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The Best American Mystery Stories 2002

Электронная книга - «The Best American Mystery Stories 2002». Краткое содержание книги:

Bestselling novelist James Ellroy introduces this year’s collection of the finest mystery writing. Many of the contributors herein are novelists themselves, displaying their talents in short story form: Michael Connelly tells a fatal tale of revenge in “Two-Bagger.” In Joe Gores’s “Inscrutable,” the Feds beat the Mafia at their own game. Stuart Kaminsky demonstrates how horribly wrong things go when a robber gets cocky in “Sometimes Something Goes Wrong.” And Robert B. Parker shows just how important Jackie Robinson’s fans can be in “Harlem Nocturne.” Also featured are veterans of the short story form and favorites of this series. Brendan DuBois’s “A Family Game” introduces a former Mafia family trying to lead a normal life in the Witness Protection Program. Joyce Carol Oates tells a chilling tale of a crush taken too far in “The High School Sweetheart.” A tenant sneaks into the murder crime scene next door in Michael Downs’s “Man Kills Wife, Two Dogs.” Readers will be captivated by all the stories herein, whether by famed novelists or masters of the short story.
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Anthony stares at the knife. Hernandez says, “Get up against the wall, Anthony, spread eagle.” Hernandez pats him down. “Good boy.” They go back to the living room, Hernandez holding the backpack. He nods at Pierce.

“Come on, kids,” Pierce says.

“You can’t take her away,” Lila’s mother cries. “It’s not safe in the park at night.”

“We’ll be back,” Hernandez says. “We’re just going for a little walk. And she’ll be plenty safe with us.” Hernandez takes Anthony by the arm and Lila goes with Pierce.

In the elevator. Pierce tells Lila to stand still, and he frisks her. “Hate to do it in front of your parents,” he said, “but it’s got to be done.”

“What’re you searchin’ me for? Search him,” Lila says.

They leave the apartment building by the main entrance. It must be three or four in the morning because it’s quiet on the street, and in the park the moonlight makes Anthony think he’s in a movie. Lila’s parents stayed in the apartment. Anthony heard her father on the telephone as they were leaving.

Lila leads the way, like she’s a dog on a trail, right down to the lake. The moon is so bright it’s like daylight, or maybe it’s all the searchlights and the cop cars. Anthony sees yellow tape around a place on the edge of the lake, where a dark lump lies half in and half out of the water. And the shadows of the night people beyond the tape, with the cops on loudspeakers yelling for everybody to get out of the park.

Lila is shrieking and crying. “I was afraid of him. I thought he was gonna kill me, too.” She looks down at Danny Boy, blubbering and choking. “I tried to help you.”

Hernandez puts his hands on Anthony’s shoulders. “You have the right to remain silent...”

Joyce Carol Oates

The High School Sweetheart

From Playboy

There was an intensely private man whose fate was to become, as year followed year, something of a public figure and a model for others. Nothing astonished R_ more, and more alarmed him! Relatively young, he’d achieved renown as a writer of popular yet literary novels; his field was the psychological suspense mystery, a genre in which he excelled, perhaps because he respected the tradition and took infinite care in composition. These were terse, minimally plotted but psychologically knotty novels written, as R_ said in interviews, sentence by sentence, and so they must be read sentence by sentence, with attention, as one might perform steps in a difficult dance. R_ was himself both choreographer and dancer. And sometimes, even after decades of effort, R_ lost his way, and despaired. For there was something of horror in the lifelong contemplation of mystery; a sick, visceral helplessness that must be transformed into control, and mastery. And so R_ never gave up any challenge, no matter how difficult. “To give up is to confess you’re mortal and must die.”

