Бесплатная библиотека
Читайте книгу на сайте или телефоне
READ-E-BOOK » Культурология » The World's Greatest Books [Volumes 1-15, 17-20]
The World's Greatest Books [Volumes 1-15, 17-20] - Читать Любимую Русскую Полную Книгу 👉 Read-E-Book.com

The World's Greatest Books [Volumes 1-15, 17-20]

Электронная книга - «The World's Greatest Books [Volumes 1-15, 17-20]». Краткое содержание книги:

Антология содержит:
The World's Greatest Books — Volume 01 — Fiction от Неизвестный
The World's Greatest Books — Volume 02 — Fiction от Неизвестный
The World's Greatest Books — Volume 03 — Fiction от Неизвестный
The World's Greatest Books — Volume 04 — Fiction от Неизвестный
The World's Greatest Books — Volume 05 — Fiction от Неизвестный
The World's Greatest Books — Volume 06 — Fiction от Неизвестный
The World's Greatest Books — Volume 07 — Fiction от Неизвестный
The World's Greatest Books — Volume 08 — Fiction от Неизвестный
The World's Greatest Books — Volume 09 — Lives and Letters от Неизвестный
The World's Greatest Books — Volume 10 — Lives and Letters от Неизвестный
The World's Greatest Books — Volume 11 — Ancient and Mediæval History от Неизвестный
The World's Greatest Books — Volume 12 — Modern History от Неизвестный
The World's Greatest Books — Volume 13 — Religion and Philosophy от Неизвестный
The World's Greatest Books — Volume 14 — Philosophy and Economics от Неизвестный
The World's Greatest Books — Volume 15 — Science от Неизвестный
The World's Greatest Books — Volume 17 — Poetry and Drama от Неизвестный
The world's greatest books от Mee, Arthur, 1875-1943, joint editor & Hammerton, John Alexander, Sir, 1871-1949, joint editor & McClure, S. S. (Samuel Sidney), 1857-1949, joint editor
The World's Greatest Books — Volume 19 — Travel and Adventure от Неизвестный
The World's Greatest Books — Volume 20 — Miscellaneous Literature and Index от Неизвестный
1 ... 889 890 891 892 893 894 895 896 897 ... 1491
Перейти на страницу:

Contre nous de la tyrannie

L'étendard sanglant est levé.

From this moment they ceased to think of themselves, in order to think of the example of the death of republicans they wished to leave the people. Their voices sank at the end of each verse, only to rise more sonorous at the first line of the next verse. On their arrival at the scaffold they all embraced, in token of community in liberty, life, and death, and then resumed their funeral chant.

All died without weakness. The hymn became feebler at each fall of the axe; one voice still continued it, that of Vergniaud. Like his companions, he did not die, but passed in enthusiasm, and his life, begun by immortal orations, ended in a hymn to the eternity of the revolution.

HIPPOLYTE ADOLPHE TAINE

The Modern Régime

The early life of Hippolyte Adolphe Taine is notable for its successes and its disappointments. Born at Vouziers, in Ardennes, on April 21, 1838, he passed with great distinction through the Collège de Bourbon and the École Normale. Until he was twenty-five he filled minor positions at Toulon, Nevers, and Poitiers; and then, hopeless of further promotion, he abandoned educational work, returned to Paris, and devoted himself to letters. During 1863-64 he produced his "History of English Literature," a work which, on account of Taine's uncompromising determinist views, raised a clerical storm in France. About 1871 Taine conceived the idea of his great life work, "Les Origines de la France Contemporaine," in which he proposed to trace the causes and effects of the revolution of 1789. The first of the series, "The Ancient Régime," appeared in 1875; the second, "The Revolution," in 1878-81-85; and the third, "The Modern Régime," in 1890-94. As a study of events arising out of the greatest drama of modern times the supremacy of the last-named is unquestioned. It stands apart as a trenchant analysis of modern France, Taine's conclusions being that the Revolution, instead of establishing liberty, destroyed it. Taine died on March 5, 1893.

I.--The Architect of Modern France

In trying to explain to ourselves the meaning of an edifice, we must take into account whatever has opposed or favoured its construction, the kind and quality of its available materials, the time, the opportunity, and the demand for it; but, still more important, we must consider the genius and taste of the architect, especially whether he is the proprietor, whether he built it to live in himself, and, once installed in it, whether he took pains to adapt it to his own way of living, to his own necessities, to his own use.

Such is the social edifice erected by Napoleon Bonaparte, its architect, proprietor, and principal occupant from 1799 to 1814. It is he who has made modern France. Never was an individual character so profoundly stamped on any collective work, so that, to comprehend the work, we must first study the character of the man.

