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Crossroads

Электронная книга - «Crossroads». Краткое содержание книги:

It's December 23, 1971, and the Hildebrandt family is at a crossroads. The patriarch, Russ, the associate pastor of a suburban Chicago church, is poised to break free of a marriage he finds joyless-- unless his brilliant and unstable wife, Marion, breaks free of it first. Their eldest child, Clem, is coming home from college afire with moral absolutism, having taken an action that will shatter his father. Clem's sister, Becky, long the social queen of her high-school class, has veered into the era's counterculture, while their younger brother Perry, fed up with selling pot to support his drug habit, has firmly resolved to be a better person. Each of the Hildebrandts seeks a freedom that each of the others threatens to complicate.
Universally recognized as the leading novelist of his generation, Jonathan Franzen is often described as a teller of family stories. Only now, though, in *Crossroads* , has he given us a novel in which a family, in all the intricacy of its...
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“If you’re selling drugs, though. That is not at all the same kind of thing.”

“I’m not proud of it.”

“You mustn’t sell drugs.”

“For the record, I no longer do. I’ve been trying to turn over a new leaf. You can thank Becky for that.”

Becky? Becky knows about this?”

“Not the selling part, I don’t think. But otherwise, yes, she’s pretty well apprised.”

At the vista that was opening, the image of her children conspiring to exclude her, Marion felt a dizzying resurgence of her disturbance. Evidently, she was anything but the indispensable, confided-in mother she’d imagined herself to be. She’d fooled Russ, but she hadn’t fooled her kids, and her feral intelligence was quick to recognize a kind of permission in this: if she ever managed to walk away, she might not be so missed.

“I’m going to have one more cigarette,” she said.

“Permission granted.”

She went back to the window and lit up. There was still some juice in her; the old organs of longing still functioned. Either-or, either-or. It was almost comical to watch her mind flip back and forth between irreconcilable contraries, God-fearing mother, unregretting sinner. She leaned as far as she dared out the window, trying to escape the house’s leaking warmth and feel the winter air on her skin. She leaned out even farther and caught a little gust of wind. Snowflakes were melting on her cheeks. Everything was a mess, and it was wonderful.

“Whoa, Mom, careful,” Perry said.

 

 

 

The amplified harmonies of “Leaving on a Jet Plane,” stripped of reverb by the density of the crowd inside the function hall, came through the open doors. Two girls in mittens and pom-pommed stocking caps were at a table in the vestibule. They wanted three dollars.

“I’m not here for the concert,” Clem said. “I’m looking for Becky Hildebrandt.”

“She’s here. But we’re not supposed to—”

“I’m not giving you three dollars.”

Inside, the heads of taller concertgoers were silhouetted by stage lights. Seated in a half circle, with dreadnought guitars, behind cantilevered mics, were the Isner brothers and a statuesque girl, Amy Jenner, whose hair was longer than her torso. Clem remembered Amy well. Two years ago, in a Crossroads exercise, she’d given him a note that said You’re sexy. The assertion was so absurd that he’d taken it to be a joke, but seeing Amy now, having learned from Sharon what the world was made of, he understood it differently. The prettiness of Amy’s voice, as she sang of hating to see her lover go, salted the wound he’d inflicted on himself in Sharon’s bedroom.

On the bus to Chicago, he and the baby behind him had finally slept, but it hadn’t been worth the cost of waking up. Returning to his consciousness of the actions he’d taken, to his aloneness with the knowledge of them, was like the reverse of awakening from a bad dream. After a brutal portage to the train station, he’d caught the 7:25 to New Prospect, where a good Samaritan had offered him a ride. He’d dropped his bags at the parsonage and charged back out into the snow, lashing himself forward. He was determined not to sleep until he could wake up knowing he wasn’t alone.

