The World's Greatest Books [Volumes 1-15, 17-20]
- Автор: Gutenberg
- Год: 1910
- Язык: английский
- Жанр: Культурология
Электронная книга - «The World's Greatest Books [Volumes 1-15, 17-20]». Краткое содержание книги:
The World's Greatest Books — Volume 01 — Fiction от Неизвестный
The World's Greatest Books — Volume 02 — Fiction от Неизвестный
The World's Greatest Books — Volume 03 — Fiction от Неизвестный
The World's Greatest Books — Volume 04 — Fiction от Неизвестный
The World's Greatest Books — Volume 05 — Fiction от Неизвестный
The World's Greatest Books — Volume 06 — Fiction от Неизвестный
The World's Greatest Books — Volume 07 — Fiction от Неизвестный
The World's Greatest Books — Volume 08 — Fiction от Неизвестный
The World's Greatest Books — Volume 09 — Lives and Letters от Неизвестный
The World's Greatest Books — Volume 10 — Lives and Letters от Неизвестный
The World's Greatest Books — Volume 11 — Ancient and Mediæval History от Неизвестный
The World's Greatest Books — Volume 12 — Modern History от Неизвестный
The World's Greatest Books — Volume 13 — Religion and Philosophy от Неизвестный
The World's Greatest Books — Volume 14 — Philosophy and Economics от Неизвестный
The World's Greatest Books — Volume 15 — Science от Неизвестный
The World's Greatest Books — Volume 17 — Poetry and Drama от Неизвестный
The world's greatest books от Mee, Arthur, 1875-1943, joint editor & Hammerton, John Alexander, Sir, 1871-1949, joint editor & McClure, S. S. (Samuel Sidney), 1857-1949, joint editor
The World's Greatest Books — Volume 19 — Travel and Adventure от Неизвестный
The World's Greatest Books — Volume 20 — Miscellaneous Literature and Index от Неизвестный
IV.--The Horrors of Dreamland
I now pass to what is the main subject of these latter confessions, to the history of what took place in my dreams, for these were the immediate and proximate cause of my acutest suffering. I know not whether my reader is aware that many children, perhaps most, have a power of painting, as it were, upon the darkness all sorts of phantoms.
In the middle of 1817, I think it was, this faculty became positively distressing to me. At nights, when I lay awake in bed, vast processions passed along in mournful pomp; friezes of never-ending stories, that to my feelings were as sad and solemn as if they were stories drawn from times before Aedipus or Priam, before Tyre, before Memphis. And at the same time a corresponding change took place in my dreams; a theatre seemed suddenly opened and lighted up within my brain, which presented nightly spectacles of more than earthly splendour.
All changes in my dreams were accompanied by deep-seated anxiety and gloomy melancholy, such as are wholly incommunicable by words. I seemed every night to descend, not metaphorically, but literally, to descend into chasms and sunless abysses, depths below depths, from which it seemed hopeless that I should ever re-ascend. Nor did I, even by waking, feel that I had re-ascended.
The sense of space, and, in the end, the sense of time, were both powerfully affected. Buildings, landscapes, etc., were exhibited in proportions so vast as the bodily eye is not fitted to receive. Space swelled, and was amplified to an extent of unutterable infinity. This, however, did not disturb me so much as the vast expansion of time; I sometimes seemed to have lived far beyond the limits of any human experience.
The minutest incidents of childhood, or forgotten scenes of later years, were often revived. Of this, at least, I feel assured, that there is no such thing as forgetting possible to the mind. A thousand accidents may and will interpose a veil between our present consciousness and the secret inscriptions of the mind; accidents of the same sort will also rend away this veil; but alike, whether veiled or unveiled, the inscription remains for ever; just as the stars seem to withdraw before the common light of day, whereas, in fact, we all know that it is the light which is drawn over them as a veil, and that they are but waiting to be revealed when the obscuring daylight shall have withdrawn.
In the early stage of my malady the splendours of my dreams were indeed chiefly architectural; and I beheld such pomp of cities and palaces as was never yet beheld by the waking eye, unless in the clouds. To architecture succeeded dreams of lakes and silvery expanses of water. The waters then changed their character--from translucent lakes shining like mirrors they now became seas and oceans.
And now came a tremendous change, which, unfolding itself slowly like a scroll through many months, promised an abiding torment; and, in fact, it never left me until the winding up of my case. Hitherto the human face had mixed often in my dreams, but not despotically, nor with any special power of tormenting. But now that which I have called the tyranny of the human face began to unfold itself. Perhaps some part of my London life might be answerable for this. Be that as it may, now it was that upon the rocking waters of the ocean the human face began to appear; the sea appeared paved with innumerable faces upturned to the heavens--faces imploring, wrathful, despairing, surged upwards by thousands, by myriads, by generations, by centuries; my agitation was infinite, my mind tossed and surged with the ocean.
