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The Great Events by Famous Historians [Volumes 1-14]
- Автор: Gutenberg
- Год: 1905
- Язык: английский
- Жанр: История
Электронная книга - «The Great Events by Famous Historians [Volumes 1-14]». Краткое содержание книги:
The Great Events by Famous Historians, Volume 01
The Great Events by Famous Historians, Volume 02 / (From the Rise of Greece to the Christian Era)
The Great Events by Famous Historians, Volume 03
The Great Events by Famous Historians, Volume 04
The Great Events by Famous Historians, Volume 05 / (From Charlemagne to Frederick Barbarossa)
The Great Events by Famous Historians, Volume 06 / (From Barbarossa to Dante)
The Great Events by Famous Historians, Volume 07
The Great Events by Famous Historians, Volume 08 / The Later Renaissance: from Gutenberg to the Reformation
The Great Events by Famous Historians, Volume 09
The Great Events by Famous Historians, Volume 10
The Great Events by Famous Historians, Volume 11
The Great Events by Famous Historians, Volume 12
The Great Events by Famous Historians, Volume 13
The Great Events by Famous Historians, Volume 14
The Great Events by Famous Historians, Volume 17
The Great Events by Famous Historians, Volume 21 / The Recent Days (1910-1914)
In the cool air of the hills, among the old oaks and chestnuts, on the green meadows where there were no thorns to wound the feet and no snakes or insects to hurt or to annoy, the Pope passed days of unclouded happiness. For the segnatura, which took place on certain days of the week, he selected on each occasion some new shady retreat "novas in convallibus fontes et novas inveniens umbras, quæ dubiam jacerent electionem." At such times the dogs would perhaps start a great stag from his lair, who, after defending himself a while with hoofs and antlers, would fly at last up the mountain. In the evening the Pope was accustomed to sit before the monastery on the spot from which the whole valley of the Paglia was visible, holding lively conversations with the cardinals. The courtiers, who ventured down from the heights on their hunting expeditions, found the heat below intolerable, and the scorched plains like a very hell, while the monastery, with its cool, shady woods, seemed like an abode of the blessed.
All this is genuine modern enjoyment, not a reflection of antiquity. As surely as the ancients themselves felt in the same manner, so surely, nevertheless, were the scanty expressions of the writers whom Pius knew insufficient to awaken in him such enthusiasm.
The second great age of Italian poetry, which now followed at the end of the fifteenth century, as well as the Latin poetry of the same period, is rich in proofs of the powerful effect of nature on the human mind. The first glance at the lyric poets of that time will suffice to convince us. Elaborate descriptions, it is true, of natural scenery are very rare, for the reason that, in this energetic age, the novels and the lyric or epic poetry had something else to deal with. Bojardo and Ariosto paint nature vigorously, but as briefly as possible, and with no effort to appeal by their descriptions to the feelings of the reader, which they endeavor to reach solely by their narrative and characters.
Letter-writers and the authors of philosophical dialogues are, in fact, better evidences of the growing love of nature than the poets. The novelist Bandello, for example, observes rigorously the rules of his department of literature; he gives us in his novels themselves not a word more than is necessary on the natural scenery amid which the action of his tales takes place, but in the dedications which always precede them we meet with charming descriptions of nature as the setting for his dialogues and social pictures. Among letter-writers, Aretino unfortunately must be named as the first who has fully painted in words the splendid effect of light and shadow in an Italian sunset.
We sometimes find the feeling of the poets, also, attaching itself with tenderness to graceful scenes of country life. Tito Strozza, about the year 1480, describes in a Latin elegy the dwelling of his mistress. We are shown an old ivy-clad house, half hidden in trees, and adorned with weather-stained frescoes of the saints, and near it a chapel, much damaged by the violence of the river Po, which flowed hard by; not far off, the priest ploughs his few barren roods with borrowed cattle. This is no reminiscence of the Roman elegists, but true modern sentiment.