Contemplate in Guérin's picture the spare body, those narrow shoulders under the uniform wrinkled by sudden movements, that neck swathed in its high, twisted cravat, those temples covered by long, smooth, straight hair, exposing only the mask, the hard features intensified through strong contrasts of light and shade, the cheeks hollow up to the inner angle of the eye, the projecting cheek-bones, the massive, protuberant jaw, the sinuous, mobile lips, pressed together as if attentive; the large, clear eyes, deeply sunk under the broad arched eyebrows, the fixed oblique look, as penetrating as a rapier, and the two creases which extend from the base of the nose to the brow as if in a frown of suppressed anger and determined will. Add to this the accounts of his contemporaries who saw or heard the curt accent, or the sharp, abrupt gesture, the interrogating, imperious, absolute tone of voice, and we comprehend how, the moment they accosted him, they felt the dominating hand which seizes them, presses them down, holds them firmly, and never relaxes its grasp.

Now, in every human society a government is necessary, or, in other words, an organisation of the power of the community. No other machine is so useful. But a machine is useful only as it is adapted to its purpose; otherwise it does not work well, or it works adversely to that purpose. Hence, in its construction, the prime necessity of calculating what work it has to do, also the quantity of the materials one has at one's disposal.

During the French Revolution, legislators had never taken this into consideration; they had constituted things as theorists, and likewise as optimists, without closely studying them, or else regarding them as they wished to have them. In the national assemblies, as well as with the public, the task was deemed easy and ordinary, whereas it was extraordinary and immense, for the matter in hand consisted in effecting a social revolution and in carrying on a European war.

What is the service which the public power renders to the public? The principal one is the protection of the community against the foreigner, and of private individuals against each other. Evidently, to do this, it must in all cases be provided with indispensable means, namely, diplomats, an army, a fleet, arsenals, civil and criminal courts, prisons, a police, taxation and tax-collectors, a hierarchy of agents and local supervisors, who, each in his place and attending to his special duty, will co-operate in securing the desired effect. Evidently, again, to apply all these instruments, the public power must have, according to the case, this or that form of constitution, this or that degree of impulse and energy; according to the nature and gravity of external or internal danger, it is proper that it should be concentrated or divided, emancipated from control or under control, authoritative or liberal. No indignation need be cherished beforehand against its mechanism, whatever this may be. Properly speaking, it is a vast engine in the human community, like any given industrial machine in a factory, or any set of organs belonging to the living body.

Unfortunately, in France, at the end of the eighteenth century, a bent was taken in the organisation of this machine, and a wrong bent. For three centuries and more the public power had unceasingly violated and discredited spontaneous bodies. At one time it had mutilated them and decapitated them. For example, it had suppressed provincial governments (états) over three-quarters of the territory in all the electoral districts; nothing remained of the old province but its name and an administrative circumscription. At another time, without mutilating the corporate body, it had enervated and deformed it, or dislocated and disjointed it.

Corporations and local bodies, thus deprived of, or diverted from, their purpose, had become unrecognisable under the crust of the abuses which disfigured them; nobody, except a Montesquieu, could comprehend why they should exist. On the approach of the revolution they seemed, not organs, but excrescences, deformities, and, so to say, superannuated monstrosities. Their historical and natural roots, their living germs far below the surface, their social necessity, their fundamental utility, their possible usefulness, were no longer visible.

II.--The Body-Social of a Despot

Corporations, and local bodies being thus emasculated, by the end of the eighteenth century the principal features of modern France are traced; a creature of a new and strange type arises, defines itself, and issues forth its structure determining its destiny. It consists of a social body organised by a despot and for a despot, calculated for the use of one man, excellent for action under the impulsion of a unique will, with a superior intelligence, admirable so long as this intelligence remains lucid and this will remain healthy; adapted to a military life and not to civil life and therefore badly balanced, hampered in its development, exposed to periodical crises, condemned to precocious debility, but able to live for a long time, and for the present, robust, alone able to bear the weight of the new dominion and to furnish for fifteen successive years the crushing labour, the conquering obedience, the superhuman, murderous, insensate effort which its master, Napoleon, exacts.

1 ... 889 890 891 892 893 894 895 896 897 ... 1491
Перейти на страницу:
0
Сюжет
  • 1
  • 2
  • 3
  • 4
  • 5
  • 6
  • 7
  • 8
  • 9
  • 10
0
Атмосфера
  • 1
  • 2
  • 3
  • 4
  • 5
  • 6
  • 7
  • 8
  • 9
  • 10
0
Главный герой
  • 1
  • 2
  • 3
  • 4
  • 5
  • 6
  • 7
  • 8
  • 9
  • 10
0
Общее впечатление
  • 1
  • 2
  • 3
  • 4
  • 5
  • 6
  • 7
  • 8
  • 9
  • 10
Итоговая оценка: 0.0 из 10 (голосов: 0 / История оценок)