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The World's Greatest Books [Volumes 1-15, 17-20]
- Автор: Gutenberg
- Год: 1910
- Язык: английский
- Жанр: Культурология
Электронная книга - «The World's Greatest Books [Volumes 1-15, 17-20]». Краткое содержание книги:
The World's Greatest Books — Volume 01 — Fiction от Неизвестный
The World's Greatest Books — Volume 02 — Fiction от Неизвестный
The World's Greatest Books — Volume 03 — Fiction от Неизвестный
The World's Greatest Books — Volume 04 — Fiction от Неизвестный
The World's Greatest Books — Volume 05 — Fiction от Неизвестный
The World's Greatest Books — Volume 06 — Fiction от Неизвестный
The World's Greatest Books — Volume 07 — Fiction от Неизвестный
The World's Greatest Books — Volume 08 — Fiction от Неизвестный
The World's Greatest Books — Volume 09 — Lives and Letters от Неизвестный
The World's Greatest Books — Volume 10 — Lives and Letters от Неизвестный
The World's Greatest Books — Volume 11 — Ancient and Mediæval History от Неизвестный
The World's Greatest Books — Volume 12 — Modern History от Неизвестный
The World's Greatest Books — Volume 13 — Religion and Philosophy от Неизвестный
The World's Greatest Books — Volume 14 — Philosophy and Economics от Неизвестный
The World's Greatest Books — Volume 15 — Science от Неизвестный
The World's Greatest Books — Volume 17 — Poetry and Drama от Неизвестный
The world's greatest books от Mee, Arthur, 1875-1943, joint editor & Hammerton, John Alexander, Sir, 1871-1949, joint editor & McClure, S. S. (Samuel Sidney), 1857-1949, joint editor
The World's Greatest Books — Volume 19 — Travel and Adventure от Неизвестный
The World's Greatest Books — Volume 20 — Miscellaneous Literature and Index от Неизвестный
While Johnson kept his academy, I have not discovered that he wrote anything except a great portion of his tragedy of "Irene." When he had finished some part of it, he read what he had done to his friend, Mr. Gilbert Walmsley, Registrar of the Prerogative Court of Lichfield, who was so well pleased with this proof of Johnson's abilities as a dramatic writer that he advised him to finish the tragedy and produce it on the stage. Accordingly, Johnson and his friend and pupil, David Garrick, went to try their fortunes in London in 1737, the former with the hopes of getting work as a translator and of turning out a fine tragedy-writer, the latter with the intention of completing his education, and of following the profession of the law. How, indeed, Johnson employed himself upon his first coming to London is not particularly known. His tragedy, of which he had entertained such hopes, was submitted to Mr. Fleetwood, the patentee of Drury Lane Theatre, and rejected.
III.--Poverty Stricken in London
Johnson's first performance in the "Gentleman's Magazine," which for many years was his principal source of employment and support, was a copy of Latin verses, in March, 1738, addressed to the editor. He was now enlisted by Mr. Cave, as a regular coadjutor in his magazine, by which he probably obtained a tolerable livelihood. What we certainly know to have been done by him in this way were the debates in both Houses of Parliament, under the name of "The Senate of Lilliput."
Thus was Johnson employed during some of the best years of his life, solely to obtain an honest support. But what first displayed his transcendent powers, and "gave the world assurance of the Man," was his "London, a Poem in Imitation of the Third Satire of Juvenal," which came out in May this year (1738), and burst forth with a splendour the rays of which will forever encircle his name.
But though thus elevated into fame, Johnson could not expect to produce many such works as his "London," and he felt the hardships of writing for bread. He was therefore willing to resume the office of a schoolmaster, and, an offer being made to him of the mastership of a school, provided he could obtain the degree of Master of Arts, Dr. Adams was applied to by a common friend to know whether that could be granted to him as a favour from the university of Oxford. But it was then thought too great a favour to be asked.
