The Great Events by Famous Historians [Volumes 1-14]

Thus the word "renaissance" has grown to cover a vaguer period, and there has been a constant tendency to push the date of its beginning ever backward, as we detect more and more the dimly dawning light amid the darkness of earlier ages. Of late, writers have fallen into the way of calling Dante the "morning star of the Renaissance"; and the period of the great poet's work, the first decade of the fourteenth century, has certainly the advantage of being characterized by three or four peculiarly striking events which serve to typify the tendencies of the coming age.

In 1301 Dante was driven out of Florence, his native city-republic, by a political strife. In this year, as he himself phrases it, he descended into hell; that is, he began those weary wanderings in exile which ended only with his life, and which stirred in him the deeps that found expression in his mighty poem, the Divina Commedia.1 Throughout his masterpiece he speaks with eager respect of the old Roman writers, and of such Greeks as he knew—so we have admiration of the ancient intellect. He also speaks bitterly of certain popes, as well as of other more earthly tyrants—so we have the dawnings of democracy and of religious revolt, of government by one's self and thought for one's self, instead of submission to the guidance of others.

More important even than these in its immediate results, Dante, while he began his poem in Latin, the learned language of the time, soon transposed and completed it in Italian, the corrupted Latin of his commoner contemporaries, the tongue of his daily life. That is, he wrote not for scholars like himself, but for a wider circle of more worldly friends. It is the first great work in any modern speech. It is in very truth the recognition of a new world of men, a new and more practical set of merchant intellects which, with their growing and vigorous vitality, were to supersede the old.

In that same decade and in that same city of Florence, Giotto was at work, was beginning modern art with his paintings, was building the famous cathedral there, was perhaps planning his still more famous bell-tower. Here surely was artistic wakening enough.

If we look further afield through Italy we find in 1303 another scene tragically expressive of the changing times. The French King, Philip the Fair, so called from his appearance, not his dealings, had bitter cause of quarrel with the same Pope Boniface VIII who had held the great jubilee of 1300. Philip's soldiers, forcing their way into the little town of Anagni, to which the Pope had withdrawn, laid violent hands upon his holiness. If measured by numbers, the whole affair was trifling. So few were the French soldiers that in a few days the handful of towns-folk in Anagni were able to rise against them, expel them from the place and rescue the aged Pope. He had been struck—beaten, say not wholly reliable authorities—and so insulted that rage and shame drove him mad, and he died.

Not a sword in all Europe leaped from its scabbard to avenge the martyr. Religious men might shudder at the sacrilege, but the next Pope, venturing to take up Boniface's quarrel, died within a few months under strong probabilities of poison; and the next Pope, Clement V, became the obedient servant of the French King. He even removed the seat of papal authority from Rome to Avignon in France, and there for seventy years the popes remained. The breakdown of the whole temporal power of the Church was sudden, terrible, complete.

INCREASING POWER OF FRANCE

Following up his religious successes, Philip the Fair attacked the mighty knights of the Temple, the most powerful of the religious orders of knighthood which had fought the Saracens in Jerusalem. The Templars, having found their warfare hopeless, had abandoned the Holy Land and had dwelt for a generation inglorious in the West. Philip suddenly seized the leading members of the order, accused it of hideous crimes, and confiscated all its vast wealth and hundreds of strong castles throughout France. He secured from his French Pope approval of the extermination of the entire order and the torture and execution of its chiefs. Whether the charges against them were true or not, their helplessness in the grip of the King shows clearly the low ebb to which knighthood had fallen, and the rising power of the monarchs. The day of feudalism was past.2

We may read yet other signs of the age in the career of this cruel, crafty King. To strengthen himself in his struggle against the Pope, he called, in 1302, an assembly or "states-general" of his people; and, following the example already established in England, he gave a voice in this assembly to the "Third Estate," the common folk or "citizens," as well as to the nobles and the clergy. So even in France we find the people acquiring power, though as yet this Third Estate speaks with but a timid and subservient voice, requiring to be much encouraged by its money-asking sovereigns, who little dreamed it would one day be strong enough to demand a reckoning of all its tyrant overlords.3