The Great Events by Famous Historians [Volumes 1-14]

These precious volumes, as splendid as they are wonderful, have excited the admiration of all beholders. The sharpness and elegant uniformity of the type, the lustre of the ink, and the purity of the paper leave that first great monument of the typographic art unsurpassed by any subsequent effort; nor could it be exceeded with all the appliances of the present day.

"It is a striking circumstance," says Mr. Hallam, "that the high-minded inventors of this great art tried, at the very outset, so bold a flight as the printing of an entire Bible, and executed it with astonishing success. It was Minerva leaping on earth in her divine strength and radiant armor, ready, at the moment of her nativity, to subdue and destroy her enemies."

There is a curious story current about this Bible, which, as it is connected with a popular fiction, I will venture to repeat. It is that Faust went to Paris with some of his Bibles for sale, one of which, printed on vellum and richly illuminated, he sold to the King for seven hundred and fifty crowns, and another to the Archbishop of Paris for three hundred crowns, and to the poorer clergy and the laity copies on paper as low as fifty crowns, and even less. Faust does not appear to have disclosed the secret of how they were produced, and probably let it be supposed that they were manuscript; for the aim of the first printers was to make their books equal in beauty to the finest manuscripts, and as far as possible undistinguishable from them, to which end the large capitals and decorations were filled in by hand.

The Archbishop, proud of his purchase, showed it to the King, who, comparing it with his own, found with surprise that they tallied so exactly in every respect, excepting the illuminated ornaments, as convinced them that they were produced by some other art than transcription; and on further inquiry they found that Faust had sold a considerable number exactly similar. Orders, therefore, were given without delay to apprehend and prosecute him as a practitioner of the black art in multiplying Holy Writ by aid of the devil. Hence arose the popular fiction of the Devil and Dr. Faustus, which, under different phases, has found its way into every country in Europe, and probably gave rise to Goethe's celebrated drama.

In 1455, as we find by a notarial document, dated November 6th of that year, Faust separated from Gutenberg, and successfully instituted proceedings against him for money advanced. Gutenberg, who had exhausted all his means in bringing his invention to maturity, was obliged to mortgage and in the end surrender all his materials, and, it should seem, his printed stock. His impoverishment may easily be accounted for when we are told, as a received fact, that before the first four sheets of his Bible were completed he had already expended four thousand crowns upon it—a large sum in those days. Of this his then wealthier partner reaped all the subsequent advantage.

After this period, Faust, and his son-in-law, Peter Schoeffer, in possession of the materials, printed on their own account, and, within eighteen months of their separation from Gutenberg, produced the celebrated Latin Psalter of 1457, the first book in any country which bears a complete imprint—that is, the name of the printer, place, and date. This magnificent volume, of which the whole edition was printed on vellum, is now even rarer than the Mazarin Bible, and of extraordinary value; the letters are very large and bold, cast in metal type, and the ornamental initials are beautifully cut in wood.

Two years later, that is, in 1459, Faust and Schoeffer produced an almost fac-simile reprint of the Psalter, and in the same year Durandi Rationale Divinorum Officiorum, the latter with an entirely new font of metal type—the first cast from Schoeffer's punches—which some, in the erroneous belief that the Psalter was printed from wooden types, have asserted to be the first dated book printed with metal type. Then followed, in 1460, the Constitutiones Clementis V, a handsome folio, and in 1462 their famous Latin Bible, the first one with a date.

In the mean time, Gutenberg, undaunted by the loss of all that had cost him so many years of unremitted application and his whole fortune, began afresh; and this time, it should seem, with better success, as we find him, in 1459, undertaking to present, for certain considerations, all the books he had then printed, or might thereafter print, to a convent where his sister was a nun. No book, however, has yet been discovered bearing the name of Gutenberg; and we can only guess what came from his press by a peculiarity of type, of which, after the first Bible, the most marked is the famous Catholicon, dated 1460—a kind of universal dictionary, the germ of all future cyclopaedias, and which became so popular that more than forty editions were printed of it in as many years. In 1465 Gutenberg retired from printing, being appointed to a lucrative office at the court of the Archbishop of Mainz, and in 1467 he died.

And here we take leave of Gutenberg, with admiration for his patience, his perseverance, and his self-sacrifice in a cause which has produced such glorious fruits. He was one of those noble spirits who are endowed with a perception of what is good, and pursue it independent of worldly considerations. Posterity has done him tardy justice in erecting a marble monument to his memory and establishing a jubilee, which gave rise to one of the most touching of Mendelssohn's compositions.