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The House At Sea’s End

Электронная книга - «The House At Sea’s End». Краткое содержание книги:

Ruth Galloway has just returned from maternity leave and is struggling to juggle work and motherhood. When a team from the University of North Norfolk, investigating coastal erosion, finds six bodies buried at the foot of the cliff, she is immediately put on the case. DCI Nelson is investigating, but Ruth finds this more hindrance than help – Nelson is the father of her daughter, Kate. Still, she remains professional and concentrates on the case at hand. Forensic tests prove that the bodies are from Southern Europe, killed sixty years ago. Police Investigations unearth records of Project Lucifer, a wartime plan to stop a German invasion. A further discovery reveals that members of the Broughton Sea's End Home Guard took a 'blood oath' to conceal some deadly wartime secret. The more information they uncover, the more elusive any explanation becomes. When a visiting German reporter is killed, Ruth and Nelson realise that someone is still alive who will kill to keep the secret of Broughton Sea's End's war years. Can they discover the truth in time to stop another murder?
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ACKNOWLEDGEMENTS

Broughton Sea’s End is an imaginary place. There is, however, a Lincolnshire town called Moulton Sea’s End which is lucky enough to be home to my dear friends John and Colin. I have borrowed part of the name but nothing else. Several towns on the east Norfolk coast are genuinely threatened by coastal erosion, Happisburgh in particular.

The invasion story is also totally fictitious. There were numerous invasion scares during the Second World War and for details of these I am indebted to two books by James Hayward: The Bodies on the Beach and Myths and Legends of the Second World War. Thanks to BBC 2’s Coast for the listening post and to Dr Matt Pope who first had the idea about the bodies on the beach.

Thanks to Andrew Maxted and Lucy Sibun for their archaeological expertise. However, I have only followed their advice as far as it suits the plot and any resulting mistakes are mine alone. Thanks to Marjorie Scott-Robinson for the Norfolk background and for the stairlift idea. Thanks to Peter Woodman for sharing his knowledge of classic films and to Becki Walker for her eagle-eyed proof-reading.

Thanks, as always, to my editor Jane Wood and all at Quercus. Thanks to Tim Glister and all at Janklow and Nesbit. Special thanks to Tif Loehnis, without whom the Ruth Galloway books would never have been written.

Love and thanks always to my husband Andrew and to our children, Alex and Juliet.

Elly Griffiths, 2010

Elly Griffiths

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