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The Black Lizard Big Book of Black Mask Stories

Электронная книга - «The Black Lizard Big Book of Black Mask Stories». Краткое содержание книги:

An unstoppable anthology of crime stories culled from Black Mask magazine the legendary publication that turned a pulp phenomenon into literary mainstream.
Black Mask was the apotheosis of noir. It was the magazine where the first hardboiled detective story, which was written by Carroll John Daly appeared. It was the slum in which such American literary titans like Dashiell Hammett and Raymond Chandler got their start, and it was the home of stories with titles like “Murder Is Bad Luck,” “Ten Carets of Lead,” and “Drop Dead Twice.” Collected here is best of the best, the hardest of the hardboiled, and the darkest of the dark of America’s finest crime fiction. This masterpiece collection represents a high watermark of America’s underbelly. Crime writing gets no better than this.
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“You got hijacked out of fifty thousand dollars’ worth of hooch, and the reason you couldn’t get any trace of it afterward was because it was dumped in the bay. I didn’t want the hooch. I just wanted to attract somebody’s attention.

“Now you go back to the man that sent you and tell him to tell the man higher up to tell the man who is at the head of this crime trust that Ed Jenkins, the Phantom Crook, is on the warpath, that until I get those papers they can’t operate. I’ll spoil every scheme they hatch up, ball up everything they try to pull; and if anyone harms a hair of the head of Helen Chadwick in the meantime, I’ll forget my rule of never packing a gun, and start on the warpath and murder the outfit.

“Now get going!”

It was tall talk, but it was the kind of talk that gets through with men like Dugan. Those crooks had never seen me really in action, but they had heard tales from the East. A man can’t be known as the Phantom Crook in a dozen states, because he can slip through the fingers of the police at will, without having something on the ball.

Squint Dugan knew that I meant what I said. He took the opportunity to go, and he didn’t stand on the order of his going. I knew that my message would reach the chief of that gang, would come to the ears of the man who was so careful to keep his identity a secret from all save his most trusted lieutenants. Also I knew that I had been careless, that I had slipped in allowing them to get a line on my apartment, and that I would have to get another hideout, and be more careful when I did it.

Before Dugan was down the stairs I was working on a new disguise, planning a new place to conceal myself. It was to be a war to the bitter end, with no quarter given nor asked, and I knew it and the other side knew it. Also, I had won the first round, taken the first trick.

My disguise I slipped in a handbag — a white beard, slouch hat, shabby coat. I took a heavy cane and locked the apartment. It was a cheap joint in a poor district, and the rent was paid. I wouldn’t be back.

Before I put on the disguise I took a cab to Moe Silverstein’s. Moe knew every crook in the game, never forgot a face or a gem and was the smoothest double-crosser in the business.

He looked up as I entered his room on the third floor of a smelly tenement. As soon as he saw me he began to rub his hands smoothly together, as though he were washing them in oil. He was fat, flabby, bald, and he stunk of garlic. His eyes were a liquid, limpid brown, wide, innocent, hurt. He had the stare of a dying deer and a heart of concrete.

“Mine friend, ah, yes, mine friend. It is so, mine friend, Ed Jenkins, the super-crook, the one who makes the police get gray hairs, and you have something for me, friend Jenkins? Some trinket? Some bauble? Yes?”

I drew up a chair and leaned forward, over the table, my face close to Moe’s, so close I could smell the gagging odor of the garlic, could see the little muscles that tightened about his eyes.

“A new crook, Moe — a girl with a mole on her left hand. She goes by the name of Maude Enders. Where can I find her?”

His eyes stayed wide, but it took a tightening of the muscles to do it. His hands stopped in their perpetual rubbing.

“For why?”

“Do you know the Weasel?”

His hands began to rub again.

“The Weasel is dead, and I remember no dead crooks. I can make no money from them. It is only the live ones who can make money for Moe Silverstein.”

I nodded.