He moved into the crowd, looking for Becky, but the concert was also a reunion. He was immediately pounced upon by a mature edition of Kelly Woehlke, a girl he’d grown up with at First Reformed. They’d never been friends, and on any other night the hug she gave him might have seemed unwarranted. Tonight the touch of a warm body nearly made him cry. His few real Crossroads friends were too anti-sentimental to bother with a reunion, but other alumni were crowding around him, and despite how peripheral he’d felt in the fellowship, how unwowed by the trust-building exercises and the rhetoric of personal growth, he received their hugs gratefully, as if they were the condolences of family. He wondered what Sharon would make of all the hugging. Then he wished he hadn’t wondered, because every specific thought of Sharon, no matter how innocuous, triggered another wave of guilt and hurt.

By the time he’d circled through the crowd, not finding Becky, the Isner brothers and Amy Jenner were rousingly singing of what they would do with a hammer at various times of day. Clem’s energy was spent, and the loudness of the scene had become somewhat hellish. He’d run aground by the stage, stalled out in front of a stack of speakers, when his friend John Goya’s little brother Davy approached him. Not only was Davy no longer little, he looked strangely middle-aged. “Are you looking for Becky?” he shouted.

“Yeah, is she here?”

“I’m worried about her. Did she go home?”

“No,” Clem shouted. “I just came from home.”

Davy frowned.

“Did something happen?” Clem shouted.

The singing mercifully stopped, leaving only a low hum in the speakers.

“I don’t know,” Davy said. “She’s probably just lying down somewhere.”

Into Clem’s ear came the amplified mellifluence of Toby Isner, the elder of the two musical brothers. “Thank you, all. Thank you. I’m afraid we only have time for one more song.”

Toby paused for expressions of disappointment, and someone in the audience politely moaned. Toby had an unctuous sensitive-guy sincerity, a self-pleasuring way of smiling when he sang, that never failed to make Clem’s skin crawl. Now he’d grown a dark beard of biblical dimensions.

“You know,” Toby said, “I love that we’re all gathered here tonight, so many amazing people, so many wonderful friends, so much love, so much laughter. But I want to get serious for a minute. Can we do that? I want us all to remember there’s still a war going on. Right now, right this minute, it’s morning in Vietnam. People are still getting slaughtered, and, man, we gotta put a stop to that. Stop that war. We need America out of Vietnam right now. You dig me?”

Toby was such a preening asshole that Clem almost pitied him. And yet quite a few people were clapping and whooping. Toby, encouraged, shouted, “I want to hear it from you, people! All together now! What do we want?”

He cupped his ear with his hand, and a smattering of voices, mostly female, obliged him. “We want peace!”

“Louder, man! What do we want?”

We want peace!

“What do we want?”

“WE WANT PEACE!”

“When do we want it?”

“RIGHT NOW!”

“We want peace!”

“RIGHT NOW!”

Although Davy Goya, God bless him, was coolly inspecting his fingernails, it seemed to Clem that every other person in the hall had taken up the chant. He’d done his share of chanting at various protests, before he met Sharon, but the sound of it now was so alienating that he felt ashamed of himself, ashamed of his weakness, for having hugged the other alumni. Not only were they safe and self-righteous, they weren’t appalled by Toby Isner. If they’d ever been Clem’s people, they definitely weren’t now.

Toby lowered his fist, which he’d been pumping to the rhythm of the chanting, and hit the opening notes to “Blowin’ in the Wind.” A shout went up from the audience, and Clem couldn’t take it anymore. He pushed through the crowd and escaped into the church’s central hallway, where the bathrooms were. He opened the ladies’-room door a crack. “Becky?”

No answer. He checked the other rooms along the hallway—also empty. He could still hear Toby Isner’s voice, could picture him simpering through his beard, when he reached the main church entrance. Sitting on the floor inside the door, smoking a cigarette, was a girl in a biker jacket. It was Laura Dobrinsky.

“Hey Laura, good to see you. I wonder—have you seen my sister?”

Laura took a sideways puff as if she hadn’t heard him. She looked like she’d been crying.

“Sorry to bother you,” he said. “I’m just looking for Becky.”

Between him and Laura was the social ease of having long ago established that they didn’t like each other. She took another sideways puff. “Last I saw her, she was stoned off her ass.”

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