There Was an Old Woman [= The Quick And the Dead]
- Автор: Куин (Квин) Эллери
- Год: 1943
- Язык: английский
- Год: Little, Brown and Company
- Жанр: Классические детективы
Электронная книга - «There Was an Old Woman [= The Quick And the Dead]». Краткое содержание книги:
Charley whispered in Ellery’s ear: “Ask him to explain his philosophy of life to you.”
Ellery did so.
“Glad to,” boomed Horatio. “Now you’re a man, Mr. Queen. You have worries, responsibilities, you lead a heavy, grown-up sort of life. Don’t you?”
“Well... yes,” stammered Ellery.
“But it’s so simple!” beamed Horatio. “Here sit down — throw those marbles on the floor. The happiest part of a man’s life is his boyhood, and I don’t care if he was brought up in Gallipolis, Ohio, or Hester Street, New York.” Ellery wiggled his brows. “All right, now take me. If I had to make shoes in a factory, or tell other men to make ’em, or write advertising, or dig ditches, or do any of the tiresome things men have to do to be men — why, I’d be like you, Mr. Queen, or like Charley Paxton here, who always goes around with a worried look.” Charley grinned feebly. “But I don’t have to. So I fly kites, I run miniature trains, I build twelve-foot bridges and airplane models, I read Superman and Hairbreadth Harry, detective stories, fairy tales, children’s verses... I even write ’em.” Horatio seized a couple of highly colored books from his desk. “The Little Old Dog of Dogwood Street, by Horatio Potts. The Purple Threat, by Horatio Potts. Here are a dozen more boys’ stories, all by me.”
“Horatio,” said Charley reverently, “publishes ’em himself, too.”
“Right now I’m writing my major opus, Mr. Queen,” roared Horatio happily. “A new modern version of Mother Goose. It’s going to be my monument, mark my words.”
“Even has his meals served there,” said Charley as they strolled back to the main house. “Well, Ellery, what do you think of Horatio Potts?”
“He’s either the loonist loon of them all,” growled Mr. Queen, “or he’s the only sane man alive on the planet!”
Dinner was served in a Hollywood motion-picture set by extras — or so it seemed to Ellery, who sat down to the most remarkable meal of his life. The dining-room ceiling was a forest of rafters, and one had to crane to count them. Everything was on the same Brobdingnagian scale — a logical outgrowth, no doubt, of the giant that was Pottsism. Nothing less than a California redwood could have provided the one-piece immensity of the table. The linen and silver were heavier than Ellery had ever hefted, the crockery was grander, and the stemware more intricate. The credenza groaned. If the Old Woman was hen of a batty brood, at least she did not make them scratch for their grub. This was the board of plenty.
The twins, Robert and Maclyn, had not appeared for dinner. They had telephoned their mother that they were held up “at the office.”
Cornelia Potts was a not ungracious hostess. The old lady wanted to know all about “Mr. Queen,” and Mr. Queen found himself talking when he had come to listen. If he was to gauge the temper and the sanity of Thurlow Potts, he could not distract himself with himself. So he was annoyed, deliberately. The Old Woman stared at him with the imperial surprise of a woman who has lived seventy years on her own terms. Finally she rejected him, turning to her children. Ellery grinned with relief.
Sheila ate brightly, too brightly. Her eyes were crystal with humiliation. Ellery knew it was for him, for being witness to her shame. For Cornelia ignored her, as if Sheila were some despised poor relation instead of the daughter of her flesh. Cornelia devoted herself almost wholly to Louella, who bothered not at all to respond to her mother’s blandishments. The skinny old maid looked sullen; she ate wolfishly, in silence.
Had it not been for Stephen Potts and his friend Major Gotch, the dinner would have been intolerable. But the two cronies chattered away, apparently pleased at having a new ear to pour their reminiscences into, and Ellery had some difficulty extricating himself from Papuan paradises, Javanese jungles, and “the good old days” in the South Seas.
Thurlow had come to the table bearing two books. He set them down beside his service plate, and once in a while glanced at them or touched them with a glowering pleasure. From where Charley Paxton sat he could read the titles on their spines; Ellery could not.
“What are those books, Charley?” he mumbled.
Charley squinted. “The History of Dueling—”
“History of dueling!”
“The other is A Manual of Firearms.”
Mr. Queen choked over his melon.
During the soup course — an excellent chicken consommé — Ellery looked about and looked about and finally said in an undertone to Charley: “I notice there’s no bread on the table. Why is that?”
“The Old Woman,” Charley whispered back. “She’s on a strict diet — Innis has forbidden her to eat bread in any form — so she won’t have it in the house. Why are you looking so funny?”
Thurlow was explaining to his mother with passion the code of duello, and Major Gotch interrupted to recall some esoteric Oriental facts on the broader subject; so Mr. Queen had an opportunity to lean over to his friend and chant, softly —
“There was an old woman who lived in a shoe,
She had so many children she didn’t know what to do,
She gave them both broth without any bread...”
Charley gaped. “What are you talking about?”
“I was struck by certain resemblances,” muttered Ellery. “The Horatio influence, no doubt.” And he finished his broth in a thoughtful way.
Suddenly Louella’s cricket-voice cut across the flow of table talk. “Mother!”
“Yes, Louella?” It was embarrassing to see the eagerness in the old lady’s face as her elder daughter addressed her.
“I need some more money for my plastic experiments.”
“Spend your allowance already?” The corners of the Old Woman’s mouth sank, settled.
Louella looked sullen again. “I can’t help it. It’s not going just right. I’ll get it this time sure. I need a couple of thousand more, Mother.”
“No, Louella. I told you last time—”
To Ellery’s horror the forty-four-year-old spinster began to weep into the puddle in her consommé cup, weep and snuffle and breathe without restraint. “You’re mean! I hate you! Some day I’ll have millions — why can’t you give me some of my own money now? But no — you’re making me wait till you die. And meanwhile I can’t finish my greatest invention!”
“Louella!”
“I don’t care! I’m sick of asking you, asking you—”
“Louella dear,” said Sheila in a strained voice. “We have guests—”
“Be quiet, Sheila,” said the Old Woman softly. Ellery saw Sheila’s fingers tighten about her spoon.
“Are you going to give me my own money or aren’t you?” Louella shrieked at her mother.
“Louella, leave the table.”
“I won’t!”
“Louella, leave the table this instant and go to bed!”
“But I’m hungry, Mother,” Louella whined.
“You’ve been acting like an infant. For that you can’t have your supper. Go this instant, Louella.”
“You’re a horrible old woman!” screamed Louella, stamping her foot; and, bouncing up from the table, she stormed from the dining room, weeping again.