirth.

“It’s a girl,” he told me.

I was dizzied by a peculiar kind of pride: I’d borne a healthy daughter who would be the Tenth Scholar, even if I could not be. I’d carried on my grandmother’s line. I’d given Dracula something he’d wanted, something that, apparently, no one else had ever given him. And fourteen years was a long time.

It was, of course, a trick. Go now,” he said, almost casually, staring at the baby in his arms.

“What?”

“Leave. The scholomance is filled.”

“You said I could stay. You said—”

“I saw no point in exerting myself to take my daughter by force when you would give her to me out of love.”

“She’s my daughter!”

The baby in his arms curled and stretched. Somehow, she was feeding. “I am her father,” he said, and I understood that it was true. He looked at me then, green gaze forking like lightning, and said, “Go. You have no place here.” ’

My daughter is fourteen now. I look for her everywhere and see her nowhere. Probably I wouldn’t know who she was, anyway, except for her resemblance to him.

I kill for sustenance; there is no pleasure in it. I infect some of my victims with immortality in hopes that they will be my companions, but they always leave.

I know that my classmates are out here, and they’ve been taught by the Master; I try not to forget that. I try to protect myself against them, but it’s unclear to me what danger there is, what pain there could be left. The city seems full oi scholomance graduates and wannabes, and it’s hard for me to believe these days that Dracula accepts only ten students at a time.

FISHER DEATH

  WALK IN SABLE

Jessica Amanda Salmonson

Salmonson has written or edited more than twenty books of fantasy and the supernatural including the anthology Amazons!, which won the World Fantasy Award in 1980. She is also a prolific poet.

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