It may be objected that the German painters at the beginning of the sixteenth century succeed in representing with perfect mastery these scenes of country life, as, for instance, Albrecht Durer, in his engraving of the prodigal son. But it is one thing if a painter, brought up in a school of realism, introduces such scenes, and quite another thing if a poet, accustomed to an ideal or mythological framework, is driven by inward impulse into realism. Besides which, priority in point of time is here, as in the descriptions of country life, on the side of the Italian poets.
RIENZI'S REVOLUTION IN ROME
A.D.
1347
R. LODGE
When for nearly forty years Rome had been deserted by the popes, who had betaken themselves in 1309 to a long residence at Avignon, France, and when the Eternal City was virtually without an imperial government—the Teutonic emperors having likewise abandoned her—she fell back upon the memories of her great past, recalling the glories of her ancient supremacy and the means whereby it had been established and maintained. Whatever might promise to restore it she was ready to welcome.
At this time the real masters of Rome were the princes or barons dwelling in their fortified castles outside or in their strong palaces within the city. Over the northern district, near the Quirinal, reigned the celebrated old family of the Colonnas; while along the Tiber, from the Campo-di-Fiore to the Church of St. Peter, extended the sway of the new family of the Orsini. Other members of the nobility, in the country, held their seats in small fortified cities or castles. Under such domination Rome had become almost deserted. "The population of the seven-hilled city had come down to about thirty thousand souls." When at peace with one another—which was rarely—the barons exercised over the citizens and serfs a combined tyranny, while the farmers, travellers, and pilgrims were made victims of their plunder. At this period Petrarch—that "first modern man"—wrote to Pope Clement VI that Rome had become the abode of demons, the receptacle of all crimes, a hell for the living.
"It was in these circumstances that a momentary revival of order and liberty was effected by the most extraordinary adventurer of an age that was prolific in adventurers." This was Cola Di Rienzi, who was born in Rome about 1313, and who is sometimes styled "an Italian patriot." In his ambitious endeavor to reinstate the Cæsarean power in Italy he appears alternately in the figure of a hero and the character of a charlatan. Believing himself the founder of a new era, he was inflamed by his successes, and ended in "mystical extravagances and follies which could not fail to cause his ruin."
OLA DI RIENZI was born of humble parents, though he afterward tried to gratify his own vanity and to gain the ear of Charles IV by claiming to be the bastard son of Henry VII. A wrong which he could not venture to avenge excited his bitter hostility against the baronage, while the study of Livy and other classical writers inspired him with regretful admiration for the glories of ancient Rome.
He succeeded in attracting notice by his personal beauty and by the rather turgid eloquence which was his chief talent. In 1342 he took the most prominent part in an embassy from the citizens to Clement VI; and though he failed to induce the Pope to return to Rome, which at that time he seems to have regarded as the panacea for the evils of the time, he gained sufficient favor at Avignon to be appointed papal notary.
From this time he deliberately set himself to raise the people to open resistance against their oppressors, while he disarmed the suspicions of the nobles by intentional buffoonery and extravagance of conduct. On May 20, 1347, the first blow was struck. Rienzi, with a chosen band of conspirators, and accompanied by the papal vicar, who had every interest in weakening the baronage, proceeded to the Capitol, and, amid the applause of the mob, promulgated the laws of the buono stato.
He himself took the title of tribune, in order to emphasize his championship of the lower classes. The most important of his laws were for the maintenance of order. Private garrisons and fortified houses were forbidden. Each of the thirteen districts was to maintain an armed force of a hundred infantry and twenty-five horsemen. Every port was provided with a cruiser for the protection of merchandise, and the trade on the Tiber was to be secured by a river police.
The nobles watched the progress of this astonishing revolution with impotent surprise. Stefano Colonna, who was absent on the eventful day, expressed his scorn of the mob and their leader. But a popular attack on his palace convinced him of his error and forced him to fly from the city. Within fifteen days the triumph of Rienzi seemed to be complete, when the proudest nobles of Rome submitted and took an oath to support the new constitution. But the suddenness of his success was enough to turn a head which was never of the strongest.