R_ was one of those admired persons who remain mysterious even to old friends. By degrees, imperceptibly as it seemed to him, he became an elder, and respected, perhaps because his appearance inspired confidence. He had fair, fine, sand-colored hair that floated about his head, a high forehead and startlingly frank blue eyes; he was well over six feet tall and lean as a knife blade, with long loose limbs and a boyish energy. He seemed never to grow older, nor even mature, but to retain a dreamy Nordic youthfulness with a glisten of something chill and soulless in his eyes, as if, inwardly, he gazed upon a tundra of terrifying, featureless white and the utterly blank, vacuous Arctic sky above. One of the prevailing mysteries about R_ was his marriage, for none of us had ever glimpsed his wife of four decades, let alone been introduced to her; it was assumed that her name began with “B,” for each of R_’s eleven novels was dedicated, simply and tersely, to “B,” and it was believed that R_ had married, very young, a girl who’d been his high school sweetheart in a small town in northern Michigan, that she wasn’t at all literary or even interested in his career, and that they had no children.

In one of his reluctant interviews R_ once admitted, enigmatically, that, no, he and his wife had no children. “That, I haven’t committed.”

How proud we were of R_, as one of the heralded patricians in the field! When he spoke to you, smiled and shook hands, like a big animated doll, you felt privileged, if only just slightly uneasy at the remote, arctic glisten in those blue, blue eyes.

R_ was often nominated to run for office in professional organizations to which he belonged, yet always he declined out of modesty, or self-doubt: “R_ isn’t the man you want, truly!” But finally, at the age of sixty, he gave in and was elected by a large majority as president of the American Mystery Writers, a fact that seemed to both deeply move him and fill him with apprehension. Repeatedly he called members of the executive board to ask if truly R_ was the man we wanted; repeatedly we assured him, yes, certainly, R_ was.

On the occasion of his induction as president, R_ meant to entertain us, he promised, with a new story written especially for that evening, not a lengthy, rambling speech interlarded with lame jokes, like certain of his predecessors. (Of course there was immediate laughter at this remark. For our outgoing president, an old friend of R_’s and of most of us in the audience, was a well-liked but garrulous gentleman not known for brevity.)

Almost shyly, however, R_ took the podium and stood before an audience of perhaps five hundred mystery writers and their guests, straight-backed and handsome in his detached, pale, Nordic way, a fine figure of a man in an elegant tuxedo, white silk shirt, and gleaming gold cuff links. R_’s hair was more silvery than we recalled but floated airily about his head; his forehead appeared higher, a prominent ridge of bone at the hairline. Well back into the audience, you could see those remarkable blue eyes. In a beautifully modulated, rather musical voice. R_ thanked us for the honor of electing him president, thanked outgoing officers of the organization, and alluded with regret to the fact that “unforeseen circumstances” had prevented his wife from attending that evening. “As you know, my friends, I did not campaign to be elected your president. It’s an honor, as the saving goes, that has been thrust upon me. But I do feel that I am a kinsman of all of you, and I hope I will be worthy of your confidence. I hope you will like the story I’ve written for you!” Almost, R_’s voice quavered when he said these words, and he had to pause for a moment before beginning to read, in a dramatic voice, from what appeared to be a handwritten manuscript of about fifteen pages.

The High School Sweetheart: A Mystery

There was an intensely private man whose fate was to become, as year followed year, something of a public figure and a model for others. Nothing astonished R_ more, and more alarmed him! Relatively young, he’d achieved renown as a writer of popular yet literary novels; his field was the psychological suspense mystery, a genre in which he excelled, perhaps because he respected the tradition and took infinite care in composition. These were terse, minimally plotted but psychologically knotty novels written, as R_ said in interviews, sentence by sentence, and so they must be read sentence by sentence, with attention, as one might perform steps in a difficult dance. R_ was himself both choreographer and dancer. And sometimes, even after decades of effort, R_ lost his way, and despaired. For there was something of horror in the lifelong contemplation of mystery; a sick, visceral helplessness that must be transformed into control, and mastery. And so R_ never gave up any challenge, no matter how difficult. “To give up is to confess you’re moral and must die.”

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