The Great Events by Famous Historians [Volumes 1-14]
- Автор: Gutenberg
- Год: 1905
- Язык: английский
- Жанр: История
Электронная книга - «The Great Events by Famous Historians [Volumes 1-14]». Краткое содержание книги:
The Great Events by Famous Historians, Volume 01
The Great Events by Famous Historians, Volume 02 / (From the Rise of Greece to the Christian Era)
The Great Events by Famous Historians, Volume 03
The Great Events by Famous Historians, Volume 04
The Great Events by Famous Historians, Volume 05 / (From Charlemagne to Frederick Barbarossa)
The Great Events by Famous Historians, Volume 06 / (From Barbarossa to Dante)
The Great Events by Famous Historians, Volume 07
The Great Events by Famous Historians, Volume 08 / The Later Renaissance: from Gutenberg to the Reformation
The Great Events by Famous Historians, Volume 09
The Great Events by Famous Historians, Volume 10
The Great Events by Famous Historians, Volume 11
The Great Events by Famous Historians, Volume 12
The Great Events by Famous Historians, Volume 13
The Great Events by Famous Historians, Volume 14
The Great Events by Famous Historians, Volume 17
The Great Events by Famous Historians, Volume 21 / The Recent Days (1910-1914)
Discovery of the Mainland of North America by the Cabots (A.D.1497) SAMUEL EDWARD DAWSO
The Sea Route to India Vasco da Gama Sails around Africa (A.D.1498) GASPAR CORREA
Columbus Discovers South America (A.D.1498) CLEMENTS ROBERT MARKHAM
Establishment of Swiss Independence (A.D.1499) HEINRICH ZSCHOKKE
Amerigo Vespucci in America (A.D.1499) AMERIGO VESPUCCI
Rise and Fall of the Borgias (A.D.1502) NICCOLO MACHIAVELLI
Painting of the Sistine Chapel (A.D.1508) The Splendor of Renaissance Art under Michelangelo CHARLES CLEMENT
Balboa Discovers the Pacific (A.D.1513) MANUEL JOSE QUINTANA
Universal Chronology (A.D.1438-1516) JOHN RUDD
ILLUSTRATIONS
VOLUME VIII
_Murder of the princes, sons of King Edward IV, in the Tower of London (page 194)1 Painting by Otto Seitz.
Facsimile of a page from Caxton's Recuyell of the Historyes of Troye—the first book printed in the English language
Louis XI at his devotions in the castle of Péronne while held a prisoner by Charles the Bold Painting by Hermann Kaulbach.
Pope Sixties V and the Grand Inquisitor Painting by Jean Paul Laurens.
AN OUTLINE NARRATIVE
TRACING BRIEFLY THE CAUSES, CONNECTIONS, AND CONSEQUENCES OF
THE GREAT EVENTS
(THE LATER RENAISSANCE: FROM GUTENBERG TO THE REFORMATION)
CHARLES F. HORNE
The Renaissance marks the separation of the mediaeval from the modern world. The wide difference between the two epochs of Teutonic history arises, we are apt somewhat glibly to say, from the fact that our ancestors worshipped and were ruled by brute force, whereas we follow the broad light of intellect. Perhaps both statements require modification; yet in a general way they do suggest the change which by a thousand different agencies has, in the course of the last four centuries, been forced upon the world. Mediaeval Europe was a land not of equals, but of lords and slaves. The powerful nobles regarded themselves as of wholly different clay from the hapless peasants whom they trampled under foot, serfs so ignorant, so brutalized by want, that they were often little better than the beasts with which they herded. Gradually the tradesmen, the middle classes, forced their way to practical equality with the nobles. Then came the turn of the masses to do the same. The beginnings of the merchants' movement we have already traced in the preceding volumes; the end of the peasants' effort is perhaps even to-day scarce yet accomplished.
