The End of All Songs
- Автор: Муркок Майкл
- Серия: Dancers at the End of Time #3
- Год: 1976
- Язык: английский
- Жанр: Научная фантастика
Электронная книга - «The End of All Songs». Краткое содержание книги:
But as the pandemonium progresses, some delicious and long-held mysteries are revealed and some distressing omens appear on the horizon. Due to circumstances beyond their control, immortality - at least as far as the immortals know it - will never be the same again.
It was at this point that Lord Jagged slipped away.
Probably, Jherek thought, it was because his father was quickly bored by such things and also because (it was rumoured) he had no liking for the envious Volospion. Not a few of the others had chosen group marriages, which, save for the naming of the names, took somewhat less time to complete. Amelia was becoming restless, as was the Iron Orchid; the two women whispered together and occasionally made remarks which caused one or both to repress laughter and, on certain occasions, under cover of some loud report, for instance, from a Wedding Cannon, or Clare Cyrato's perfect rising contralto shriek as her labia were pierced, or the Earl of Carbolic's nine hundredth-century bull-bellow, allowed themselves to giggle quite openly. Jherek did not feel excluded; he was relieved that their friendship flourished, though every so often he noticed a look of disapproval cross Amelia's features, as if she found her own behaviour reprehensible. Sometimes she would join in the applause which began to fill the cathedral, as more and more people, on the spur of the moment, rushed towards the tasteful web of neon that was the altar, and married one another.
The proceedings were becoming extremely chaotic and Bishop Castle, who had lost his air of gravity, was waving his mitre around his head, making up more and more extravagant rituals and, like the ringmaster, putting his brides and his grooms through increasingly ludicrous paces, so that laughter now sounded from every corner of the great cathedral, bursts of clapping greeted quite unremarkable exercises (such as the four ladies who insisted on being married whilst standing on their hands). As the Iron Orchid remarked: "The wittiest of us are already wedded — these give us only low comedy!"
They prepared to leave.
"Bishop Castle should not lend himself to such sport," said the Orchid. "I note that most of these people are largely of immigrant origin who have been returned, just recently, by the Morphail Effect. Is that not boorish Pereg Tralo — there in the blazing crown, with all those little girls? But what is Gaf the Horse in Tears doing to that other time-traveller, the one bending down — there?"
Amelia turned away.
The Iron Orchid patted her padded shoulder. "I agree, my dear, it is most distasteful."
The remaining celebrants were dancing now, in a long line which wandered in and out of the arches, up and down the stairs, along the high galleries, through deep shadows and into sudden sunlight, while Bishop Castle urged them on, his mitre swinging in time to the music of the Duke's band which came faintly from beyond the doors. "Bless you!" he cried. "Bless you!"
Fire bloomed now as brands were added, at the insistence, it seemed, of Trixitroxi Ro, dethroned queen of a decadent court who had been exiled, by successful revolutionaries, to the future, and who had, for hundreds of years, only one idea for a successful party — to set fire to everything.
The Iron Orchid, Jherek and Amelia, began to make their way towards the doors, moving against the crowd.
"These are the very worst aspects of the world's infancy," protested the Orchid as she was jostled by a brand-bearing cat-masked spring-footed Holy Electrician from a period which had prospered at least a million years before.
"You become a snob, Iron Orchid!" Amelia's mockery was good-natured.
"You relished such scenes once, Mother, it is true," agreed Jherek.
"Oh, perhaps I grow old. Or some quality leaves life at the End of Time. I find it hard to describe."
The doors were still a good distance from them. The dancing crowd had separated into several interweaving sections. Screams of laughter mingled with snatches of song, with shrieks and guffaws and the sound of stamping feet; bizarre masks grinned through the hagioscopes in walls and pillars, bodies, painted and unpainted, natural and remodelled, writhed on steps, in choirs, pews, pulpits and confessionals; feathers waved, spangles glittered, silks scraped on satins, jewelled cloaks and boots reflected torchlight and seemed to blaze of their own accord; skins, yellow and green and brown and red and pink and black and blue and orange, glistened; and everywhere the eyes they saw were burning, the mouths were hot.
Of the three, only Jherek laughed. "They enjoy themselves, mother! It is a festival."
"Danse macabre," murmured Amelia. "The damned, the dead, the doomed — they dance to forget their fate…"
This was a trifle too much even for the Orchid in her abnormal despondency. "It is certainly vulgar," she said, "if nothing else. The Duke of Queens is to blame, of course. It is typical of him to allow a perfectly entertaining event to degenerate into — ah!" she fell to the flagging, bowled down by a squirming couple over whom she had tripped.
Jherek helped her up. He was smiling. "You used to chide me for my criticisms of the Duke's taste. Well, I am vindicated at last."
She sniffed. She noticed the face of one of the people on the ground. "Gaf! How can you lend yourself to this?"
"Eh?" said Gaf the Horse in Tears. He extricated himself from under his partner. "Iron Orchid! Oh, your perfume, your petals, your delicate stamen — let them consume me!"
"We are leaving," she said pointedly, casting a hard eye over the black and white fur which Gaf sported. "We find the proceedings dull."
"Dull, dearest Orchid? It is an experience. Experience of any sort is sufficient to itself!" Gaf thought she joked. From where he lay, he extended a hand. "Come. Join us. We —"
"Perhaps another time, weeping stallion." She perceived an opening in the throng and made towards it, but it had closed before any of them could reach it.
"They seem drunk with the prospect of their own damnation…" began Amelia before her voice was lost in the yell of the throng. She held herself as she had when Jherek had first seen her, her mouth set, her eyes contemptuous, and all his love swept over him so that he was bound to kiss her. But her cheek was cold. She plunged away, colliding with the crowd which caught her and began to bear her from him. She was as one who had fallen into a torrent and feared drowning. He ran to her rescue, dragging her clear of the press; she gasped and sobbed against him. They were on the edge of the sunlight from the doors; escape was near. They could hear the band still playing outside. She was shouting to him, but her words were indistinct. The Iron Orchid plucked at Jherek's arm, to lead them from the cathedral and at that moment darkness descended.
The sun was gone; no light entered the doors or fell through the windows; the music died; there was silence outside. It was cold. Yet many of the revellers danced on, their way illuminated by the guttering flames of the flambeaux in their hands; many still laughed or shouted. But then the cathedral itself began to tremble. Metal and glass rattled, stone groaned.
The doors, now a black gap, could still be seen, and towards them the three fled, with Iron Orchid crying in astonishment: "Jagged has failed us. The world ends, after all!"
Into the coldness they rushed. Behind them firelight flickered from the many windows of the building, but it was too feeble to brighten the surrounding ground, though it was possible to identify the whereabouts of the stalls and booths and tents from the voices, some familiar, calling out in bewilderment. Jherek expected the air to give way to vacuum at any moment. He clutched Amelia and now she hugged him willingly. "If only there had been some way to live," she said. "And yet I think I am glad for this. I could never have changed. I would have become a hypocrite and you would have ceased to love me."