During the next five years, 1739-1743, Johnson wrote largely for the "Gentleman's Magazine," and supplied the account of the Parliamentary Debates from November 19, 1740, to February 23, 1743, inclusive. It does not appear that he wrote anything of importance for the magazine in 1744. But he produced one work this year, fully sufficient to maintain the high reputation which he had acquired. This was "The Life of Richard Savage," a man of whom it is difficult to speak impartially without wondering that he was for some time the intimate companion of Johnson; for his character was marked by profligacy, insolence, and ingratitude; yet, as he undoubtedly had a warm and vigorous, though unregulated mind, had seen life in all its varieties, and been much in the company of the statesmen and wits of his time, he could communicate to Johnson an abundant supply of such materials as his philosophical curiosity most eagerly desired; and so his visits to St. John's Gate--the office of the "Gentleman's Magazine"--naturally brought Johnson and him together.
IV.--Preparation of the "Dictionary"
It is somewhat curious that Johnson's literary career appears to have been almost totally suspended in 1745 and 1746. But the year 1747 is distinguished as the epoch when Johnson's arduous and important work, his "Dictionary of the English Language," was announced to the world, by the publication of its "Plan or Prospectus."
The booksellers who contracted with Johnson, single and unaided, for the execution of a work which in other countries has not been effected but by the co-operating exertions of many, were Mr. Robert Dodsley, Mr. Charles Hitch, Mr. Andrew Millar, the two Messieurs Longman, and the two Messieurs Knapton. The price stipulated was fifteen hundred and seventy-five pounds. The "Plan" was addressed to Philip Dormer, Earl of Chesterfield, then one of his majesty's principal secretaries of state, a nobleman who was very ambitious of literary distinction, and who, upon being informed of the design, had expressed himself in terms very favourable to its success. The plan had been put before him in manuscript For the mechanical part of the work Johnson employed, as he told me, six amanuenses.
In the "Gentleman's Magazine" for May, 1748, he-wrote a "Life of Roscommon," with notes, which he afterwards much improved and inserted amongst his "Lives of the English Poets." And this same year he formed a club in Ivy Lane, Paternoster Row, with a view to enjoy literary discussion.
In January, 1749, he published "Vanity of Human Wishes, being the Tenth Satire of Juvenal Imitated"; and on February 6 Garrick brought out his tragedy at Drury Lane. Dr. Adams was present at the first night of the representation of "Irene," and gave me the following account. "Before the curtain drew up, there were catcalls and whistling, which alarmed Johnson's friends. The prologue, which was 'written by himself in a manly strain, soothed the audience, and the play went off tolerably till it came to the conclusion, when Mrs. Pritchard, the heroine of the piece, was to be strangled on the stage, and was to speak two lines with the bow-string around her neck. The audience cried out 'Murder! Murder!' She several times attempted to speak, but in vain. At last she was obliged to go off the stage alive." This passage was afterwards struck out, and she was carried off to be put to death behind the scenes, as the play now has it.
Notwithstanding all the support of such performers as Garrick, Barry, Mrs. Pritchard, and every advantage of dress and decoration, the tragedy of "Irene" did not please the public. Mr. Garrick's zeal carried it through for nine nights, so that the author had his three nights' profit; and from a receipt signed by him it appears that his friend Mr. Robert Dodsley gave him one hundred pounds for the copy, with his usual reservation of the right of one edition.
On occasion of his play being brought upon the stage, Johnson had a fancy that as a dramatic author his dress should be more gay than he ordinarily wore; he therefore appeared behind the scenes, and even in one of the side boxes, in a scarlet waistcoat, with rich gold lace and a gold laced hat. His necessary attendance while his play was in rehearsal, and during its performance, brought him acquainted with many of the performers of both sexes, which produced a more favourable opinion of their profession than he had harshly expressed in his "Life of Savage." With some of them he kept up an acquaintance as long as he and they lived, and was ever ready to show them acts of kindness. He for a considerable time used to visit the green room, and seemed to take delight in dissipating his gloom by mixing in the sprightly chit-chat of the motley circle then to be found there. But at last--as Mr. David Hume related to me from Mr. Garrick--he denied himself this amusement from considerations of rigid virtue.
V.--"The Rambler" and New Acquaintance
In 1750 Johnson came forth in the character for which he was eminently qualified, a majestic teacher of moral and religious wisdom. The vehicle he chose was that of a periodical paper, which he knew had, upon former occasions--those of the "Tattler," "Spectator," and "Guardian"--been employed with great success.
The first paper of "The Rambler" was published on Tuesday, March 20, 1750, and its author was enabled to continue it without interruption, every Tuesday and Friday, till Saturday, March 17, 1752, on which day it closed. During all this time he received assistance on four occasions only.