In dealing with modern history, therefore, every writer is apt to begin with a different date. Some go back as far as Petrarch, who reintroduced the study of ancient art and learning; that is, they regard our world as a direct continuation of the Roman, with the thousand years of the Middle Ages gaping between like an earthquake gulf of barbarism, that was bridged at last. Some take the invention of printing as a starting-point, feeling that the chief element of our progress has been the gathering of information by the poorer classes. Some, looking to political changes, turn to the reign of Louis XI of France, noting him as the first modern king, or to the downfall of Charles the Bold, the last great feudal noble. Others name later starting-points such as the establishment of modern art by Michelangelo and Raphael at Rome, the discovery of America, with its opening of vast new lands for the pent-up population of narrow Europe, or the Reformation, which has been called man's revolt against superstition, the establishment of the independence of thought.
All of these epochs fall within the limits of the Renaissance, and all, except that of Petrarch, within the later Renaissance which we are now considering. The period is therefore worth careful study.
INTELLECTUAL SUPREMACY OF ITALY
Gutenberg's invention had no immediate effect upon his world.[1] Indeed, so little enthusiasm did it arouse that while the inventor's plans were probably evolved as early as 1438, it was not until 1454 or thereabouts that the first completed book was issued from his press. His business partner, Faust, sold his wares in wealthy Paris without explaining that these were different from earlier hand-written books; and when their cheapness, as well as their exact similarity, was discovered, the merchant was suspected of having sold himself to the devil. Hence probably originated the Faust legend. Superstition, it is evident, had still an extended course to run.
It is worth noting that to sell his books Faust left Germany for Paris, and that while printing-presses multiplied but slowly in the land of their origin, the new art was instantly seized upon in Italy, was there made widest use of and pushed to its perfection. In fact, through all the Middle Ages the Romance or semi-Teutonic peoples of Italy, France, and Spain were intellectually in advance of the more wholly Teutonic races of the North. Many of their descendants believe half contemptuously that the difference has not even yet been overcome.
Italy at this time held clearly the intellectual supremacy of the western world, and Florence under the Medici, Cosmo and then Lorenzo, held the supremacy of Italy.[2] Not only in thought, but in art, was there an outburst brilliant beyond all earlier times. A friend and pupil of Cosmo de' Medici was made pope at Rome, and under the name of Nicholas V originated vast schemes for the rebuilding and beautifying of his city of ruins.[3] Modern Rome with all its beautiful churches and wonders of art rose from the hands of Nicholas and his immediate successors. It was their idea that the city should no longer be remembered by its heathen greatness, but by its Christian splendor; that the sight of it should impress upon pilgrims not the decay of the world, but the glory and majesty of the Church. Nicholas also continued the work of Petrarch, gathering vast stores of ancient manuscripts, refounding and practically beginning the enormous Vatican Library. He established that alliance of the Church with the new culture of the age which for a century continued to be an honor and distinguishment to both.
In his pontificate occurred the fall of Constantinople, bringing with it the definite establishment of the Turks in Europe and the final extinction of that Roman Empire of the East which had originated with Constantine. For this reason the date of its fall (1453) is also employed as marking the beginning of modern Europe. It was at least the closing of the older volume, the final not undramatic exit of the last remnant of the ancient world, with its long decaying arts and arrogance, its wealth, its literature, and its law.[4]
Greek scholars fleeing from the sack of their city brought many marvellous old manuscripts to Western Europe and were eagerly welcomed by Pope Nicholas and all of Italy. Nicholas even preached a crusade against the terrible Turks, and tried once more to rouse Europe to ancient enthusiasms. But he failed, and died, they say, heartbroken at his helplessness.
THE CLASH OF RACES IN THE EAST
The Turks had recovered from their defeat by the Tartars of Timur, and became once more an active menace. With Constantinople in their power, they attacked the Venetians and compelled those wealthy traders to pay them tribute. Venice by sea and Hungary on land remained for a century the bulwarks of Christendom, and were forced, almost unaided, to withstand all the assaults of the East. They wellnigh perished in the effort. In Hungary this was the period of the great hero, Hunyady, a man of unknown birth and no official rank, who roused his countrymen to repeated effort and led them to repeated victories and defeats against the vastly more numerous invaders.[5]