“Yes, I know all of that; but the Weasel was at my apartment just before he was killed. He came to warn me of this girl with the mole, to tell me that she would trap me; and then he was killed with the words scarcely cold on his lips — killed by crooks who had followed him in a closed car.”

Again he raised his shoulders, ducked his neck and spread his palms.

“But he is dead.”

“Exactly, and the woman with the mole got acquainted with me, and through her I met the man who poses as the head of the new crime trust, the new mastermind of the tenderloin. He is fat with skin that does not move and has eyes that are like chunks of ice. I want to locate the woman with the mole, and, through her, her master.”

Moe stopped all motion. He became a frozen chunk of caution, poised, tense, thinking, pulled out from behind his mask.

“Why?”

“Because this man has some papers I want, papers he held out on me. I want to warn him that unless I get those papers he will die.”

Actually he shrunk away from me, drew back from the table.

“I know nothing of what you speak. There is no girl with a mole in the game. This talk of a new crime trust is police propaganda for more men. You are crazy, Ed — and soon you will be dead, and then I will have to forget you, to lose another fine prospect. You could deliver much to me if you wanted to work, Ed, but you just hang out on the fringes and meddle... I do not know of the people you mention, and soon you will be forgotten. Good-bye.”

As I went out of the door his hands had resumed their rubbing, but his eyes had slipped; they were two narrow slits through which there came stabbing gleams of cold light. I was satisfied.

I went down the steps, doubled back, slipped down the corridor, and hid in a closet, a tight, dark, nasty-smelling closet, and waited.

An hour passed, and then there came the sound of quick, positive steps, steps that pounded down the hall with a banging of the heels, steps that paused before Moe’s door.

Again I peeked.

This would probably be my man. He was broad-shouldered, red-faced, aggressive. A young fellow with lots of pep, quick, positive motions, an outthrust chin, coal-black eyes, latest model clothes and dark, bushy eyebrows. His hands were small, slight, dark, jeweled. His face was scraped, massaged, pink. There was a swagger about him, a bearing.

He vanished within the door, and Moe did not throw him out. There was the soft slur of Moe’s voice, the harsh bass of the visitor’s tones, and I slipped down the hall, down the stairs and out.

The sheik came out in about half an hour, looked cautiously around him, walked a block, rounded a corner and doubled abruptly back, crossed the street, waited a few minutes, and then went on about his business with no further worry about his back-track.

I followed him to the Brookfield Apartments, waited half an hour, picked him up again and followed him to the Mintner Arms, an exclusive bachelor apartment house where only men of the highest references were admitted.

Three hours later I figured he was bedded for the night, and went to a cheap hotel, adjusted my disguise in the washroom and got a room. At daylight I was back on the job in front of the Mintner Arms. My man came out at eight and went into a barber shop and got the works. At nine-thirty he took his complexion out into the open air and headed for the fashionable jewelry district.

I was at the counter in Redfern’s Jewel Shoppe looking at the most expensive stones in the case when he made his spiel to old man Redfern. Five caustic comments on stones handed me had ensured the respectful silence of the clerk who was showing me the stones, and I got most of the spiel.

The sheik introduced himself as Carl Schwartz, held out his hand, grasped Redfern’s and worked his arm up and down like a pump handle, reeling out his talk in the meantime. It sounded good.

He was the representative, the special solicitor, of the Down Town Merchants’ Exhibit, and they were putting on a great jewel exhibit. All of the leading stores were to be represented. Space was to be sold by the foot, the exhibitors furnishing their own clerks and their own guards. Ten policemen would be in constant charge of the crowd. Admission would be by invitation only. The Exhibit would arrange to have the invitations given to the most influential and wealthy society leaders. The Exhibit would furnish music, a free talk each day by an expert on the intrinsic value of gems, the best mountings, the methods of judging stones, the appropriate gems for each occasion, and give photographic lectures on the latest mountings from Europe. The Exhibit would furnish an armored car to take the gems and the guards from each store to the place of exhibit. The Exhibit would also furnish daily flowers for decorative purposes.

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