V.--The Monster-Haunted Dreamer
I know not whether others share in my feelings on this point; but I have often thought that if I were compelled to forego England and to live in China, and among Chinese manners and modes of life and scenery, I should go mad. Southern Asia in general is the seat of awful images and associations. As the cradle of the human race, it would alone have a dim and reverential feeling connected with it. But there are other reasons. No man can pretend that the wild, barbarous, and capricious superstitions of Africa, or of savage tribes elsewhere, affect him in the way that he is affected by the ancient, monumental, cruel, and elaborate religions of Indostan, etc. The mere antiquity of Asiatic things, of their institutions, histories, modes of faith, etc., is so impressive that, to me, the vast age of the race and name overpowers the sense of youth in the individual. A young Chinese seems to me an antediluvian man renewed.
All this, and much more than I can say or have time to say, the reader must enter into before he can comprehend the unimaginable horror which these dreams of Oriental imagery and mythological tortures impressed upon me. Under the connecting feeling of tropical heat and vertical sunlight, I brought together all creatures, birds, beasts, reptiles, all trees and plants, usages and appearances, that are found in all tropical regions, and assembled them together in China or Indostan. From kindred feelings I soon brought Egypt and all her gods under the same law. I was stared at, hooted at, grinned at, chattered at, by monkeys, by paroqueats, by cockatoos. I ran into pagodas, and was fixed for centuries, at the summit, or in secret rooms; I was the idol; I was the priest; I was worshipped; I was sacrificed. I fled from the wrath of Brahma through all the forests of Asia; Vishnu hated me; Siva laid wait for me. I came suddenly upon Isis and Osiris; I had done a deed, they said, which the ibis and the crocodile trembled at I was buried for a thousand years in stone coffins, with mummies and sphinxes, in narrow chambers at the heart of eternal pyramids. I was kissed by crocodiles; and laid, confounded with all unutterable slimy things, amongst reeds and Nilotic mud.
Over every form and threat and punishment brooded a sense of eternity and infinity that drove me into an oppression as of madness. Into these dreams only it was, with one or two slight exceptions, that any circumstances of physical horror entered. But here the main agents were ugly birds, or snakes, or crocodiles; especially the last. The cursed crocodile became to me the object of more horror than almost all the rest. I was compelled to live with him, and--as was almost always the case in my dreams--for centuries. And so often did this hideous reptile haunt my dreams that many times the very same dream was broken up in the very same way. I heard gentle voices speaking to me--I hear everything when I am sleeping--and instantly I awoke. It was broad noon, and my children were standing, hand in hand, at my bedside--come to show me their coloured shoes, or new frocks, or to let me see them dressed for going out. I protest that so awful was the transition from the detestable crocodile, and the other unutterable monsters and abortions of my dreams, to the sight of innocent human natures and of infancy that in the mighty and sudden revulsion of mind I wept, and could not forbear it, as I kissed their faces.
VI.--The Agonies of Sleep
As a final specimen, I cite a dream of a different character, from 1820. The dream commenced with a music which now I often heard in dreams--a music of preparation and of awakening suspense, a music like the opening of the Coronation Anthem, and which, like that, gave the feeling of a vast march, of infinite cavalcades filing off, and the tread of innumerable armies. The morning was come of a mighty day--a day of crisis and of final hope for human nature, then suffering some mysterious eclipse, and labouring in some dread extremity. Somewhere, I knew not where--somehow, I knew not how--by some beings, I knew not whom--a battle, a strife, an agony, was conducting, was evolving like a great drama or piece of music, with which my sympathy was the more insupportable from my confusion as to its place, its cause, its nature, and possible issue.
I, as is usual in dreams--where, of necessity, we make ourselves central to every movement--had the power, and yet had not the power, to decide it. I had the power, if I could raise myself to will it, and yet again had not the power, for the weight of twenty Atlantics was upon me, or the oppression of inexpiable guilt. "Deeper than ever plummet sounded," I lay inactive. Then, like a chorus, the passion deepened. Some greater interest was at stake, some mightier cause than ever yet the sword had pleaded, or trumpet had proclaimed. Then came sudden alarms, hurryings to and fro, trepidations of innumerable fugitives--I knew not whether from the good cause or the bad--darkness and lights, tempest and human faces, and at last, with the sense that all was lost, female forms, and the features that were worth all the world to me, and but a moment allowed--and clasped hands, and heart-breaking partings, and then--everlasting farewells! And with a sigh such as the caves of hell sighed when the incestuous mother uttered the abhorred name of death, the sound was reverberated--everlasting farewells! And again and yet again reverberated--everlasting farewells! And I awoke in struggles, and cried aloud, "I will sleep no more."